Jonathan Scull

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Jonathan Scull  |  Nov 11, 2013  |  First Published: Jan 01, 1996  |  1 comments
8883aroyals.1.jpgThe match between amplifier and speaker for single-ended operation is critical, which is why John Atkinson suggested I let Wavelength's Gordon Rankin lead when it came to choosing a speaker to partner his special-edition Cardinal amplifiers. If you're not talking roughly 92dB sensitivity and a fairly benign load, say no lower than 6 ohms, you're just not talking single-ended. That precluded running the Cardinals on the big Avalon Ascents with their lowish 86dB sensitivity (in spite of the relatively benign impedance curve).

After more discussion it became evident that the best speakers to use were the very ones Gordon employed in his own reference system—the Swiss-made Reference 3A Royal Master Control loudspeakers.

Jonathan Scull  |  Jul 24, 2009  |  First Published: Dec 24, 1995  |  0 comments
My reviews always begin in bizarre ways. Take David Manley...please! (Just kidding.) On the last day of Winter CES 1995, I found myself towing a tuckered-out JA to a few final rooms. (This was just after the January '95 David Manley/Dick Olsher tube-rolling brouhaha, footnote 1, regarding who should do what to whom, and with which particular tube.) So as we passed Manley's room, John Atkinson thought to stick his head in (the noose) and say hello.
Jonathan Scull  |  Aug 16, 2013  |  First Published: Nov 01, 1995  |  1 comments
I'm not sure why, but people tell me things. Maybe it's because they realize I listen. They reveal themselves, sometimes in charming and unexpected ways. So I was almost prepared for my three-way conference call with the designer of the Symphonic Line Kraft 400 power amplifier, Rolf Gemein, in Germany and Indianapolis-based importer/distributor Klaus Bunge. I started by asking Rolf about his design philosophy . . .
Jonathan Scull  |  Sep 05, 2013  |  First Published: Nov 01, 1995  |  51 comments
Ted Denney at the 2003 CES. (Photo: John Atkinson)

As I had been impressed with Ted Denney's Synergistic Research cable, I thought that asking him for 25,000 words on his thoughts on cable design and performance would be an appropriate accompaniment to my Symphonic Line Kraft 400 amplifier review.

Jonathan Scull  |  Aug 16, 2013  |  First Published: Nov 01, 1995  |  0 comments
Things didn't start off auspiciously. I'd been after Symphonic Line's Klaus Bunge for more than a year to send me the Kraft 400 Reference monoblocks. Finally he called. He said he was going to be in town for a few days, and he had with him a pair of what he described as his "traveling" Kraft 400s, which he proposed to leave with me.
Jonathan Scull  |  Aug 05, 2007  |  First Published: Jul 05, 1995  |  0 comments
If you think I burned out cartridge-wise at the end of my and JE's It's A Mad Mad Mad Mad World cartridge survey at the beginning of the year (Vol.18 Nos.1 & 2), you're wrong. If you think I ought to burn out and give it a rest, you'll be disappointed. If you think analog doesn't matter anymore, you have my semi-sincere condolences. But if you think, as I do, that analog is enjoying a resurgence of epic proportions (twilight or no), and that LP playback has reached a new zenith of musical wonder, then hang on—here I go again!
Jonathan Scull  |  May 18, 1995  |  0 comments
Fantasy review time. I first heard about the C.E.C. TL 0 in the May '94 Stereophile (Vol.17 No.5), in Audio Mogul Richard Schram's Manufacturer's Comment to my review of the C.E.C. TL 1. I wasn't sure if he was kidding when he threatened the world with a cost-no-object $17,500 CD transport. Just what we all need!
Jonathan Scull  |  May 04, 2009  |  First Published: Apr 04, 1995  |  0 comments
What is it about a component that makes the blasé High Ender sit up and say, "Hey, this is special!"? What elements of its reproduction reach out to you and won't let go? How does the intrepid audio reviewer find a way to describe these hopefully recurring moments of musical discovery which define the high-end experience? How many times, after all, can you say, "Ooooo, ahhhhh, that's the best [insert some part of the frequency range here]," ad nauseam? How much difference is there, anyway? Therein lies the tale...
Jonathan Scull  |  Nov 08, 2019  |  First Published: Apr 01, 1995  |  2 comments
As the sides of the slim-line Timbre Technology TT-1 DAC are radiused rather than flat, it's elegant compared to its typical boxy competition. While the TT-1's handsome shape stands out more than your average audiophile device, its curved sides help create a stronger, less resonant shape than the usual box, and serve as just one of the many elements contributing to a high degree of mechanical integrity and damping.
Jonathan Scull, Sam Tellig, Barry Willis  |  Feb 03, 1994  |  2 comments
Editor's note: When Jonathan Scull reviewed the Shun Mook devices back in 1994, he unleashed a hailstorm of controversy that continues to this day. Below is his original report along with some of the follow-up articles and fallout.

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