Art Dudley

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Art Dudley  |  Apr 14, 2012  |  0 comments
Here's the Vinyl Cleaner ($3895), a new type of LP washing machine made in Germany by Audio Desk Systeme Glass (they make a popular CD edge-trimmer you've no doubt seen) and distributed in the US by Ultra Systems. Described by Robert Stein as "the only way you can really clean the bottom of a record groove," the Vinyl Cleaner uses ultrasonic waves to separate dirt and vinyl from one another, and dries the disc with a fan instead of a vacuum (the latter induces static, according to the designer). Watch for Michael Fremer's review in an upcoming episode of "Analog Corner."
Art Dudley  |  Apr 14, 2012  |  0 comments
Waiting for an opportunity to photograph recordist Todd Garfinkle, of M•A Recordings, was no small task: Just one hour into the New York show on Friday, his exhibit was jammed with eager music buyers, and I had to wait several (enjoyable) minutes before the crowd thinned enough that he could take a break.
Art Dudley  |  Apr 14, 2012  |  2 comments
This beautiful Stellavox tape deck, restored by Charles King, was used in the Robyatt exhibit to play recordings provided by the Tape Project. It sounded wonderful.
Art Dudley  |  Apr 14, 2012  |  0 comments
The phono-transformer speciality company Bob's Devices (see "Listening" columns passim) was also represented by Ultra Systems. Of the three models seen here, one had already been treated with the above-mentioned WA Quantum Chips.
Art Dudley  |  Apr 14, 2012  |  0 comments
Robin Wyatt of Robyatt Audio did something that hadn't been done at a major audio show in decades: He demonstrated with a pair of Quad ESL loudspeakers—creating, in the process, the sort of sound that led my weak and easily led brain to conclude that I was hearing the best sound of the show within my first hour of attendance. The ESLs, which had been restored by Quad expert Wayne Picquet (also in "Listening" columns passim), were driven by a pair of Miyajima OTL 2010 amplifiers ($10,000 each), which provide 22Wpc when used as monoblocks with their defeatable feedback circuits enabled. Wiring was by Tel Wire. The preamp was a one-off custom unit by fellow upstate New Yorker Charles King, and the sound, apart from the fact that the Quads made a little too much bass (!) for the squarish room, was glorious.
Art Dudley  |  Apr 13, 2012  |  0 comments
The New York Audio and AV show (wait a minute: Doesn’t the A in AV already stand for Audio?) takes place at the famed Waldorf=Astoria from 3:00pm to 8:00pm today, from 10:00am to 6:00pm Saturday, and from 10:00am to 5:00pm on Sunday). Yesterday I was weary from traveling (I arrived here by train from Philadelphia), so it wasn’t until this morning that I noticed the carpet pattern outside the door of my room: a William Morris-style bunny. I’m clearly in the right place.
Art Dudley  |  Apr 10, 2012  |  2 comments
The sound of the Stenheim Alumine loudspeaker—its openness, transparency, and freedom from temporal distortions, not to mention its good bass extension for such a small enclosure—reminded me at once of my favorite small loudspeaker from the late 1980s, the Acoustic Energy AE1. On reflection, the comparison is extraordinary: The two products are as different as night and day, the AE1 being a wooden loudspeaker with a metal-cone woofer, the Alumine a metal loudspeaker with a pulp-cone woofer. I suppose one can skin a catfish by moving the knife or by moving the fish.
Art Dudley  |  Mar 29, 2012  |  5 comments
The late Bill Monroe may have been the father of bluegrass music, but it was the distinctive banjo playing of Earl Scruggs that most listeners came to recognize as the voice of an entire style. Scruggs, who died on March 28 at the age of 88, left an indelible imprint on American music, influencing virtually ever player of the five-string banjo to follow.
Art Dudley  |  Mar 26, 2012  |  4 comments
So another SSI has come and gone. On the downside, the trade-only day was slow, a surprising number of SSI stalwarts—Legacy, Luxman, Vivid, Reference 3a, Ocellia, AvantGarde, and Antique Sound Lab among them—were missing in action, and the blue-wig thing is getting kind of old. On the up side, there was good traffic on the consumer days, the food and drink were great—even on-site at the Hilton—and the Coup de Foudre party was a blast (thank you, Graeme, Jennifer, et al). I was genuinely impressed by several new products, especially the Michael Tang tonearm, AudioQuest Dragonfly USB DAC, LM Audio 211IA integrated amp, Audio Note DD 4.1x CD player, and Naim NDS two-box network player. And, best of all, it was good to see some old friends, many for the first time since SSI 2011. It was a busy, fun time, a sort of a four-day moment, and I congratulate organizers Michel Plante and Sarah Tremblay for succeeding once again.
Art Dudley  |  Mar 26, 2012  |  0 comments
Tim Ryan of SimpliFi Audio demonstrated the always-enjoyable Gradient Helsinki loudspeaker ($6000/pair) in tandem with Gradient's SWS dipole bass speakers (also $6000/pair, outboard crossover included), to excellent effect. Ryan says the SWS, to whose development the late Peter Walker contributed, also works a treat with the Harbeth P3 and other smallish speakers from that line. (That's exactly how he said it, too.)

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