Wes Phillips

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Wes Phillips  |  Mar 13, 2008  |  1 comments
Blender has just posted its nominations for greatest record industry screw-ups. I have a few quibbles, but as a whole, Blender tells a tale of monumental stupidity,from Decca passing on the Beatles because Dick Rowe was irritated that too many frantic teens were attempting to get into the Cavern Club to shutting down Napster without having a legitimate channel to replace it.
Wes Phillips  |  Mar 12, 2008  |  1 comments
Here's an interesting article about Princeton University composer Dmitri Tymoczko, who has string theory mathematics to represent the relationship of musical chords to one another in a graphic form.
Wes Phillips  |  Mar 12, 2008  |  1 comments
Even the most savvy Stereophile reader might wonder what a "network music player" is. Linn rightly considers a music server to be a combination of 1) stored digital files, 2) music-management software, and 3) a device that uses #2 to transfer #1 to your hi-fi. What Linn's Klimax DS is is a high-quality digital-to-analog converter (DAC) that receives digital data through an Ethernet connection rather than optical or electrical S/PDIF or AES/EBU inputs.
Wes Phillips  |  Mar 10, 2008  |  0 comments
UK newspaper The Telegraph reported March 3 that Sir Paul McCartney has signed a $6 million deal to release the Beatles catalog to iTunes for downloading. While The Independent and the Daily Mail have also reported the same thing, there has been no confirmation from Apple, EMI, McCartney, surviving Beatle Ringo Starr, or the families of deceased members John Lennon or George Harrison.
Wes Phillips  |  Mar 07, 2008  |  0 comments
Another of the great ones is gone. Norman Smith had been a refrigeration engineer, but at 36, he decided to apply for an entry-level position as a recording technician at EMI in the UK. EMI had a strict caste system at the time and technical staff (the "white coats") were considered a rank below that of producers and even of balance engineers, who were allowed to sit in the mastering room. By 1962, Smith was promoted to balance engineer and was paired with George Martin for the first Beatles recordings. As balance engineer, he chose the microphones and recording equipment for each session and Smith is generally given a great deal of credit for the clarity and accuracy of the group's recordings from the beginning through the recording of Revolver in 1965. Because of Smith's age (he'd seen service in WWII) and EMI's dress code (ties and lab coats), Lennon nicknamed him "Normal." (Hence the title of Smith's autobiography: John Lennon Called Me Normal.)
Wes Phillips  |  Mar 06, 2008  |  0 comments
In January 2008, Electronic Frontier Foundation's (EFF) Senior Intellectual Property attorney, Fred von Lohmann filed an amicus brief in Atlantic v. Howell, a case that hinged on the Recording Industry of America Association's (RIAA) contention that offering files on a P2P sharing network was in and of itself evidence of copyright violations, whether or not it could prove the files were ever downloaded by others.

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