Art Dudley

Sort By: Post Date | Title | Publish Date
Art Dudley  |  Oct 18, 2012  |  1 comments
Among the many delights in the Audio Feast room: a prototype of an autoformer-based volume control called the Finemet TVC (price TBD). The real attraction, of course, was the fact that Audio Feast played real music in their room. (They were playing a Miles Davis disc when I was there—and I don't mean one of the umpteen audiophile reissues of Kind of Blue.) I look forward to getting to know Audio Feast in the months ahead.
Art Dudley  |  Oct 18, 2012  |  4 comments
It was that rarest of rare occasions in audio-show reporting: I entered the demonstration room of a brand that was unfamiliar to me, and was impressed at once by a sort of musical rightness I seldom hear from modern playback gear. Sure, I was familiar with the company that made the CD player, preamp, and monoblock amps in use—Electrocompaniet, whose solid-state amps are among the few I consider worthy of comparison to the best tube designs—but the Austrian loudspeaker manufacturer Brodmann Acoustics was new to me. Their stand-mounted Festival S ($4500/pair), driven by a pair of Electrocompaniet AW180 monoblocks ($5425 each) allowed the solo violin in a Paganini work to have far greater than usual texture, tone, and presence. Based on my experience at RMAF, the pairing of these two brands is something you should go out of your way to hear.
Art Dudley  |  Oct 18, 2012  |  1 comments
Strange that I should travel 1800 miles to hear products that are designed and manufactured less than two hours from my home. Happily, the McIntosh experience at RMAF was worth the effort, especially inasmuch as the hallowed brand distinguished itself by playing real music as opposed to audiophile chestnuts. (Think of it!) I especially enjoyed some selections from the Beatles' Anthology 3 collection, played via JRiver software on an HP laptop, through a McIntosh C50 preamp ($6500) and MC452 amp ($7500), along with the McIntosh MEN220 room-correction system ($4500, which includes the microphone—but not the stand—seen in this photo). Rounding out the system were the company's recent XR100 speakers ($10,000/pair): certainly the best McIntosh loudspeakers I have yet to hear.
Art Dudley  |  Oct 18, 2012  |  3 comments
The three-way, 220 lb Avior loudspeaker from Rockport Technologies ($29,500/pair) uses the same beryllium tweeter as the company's $225,000 Arrakis, complemented with all-new midrange and bass drivers that are built around Rockport's proprietary carbon-fiber sandwich/composite cones. The Avior sounded truly impressive with a Playback Designs MPS-5 CD/SACD player/DAC ($17,000), Electrocompaniet EC4.8 preamplifier ($5129), BAT VK-655SE amplifier ($14,000), and cabling from Transparent Audio. A representative from the Omaha, Nebraska dealer The Sound Environment demonstrated the system with humor, charm, candor—and good music.
Art Dudley  |  Oct 18, 2012  |  1 comments
A pivoted straight-line-tracking tonearm? The description is far less oxymoronic than it seems, given the arrival of the Schröder LT tonearm ($8900). This fascinating and apparently very well-executed design works by augmenting the main arm pivot with an extra pivot at the base, the latter said to offer exceptionally low resistance to the arm and cartridge as they follow the inward spiral of the groove. The geometric relationship between the two pivots is such that the headshell—and the cartridge and stylus—maintain perfect tangency to the groove from beginning to end. Thus the headshell requires no offset angle, which also means that no anti-skating force is required. Very cool.
Art Dudley  |  Oct 18, 2012  |  1 comments
Cardas Clear Sky—the sample to which VP of Sales and Marketing Andy Regan is pointing in this photo—is the latest and most affordable of the company's "Matched Propagation" speaker cables, and is said to be ideal for owners of high-efficiency loudspeakers. The retail price is $775 for an 8' pair, terminated with Cardas spade connectors. (I have requested a review sample, and hope to report on the Clear Sky cables within the next couple of months.)
Art Dudley  |  Oct 12, 2012  |  1 comments
Michael Lavorgna, editor of our sister site AudioStream.com, moderated a computer audio seminar on RMAF’s first day. Participants, from left to right: David Chesky (HDtracks.com), Andreas Koch (Playback Designs), Gordon Rankin (Wavelength Audio), Rob Robinson (Channel D Software), Mark Waldrep (AIX Records), Steve Silberman (AudioQuest), and Michael Lavorgna.
Art Dudley  |  Oct 12, 2012  |  3 comments
Barring the unlikely resurrection of either the summertime Consumer Electronics Show in Chicago or this magazine’s own fondly remembered movable feasts of the 1990s, there is only one hi-fi event for which I would board an airplane: Welcome to Denver. And while this non-flyer is already considering renting a car and driving home Monday, I’m glad as hell to be here: I think this is going to be fun.
Art Dudley  |  Oct 05, 2012  |  1 comments
Until recently, my favorite shirt was one I'd found on a clearance table at Macy's: a red paisley thing with long sleeves and a button-down collar, not unlike the ones seen in photographs of Peter Holsapple or the young Syd Barrett. When I first found it, this shirt was dusty, and appeared to have been marked down at least a half-dozen times before bottoming out at a price that wouldn't buy a six-pack of Mountain Dew at the local stop-and-rob. Maybe it was on the verge of being discarded, but I suspect that the people at Macy's had simply forgotten it was there.
Art Dudley  |  Sep 26, 2012  |  First Published: Oct 01, 2012  |  6 comments
"This product is an industry disrupter."

Thus spoke AudioQuest's Steve Silberman, VP of development, of their brand-new USB D/A converter, the DragonFly. "There are a lot of very good DACs out there," he continued. "There are even a lot of very good affordable DACs. But the problem is, people outside of audio don't want them: They don't want old-style components like that.

Pages