Larry Greenhill

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Larry Greenhill  |  Jan 13, 2015  |  0 comments
"Here is a recording that should never be played on this small speaker," said Nola's Carl Marchisotto, as he cued up Reference Recordings choral spectacular, John Rutter's Requiem, to play on Nola's new $19,800/pair Studio Grand Reference Gold loudspeaker.
Larry Greenhill  |  Jan 13, 2015  |  0 comments
Brad Lunde, President, of Lone Mountain Audio, the US importer for English speaker manufacturer ATC, showed me this three-way, floorstanding, powered ATC SCM40A loudspeaker ($12,499/pair).
Larry Greenhill  |  Jan 13, 2015  |  0 comments
Wei Chang, designer of the $3690 Sopranino electrostatic supertweeter that John Atkinson reviewed last May, was showing their bookshelf-sized, 42 lb monitor loudspeaker, the $14,690/pair Mythology 1, which incorporates the Sopranino for the top-octave driver.
Larry Greenhill  |  Jan 13, 2015  |  0 comments
Estelon presented its slim, 151 lb, 50"-tall, $45,000/pair, floorstanding XB loudspeaker (above). The speaker employs an 8" Accuton ceramic-dome woofer, a 6.25" Accuton ceramic-membrane midrange, and a 1" inverted ceramic-dome tweeter. Internal wiring is by Kubala-Sosna, and the crossover capacitors are Teflon-Hybrid. The loudspeaker was beautiful to see, and was playing smoothly and softly as I read about it at the exhibit.
Larry Greenhill  |  Jan 13, 2015  |  0 comments
Danish manufacturer Raidho demonstrated its $30,000/pair, 88 lb, X3 loudspeakers at CES. The remarkable slim towers have four dedicated 4" ceramic midbass drivers and one 8" side-mounted woofer, in addition to a magnetic-planar tweeter that is crossed over at 3kHz.
Larry Greenhill  |  Jan 13, 2015  |  0 comments
Gary Leonard Koh, the President and CEO of Genesis Advanced Technologies, walked me through the latest technological upgrades he has made available through his product line.
Larry Greenhill  |  Jan 13, 2015  |  0 comments
Meridian was showing three of their current line of DSP loudspeakers: the $20,000/pair DSP 5200; the $46,000/pair DSP 7200, and the $80,000/pair DSP 8000. These loudspeakers have in common an all-digital input, internal digital signal processing circuitry, and a crossover implemented in the digital domain.
Larry Greenhill  |  Jan 13, 2015  |  0 comments
Dynaudio's Mike Manousselis welcomed me to the Danish speaker manufacturer's exhibit suite and introduced both the company's founder, Wilfried Ehrenholz (above left) and their new $13,500/pair Focus 600 XD, active loudspeaker (above right) to me. "All There Is" reads Dynaudio's slogan for the new speaker, as it can be connected directly to a network, wired or wireless, to play music.
Larry Greenhill  |  Jan 13, 2015  |  1 comments
"Go hear Tower of Power," said Jon Iverson, "on the 35th Floor of the Venetian. See Philip O'Hanlon and tell him I sent you.
Larry Greenhill  |  Jan 04, 2015  |  1 comments
As an audiophile, I've come to associate the size, weight, and price of a subwoofer as quick'n'dirty indicators of its quality. The subwoofers that have worked best in my large listening room—the Velodyne ULD-18 and DD-18+, Muse Model 18, REL Studio III, JL Audio Fathom f113, and Revel Sub30—each weigh more than 130 lbs and cost more than $2500. With some of my reference recordings, all of them have achieved what Robert Harley described in the April 1991 issue of Stereophile as the goals of a quality subwoofer: "seamless integration, quickness, no bloat, and unbelievable bass extension." Yet are back-busting weight, unmanageable size, and nosebleed cost essential to achieving those goals?

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