Wes Phillips

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Robert Baird, Wes Phillips  |  Mar 06, 1997  |  0 comments
MILES DAVIS QUINTET: The Great Prestige Recordings
Includes: The New Miles Davis Quintet, Cookin', Relaxin', Workin', Steamin'
Miles Davis, trumpet; John Coltrane, tenor sax; Red Garland, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Analogue Productions APJ 035 (5 LPs). 1996. Bob Weinstock, original prod.; Rudy Van Gelder, original eng.; Chad Kassem, reissue prod.; Stan Ricker, mastering eng. AAA. TT: 3:11:09
Music *****
Sonics *****
Wes Phillips  |  Feb 27, 1997  |  0 comments
My name is Wes and I enjoy listening to music on headphones.
Wes Phillips  |  Feb 20, 1997  |  0 comments
THEATER OF VOICES: The Age of Cathedrals
Paul Elliott, Alan Bennet; Theater of Voices: Neal Rogers, Mark Daniel, Hugh Davies, Tom Hart, Boyd Jarrell; Paul Hillier, dir.
Harmonia Mundi France HMC 907157 (CD only). Robina G. Young, prod.; Craig Silvey, eng. AAD? 1996. TT: 77:18
Performance ******
Sonics *****
Wes Phillips  |  Feb 27, 2005  |  First Published: Jan 27, 1997  |  0 comments
Paul Hales does things differently. "I set out to build a true reference speaker," he asserted when I asked him about the, er, concept behind his Concept Five loudspeaker. For a mere six grand? The other guys don't even blink at $20k, $30k, even $70k statement speakers.
Eric Bromberger, John Atkinson, Wes Phillips  |  Jan 12, 1997  |  0 comments
A musical highlight for us at Stereophile in 1995 was the opportunity to record several concerts at the world-famous Santa Fe Chamber Music Festival. The result was a Stereophile CD, Festival (STPH007-2), which features the original chamber version of Aaron Copland's Appalachian Spring, Darius Milhaud's jazz-inspired La création du monde, and the premiere recording of the 1995 Festival commission, Tomiko Kohjiba's The Transmigration of the Soul (see Stereophile, January 1996, Vol.19 No.1, p.132). We were pleased, therefore, to be asked back by the Festival in 1996. Once again we have produced a CD of live recordings, Serenade (STPH009-2), which features chamber works by Mozart, Brahms, and Dvorák.
John Atkinson, Wes Phillips  |  Jul 10, 2020  |  First Published: Dec 01, 1996  |  30 comments
This is the fifth year Stereophile has named a select few components as "Products of the Year." By doing so, we intend to give recognition to those components that have proved capable of giving musical pleasure beyond the formal review period.
Wes Phillips  |  May 24, 2012  |  First Published: Nov 01, 1996  |  0 comments
As the music swelled in the background, Humphrey Bogart leaned toward Ingrid Bergman and tenderly said, "Mnn mmmm mnn nnrm murrrmr."

Damn! I hate when that happens. I ran the laserdisc back and played it again, this time louder.

"MNN MMMM MNN NNRM MURRRMR," said Bogart.

When you think about it, the center channel is probably the most important channel—if you don't believe this, watch a movie sometime with the dialog speaker turned off and see how compelling the experience is. I mean, I like explosions, rocket launches, and train wrecks as much as the next guy, but what I really want from a video sound system is the words.

Wes Phillips  |  Oct 07, 1997  |  First Published: Oct 07, 1996  |  0 comments
About a decade ago, I read in Stereophile about the SRC, an add-on remote-control unit manufactured by Acoustic Research. I bought one the next day ('swhat happens when you work across the street from a hi-fi shop). Suddenly I was able to make incremental changes in volume and balance from my listening position—and let me tell you that that's the way to do it. What a phenomenal difference in realistic dynamics and soundstaging.
Wes Phillips  |  Oct 31, 2007  |  First Published: Oct 01, 1996  |  0 comments
As Stereophile's Equipment Reports Editor, I get a lot of calls from readers asking how we choose the gear we review, and from manufacturers asking how to get their products reviewed. So I told JA to take the month off from writing this column so that I could talk about Stereophile's Equipment Reports section.
Wes Phillips  |  Aug 16, 1996  |  0 comments
"Why no review of the Ayre V-3?" queried Stephen Slaughter in July's "Letters" column, echoing several urgent posts to my e-mail address. Word of mouth on this remarkable 100Wpc amplifier was reaching fever pitch. Show reports over the last several years had sounded a consistent note—rooms that demoed with V-3s kept getting mentioned in "Best of Show" overviews. Naturally, this also meant that the pendulum had started its backward swing. "It's not really as good as people are saying," one WCES attendee confided in me. "That's why they won't give it to critics."

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