Wes Phillips

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Wes Phillips  |  Jan 09, 2009  |  2 comments
Simaudio's 100Wpc Moon i3.3 ($3300) is a very flexible component. In its stock version, it's an integrated amplifier with five single-ended line-level inputs, an RS 232 communication port, and a headphone jack. However, users can add a phono section module ($300), a balanced input module ($200), and a DAC module ($400) that accepts USB2, S/PDIF, and Toslink. In fact, buy all three modules when you buy the i3.3 and you get the whole package for $4000.
Wes Phillips  |  Jan 09, 2009  |  1 comments
Immedia's Allen Perkins was showing his 60Wpc class-A Spiral Groove E60A stereo power amplifier ("around" $15,000). "That's 'e' for Equinox, which is what I call Sonic Groove's spiral logo, "said Perkins. "Sixty, of course, is its output, and A is for class-A." It's a slick unit, hewn from a solid block of aluminum and employing an extremely low-noise fan to keep operating temperatures low. "For a class-A design, it's pretty energy efficient," Perkins added.
Wes Phillips  |  Jan 09, 2009  |  6 comments
Possibly the most visually striking product I've seen at the show so far is the 20Wpc dual-mono integrated the LARS ($100,000). Designed by Lars Engstrom and hand-built in Sweden, the LARS has two separate chassis, one for each channel—with inputs also on each channel. An umbilical transmits control commands from the right channel to the left.
Wes Phillips  |  Jan 09, 2009  |  1 comments
Credit where credit is due: Here's the man himself, Lars Engstrom, standing with theLARS.
Wes Phillips  |  Jan 09, 2009  |  0 comments
Luke Manley was muttering about the problems he was having naming the latest iteration of the VTL TL-5.5 line preamplifier ($6000). "I've already done a signature version and I don't want to confuse people—it really does represent major improvements in sound."
Wes Phillips  |  Jan 09, 2009  |  15 comments
Peachtree Audio has declared that "Computer Audio is here to stay—so let's make it sound right." The 80Wpc Nova ($1199) includes an ESS 9006 Sabre DAc, which has a jitter reduction circuit and a 24-bit/96kHz upsampler. It employs a 6922 tube tas the driver for its class-A/B output stage. It decodes MP3, MP4, FLAC, AIFF, ALC, "plus all others. It even has a slot in the back to accommodate a Sonos ZP80/90. And did I mention that it has an HT pass-through? Or 11 regulated power supplies? That last is to isolate separate sections from digitally generated noise.
Wes Phillips  |  Jan 08, 2009  |  0 comments
Kevin Halverson was excited about the latest version of the Model 200 integrated amplifier ($3750), which has a larger display than the older version, as well as an active front panel optional module ($50), which allows yu to control the 200 with any Muse remote control. Additional Modular Audio/Video Platform modules (MAPs) accommodate analog or digital inputs ($750/ea).
Wes Phillips  |  Jan 08, 2009  |  0 comments
Another massive integrated that impressed me was Plinius' 200Wpc Hiato ($8900), which can also include a modular phono section ($1275). It accepts RCA and XLR inputs. Weighing in at a whopping 60 lbs, the Hiato sounded sauve and unflappable, living up to its name, which means "coming together in harmony" in Maori.
Wes Phillips  |  Jan 08, 2009  |  1 comments
Vincent was showing a room full of well-built, good-sounding, surprisingly affordable tube gear.The first thing that caught my eye (ear) was the 60Wpc V-60 ($3995). The V-60 sports four EL-34s per channel for that classic themionic caramel color (but just the teensiest bit). Pairs of 69273 and 6FQ7s complete the complement. Another sweet spot I never wanted to leave.
Wes Phillips  |  Jan 08, 2009  |  4 comments
Another company new to me—another high-end integrated. Actually, I'm in favor of both. I think HE integrateds make a lot of sense and new blood is always good for the breed. Actually, Mike Bladelius is not a new name in audio, having designed for Threshold in the early 1990s, but Bladelius Design Group certainly seemed like a new kid on the block.

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