Art Dudley

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Art Dudley  |  Apr 20, 2012  |  0 comments
The big guns: Sonus Faber’s new flagship loudspeaker, the Aida, with electronics from Audio Research.

The early bird catches the worm, but the well-warmed playback system is another thing altogether: So it was when I visited New York’s Stereo Exchange on the morning of April 13, mere minutes after they opened their doors for the day. Nevertheless, the ever-genial David Wasserman and his staff hit the ground running, cheek-to-jowl with eager customers and representatives from 11 equipment suppliers, whose presence had at least something to do with the New York Audio and AV Show.

Art Dudley  |  Apr 20, 2012  |  10 comments
In 1862, skepticism among the educated was exemplified by the medical establishment, which ridiculed Joseph Lister's notion of "animals in the air." By contrast, the professional skeptic of 2012—yes, it's now possible to make a comfortable living in the field—finds himself inconvenienced by 150 years of discovery, and makes do with ridiculing Lister for his Quaker faith. I guess that passes for progress in some circles.
Art Dudley  |  Apr 18, 2012  |  3 comments
High Water Sound, the New York City-based retailer and distributor, created one of my favorite demonstrations at the show, as much for proprietor Jeffrey Catalano's choice of music—Gabor Szabo's instrumental version of Donovan's "Three King Fishers" was playing when I came in—as for the exotic and unassailably musical system on display: TW Acustic Raven Black Night turntable ($40,000) and 10.5 tonearm ($5500), Tron Seven GT line-level preamp and phono preamp ($18,000 each), Tron Telstar 211 SET amplifier ($40,000), and the striking Affascinate loudspeaker ($62,000) from Cessaro Horn Acoustics, the latter using an 11" woofer in a back-loaded horn, a proprietary compression driver for the spherical midrange horn, and a modified horn-loaded TAD beryllium tweeter. The sound was tactile, impactful, and thoroughly involving on every recording I heard.
Art Dudley  |  Apr 18, 2012  |  0 comments
Andy Singer, the retailer whose name and likeness have come to epitomize the high-end audio scene in New York City, brought two complete systems to the New York Audio Show, the more ambitious of which was built around the Verity Amadis loudspeaker ($30,000/pair). This three-way design uses a separate enclosure for its reflex-loaded woofer, which is then separated from the midrange/high frequency enclosure by means of a specially damped aluminum platform. Fed by a Playback Designs MPS-5 D/A converter with CD/SACD drive ($17,000) and driven by the VAC Statement Mk.IIA preamp ($19,000 including phono section) and VAC Statement 450S stereo amp ($39,000), and with Nordost cabling throughout, the Verity Amadis sounded open, clear, and nicely textured.
Art Dudley  |  Apr 17, 2012  |  0 comments
Sony Electronics launched their new SS-AR2 loudspeaker ($20,000/pair), seen here with the X600.5 mono amplifiers from Pass Labs. The SS-AR2 is a three-way, four-driver floorstander that’s crafted from select Japanese maple laminate (the front baffle) and Finnish birch plywood (the remainder of the cabinet). Twin aluminum-cone woofers are said to extend bass response down to 42Hz.
Art Dudley  |  Apr 14, 2012  |  First Published: Apr 17, 2012  |  1 comments
Bill Leebens, who serves as Vice President of the Chester Group—the organization that produced the New York Audio and AV Show—did a hell of a job getting this thing off the ground, alongside the Chester Group’s Roy Bird, Justin Bird, and Scott Humphrey, not to mention the enduringly beloved publicist Lucette Nicoll and T.H.E. Show's Richard Beers. Leebens, seen here in one of the Waldorf's intimate little rooms, is an audio industry stalwart whom I’ve known for years yet never actually met!
Art Dudley  |  Apr 16, 2012  |  0 comments
Driving the distinctive Scaena "iso-linear array" loudspeakers in the Audio Doctor suite was a pair of Conrad-Johnson's limited-edition ART amplifiers ($37,000/pair): one of 125 pairs in existence. These ARTs used KT-120 output tubes (the amps are rated at 275Wpc when run with 6550 pentodes) and were operated without their strikingly pretty tube cages.
Art Dudley  |  Apr 16, 2012  |  0 comments
The combination of Wilson Audio loudspeakers, VTL amplifiers, and Peter McGrath's digital recordings—and setup skills—has provided some of the finest music I've heard at literally every show I've attended in the past several years, and this show was no exception. The Wilson Sasha W/Ps ($27,900/pair) were installed along the long wall of one of Innovative's two rooms at the Waldorf=Astoria, and were driven by the VTL MB450 Series III amplifiers ($18,000/pair) and VTL 7.5 Series III preamp ($20,000), all hooked up with Transparent cables. The sound was colorful, dynamic, and tactile—string bounce was especially fine—on all selections played, especially a high-resolution excerpt from Carmen that McGrath recorded in Miami not long ago, converted to analog with a dCS Puccini DAC ($18,000).
Art Dudley  |  Apr 16, 2012  |  1 comments
A Legacy Audio Whisper XD loudspeaker ($20,500–$22,500/pair, depending on finish) stands next to a life-size picture of a Legacy Audio Whisper XD loudspeaker. One of these has eight drivers, dual 500-watt ICE subwoofer amplifiers, and a 24-bit room-correction processor. The other does not.
Art Dudley  |  Apr 16, 2012  |  0 comments
I remember being impressed when I looked inside my low-impedance Miyabi 47 phono cartridge and counted approximately 14 turns of wire per channel on its coil former. Haniwa has now produced a cartridge with an even lower number of turns per channel—two!—for an internal impedance of just 0.8 ohms. Nevertheless, Haniwa has used various materials and construction techniques to maintain a quite reasonable output of 0.35mV. The Haniwa HCTR01 cartridge, which is also a notably high-compliance design, is available for $12,000. Michael Fremer reviewed it in his November 2011 “Analog Corner” column.

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