Wes Phillips

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Wes Phillips  |  Jan 05, 1999  |  1 comments
If, as some would have it, Audiophilia nervosa is like the dark night of reason, then certain audio epiphanies must necessarily stand out from a distance, like a grove of trees 20 miles away thrown into stark relief by prairie lightning. And make no mistake that Audiophilia is a disease---I treasure the memory of the first time my wife and I heard Quad ESLs with tubes far more than the memory of my first kiss (although not more, I hasten to add in case Joan is reading this review, than the memory of our first kiss). I know men who stare into their flickering fireplaces on long winter nights and remember all the women they've known. Myself, I'm more likely to reminisce about my first tube preamp, or list the great-sounding systems I've owned.
Wes Phillips  |  Mar 27, 2005  |  First Published: Dec 27, 1998  |  0 comments
Consider the lowly spork, that modern marvel of versatility: half spoon, half fork. In theory, you should be able to eat just about anything short of a flank steak with it. But the sad fact is, whether you're eating soup or salad, you might as well try to shovel it in using a tongue depressor. The damn thing's so versatile, it almost doesn't work at all. There's a lot to be said for specialization.
John Atkinson, Wes Phillips  |  Sep 11, 2020  |  First Published: Dec 01, 1998  |  4 comments
For the seventh consecutive year, Stereophile has named a select few audio components the "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
Wes Phillips  |  Sep 25, 2008  |  First Published: Nov 25, 1998  |  0 comments
Any difference that is at all audible must be treated as though it is huge!" John Atkinson declaimed, as Tom Norton and I rolled on the floor laughing. It was a slow day around the Stereophile offices, and the startlingly huge differences that our colleague was describing did strike us as rather piddling—so John began stentorophonically reciting rules from a mythical Guidebook for Audio Reviewers to gales of laughter all around.
Wes Phillips  |  Apr 03, 2005  |  First Published: Nov 03, 1998  |  0 comments
They say you never forget your first time. For me, it was an Audio Research SP-6B that had been heavily modified by Analogique in NYC—which meant, among other things, that yellow capacitors shunted other yellow capacitors all the way up to the top plate. That first taste of the High End—prior to that, you might say my face had been pressed against the window—was definitely love at first listen. That SP-6B was warm yet detailed, and I ended up building a system around it that at least one friend described as a huge musical wet kiss.
Wes Phillips  |  Sep 20, 1998  |  0 comments
It's cheating to say that the best sound I've heard at the English Show was at Martin Colloms' house on Saturday night---cheating the same way it is when someone asks that question and I (or some other reviewer) piously responds that some live music event ranks above any exhibitor. Martin, of course, has an advantage over anyone at the Show. He set up his own listening room and had all the time he needed to boot. Even so, his system, consisting of a Krell KRS-25 and FPB 650Ms and Wilson Audio WITT IIs, was astoundingly fast, rhythmic, and dynamic.
Wes Phillips  |  Sep 19, 1998  |  0 comments
Are there differences between an American hi-fi show and the British variety? A few---the biggest is the extent to which all the real business takes place at the bar. This is true for the audio press (okay, not all that different from an American show), but it's true for manufacturers as well. After Show hours, the boozer is jammed with everybody in the business sharing a few pints, smoking, and talking shop. It's not unusual to see business rivals chatting amiably about the state of the industry---and even discussing distribution in some detail.
Wes Phillips  |  Sep 18, 1998  |  0 comments
Wandering around the halls of the Heathrow Renaissance Hotel, I saw and heard a lot more affordable audio on display than I've seen at most American shows. This makes sense. After all, this is a consumer show (or it will be tomorrow---yesterday and today were trade days), and, while consumers want to fantasize about the state of the art, they also like to see kit they can actually own. Me too.
Wes Phillips  |  Sep 16, 1998  |  0 comments
The HI-FI Show 98, the sixteenth put on by UK audio magazine Hi-Fi News & Record Review, sedately opened its trade days this morning in the Renaissance and Excelsior hotels on Bath Road near London's Heathrow International Airport. No, that's not a change in venue, it's yet another name change for the hotel that first hosted the "Penta Show" and, more recently, the "Ramada Show." However, this year's show will be the last at the site, as the new owners do not seem interested in hosting large-scale events at all. Next year the show will be moving---to a destination that nobody's revealing in advance of Friday's official announcement.
Wes Phillips  |  Apr 10, 2005  |  First Published: Sep 10, 1998  |  0 comments
You can read all about an automobile, check its gear ratios, and ponder the engine's horsepower all you want—but until you put yourself in the driver's seat and take that baby out for a spin, you have no idea whether or not it's going to be fun to drive.

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