Jason Victor Serinus  |  Jan 15, 2010  |  56 comments
As John Atkinson and I entered the room at THE Show in which darTZeel electronics partnered Evolution Acoustics loudspeakers, I was immediately struck by the fullness of the midrange. It was as though the system was opening its heart and welcoming us in. That's how warm and nurturing the sound was.
Jason Victor Serinus  |  Jan 14, 2010  |  0 comments
The outboarding THE Show, run by the affable Richard Beers, was held for the first time at the Flamingo Hotel on the Strip, two Las Vegas blocks from CES’s “High-Performance” venue, the Venetian. In previous years, THE Show had been held at the St. Tropez Resort, then the Alexis Park, but Richard now has a multi-year contract with the Flamingo. I estimated THE Show had representation from a good 110 manufacturers. One of the big draws was actually outside the Flamingo's back door, where Panasonic was demming HD-3D TV in a huge trailer. It's rumored that some die-hard two-channel audiophiles snuck into the trailer trying to mask the same guilty expressions that they carried to the porno exhibit in the Sands Convention Center.
Jason Victor Serinus  |  Jan 14, 2010  |  1 comments
The vendor display at THE Show was up and going strong throughout the four days. Classic Records, who clearly didn't want to attract any attention, joined Acoustic Sounds, Chesky, Elusive Disc, HDtracks.com, M•A Recordings, Music Direct, Reference Recordings, themusic.com, Ultra Systems, Truextent, Quality Rare Records, and Parts Express.
Jason Victor Serinus  |  Jan 14, 2010  |  5 comments
After John's short talk at THE Show (see below), the two of us decided to make the rounds together until I had to leave for the airport. But it wasn't that easy to just get up and go.
Jason Victor Serinus  |  Jan 14, 2010  |  0 comments
Stereophile editor John Atkinson served as the opening act for the Grand Giveaway on the final day of THE Show 2010. In his short talk, John reflected on the losses of the past year. He first honored two of his departed mentors, John Crabbe and J. Gordon Holt, both of whom were central to the development of high-end audio. He also honored the memory of Al Stiefel, who co-founded the Rocky Mountain Audio Fest with his wife, Marjorie Baumert.
Jason Victor Serinus  |  Jan 13, 2010  |  11 comments
One of the many delights of CES was running into Neil Sinclair, former owner of Theta Digital, in the hallways of the Venetian. In answer to my question, "What would you recommend I check out?" Neil led me to the King's Audio suite.
Jason Victor Serinus  |  Jan 13, 2010  |  0 comments
In the middle of the King's Audio room sat the omni-directional King Tower ($4500/pair). The speaker was created specifically because, according to the distributor, there was no affordable omni on the market. Paired with same substandard cabling as was the King's Audio Prince II electrostat, a $99 Philips CD player, and the mbl Noble series 4004 preamp and 8011 monoblocks, the speakers sounded quite promising. This is a speaker that needs a better source component and better cabling to fully demonstrate what it can do.
Jason Victor Serinus  |  Jan 13, 2010  |  0 comments
In the Laufer-Teknik room, I had the opportunity to audition the Ascendo C8 loudspeaker ($9800/pair) with stand. This three-way includes a rear-firing ribbon tweeter and upward-firing, internal woofer, and has a specified sensitivity of 88dB
Jason Victor Serinus  |  Jan 13, 2010  |  8 comments
On the fourth floor of THE Show, Tim Ryan of Simpli-Fi was demming the Gradient Helsinki 5.1 loudspeaker ($6500/pair, down from $8000 a year ago). This weird-looking loudspeaker produces anything but weird sound. Designed to avoid reflections from the sidewalls and floor, it has 85dB sensitivity, a nominal 6 ohm impedance, and a frequency range of 200Hz–20kHz.
Jason Victor Serinus  |  Jan 13, 2010  |  3 comments
Two of my colleagues had waxed so enthusiastic about the Vienna Acoustics The Music loudspeaker ($27,000/pair), showcased in the huge Sumiko suite on the 34th floor, that I had to take a listen for myself. Sources were the Wadia 781 CD player and Project Xtension turntable ($6000) with Sumiko Palisantos Presentation cartridge ($3500), feeding an Aesthetix Calypso linestage, Aesthetix Io phono preamp, and Aesthetix Atlas amplifier. Also heard was a pair of REL G1 subwoofers ($3995 each), all connected by a mix of Transparent Audio and OCOS cabling.

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