Art Dudley

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Art Dudley  |  Mar 07, 2013  |  9 comments
Let's say you're lucky enough, or just plain old enough, to have bought a copy of Truman Capote's In Cold Blood on January 12, 1966. Let's say you're lucky enough or just plain smart enough to have held on to it and kept it in perfect shape for the past 47 years. And let's say it was one of the first 500 copies, which the author signed. If so, congratulations: For once in your life, even the smuggest collector can't claim that his copy of a book is "better" or more valuable than yours.
Art Dudley  |  Feb 28, 2013  |  First Published: Mar 01, 2013  |  6 comments
Whether one was surprised, in 2010, by the success of Peachtree Audio's iDecco may have more to do with age than anything else. My peers and I wondered, at first, who would want their high-end integrated amps to come bundled not only with digital-to-analog converters but with iPod docks, of all things; at the same time, younger hobbyists wondered who in the world still wanted their integrated amps to contain phono preamplifiers. (Respect for the elderly, myself especially, prevents me from adding "and mono switches.") Color me chastened.
Art Dudley  |  Feb 06, 2013  |  2 comments
Sad though they may be, Flat Earthers endure in getting two things right: In any music-playback system, the source is of primary importance; and in a music system in which LPs are the preferred medium, the pickup arm is of less importance than the motor unit—but of greater importance than just about everything else.
Art Dudley  |  Feb 06, 2013  |  1 comments
In a perfect world, all a serious record lover would need to enjoy music at home would be a single source component, one or two loudspeakers, and one good integrated amplifier. Speaker wire would be given by the dealer, free of charge, to any shopper who spent x number of dollars on new gear. Cable risers would come in cereal boxes.
Art Dudley  |  Jan 04, 2013  |  3 comments
By the end of last month's column I'd invested a total of $290 in acquiring and refurbishing a 55-year-old Rek-O-Kut Rondine Jr. turntable. In the weeks that followed I spent just a few dollars more on some small parts—one of which sprang from a technology that I don't believe existed in the 1950s—that made small but welcome improvements in the performance of this outwardly simple player. I'll come back to those improvements in a moment, but for now let's get started on putting Junior back together again.
Art Dudley  |  Jan 04, 2013  |  5 comments
In late 1996, as Listener magazine entered its third year of existence, the Spendor SP100 became my reference loudspeaker, and would remain so for a considerable time. My decision to try the SP100 was influenced by John Atkinson's review of its antecedent, the nearly identical Spendor S100, in the December 1991 issue of Stereophile. But my purchase decision came down to two things: The SP100 did virtually everything one could ask a modern loudspeaker to do, requiring in the process far less amplifier power than usual. Just as important at the time, it sold for only $3300/pair—which explains how I could afford them on the spotty salary of a teacher turned fledgling publisher.
Art Dudley  |  Dec 12, 2012  |  8 comments
For the qualities I most value in a music system—impact, substance, texture, color, and, above all, the ability to play lines of notes with a realistic sense of momentum and flow—the venerable Garrard 301 and similar well-made turntables with powerful motors and idler-wheel drive are the sources to beat. Unfortunately, good-condition samples of the Garrard 301 and 401, the Thorens TD 124, and any number of exotic EMTs have become scarce and ever more expensive.
Art Dudley  |  Dec 03, 2012  |  68 comments
Loudspeakers have been commercially available for nearly a century, yet those whose drive-units are mounted to baffles of intentionally limited width didn't appear in significant numbers until the 1980s. That seems a bit strange, given that the technology to transform large boards into smaller boards has existed since the Neolithic era.
Art Dudley  |  Nov 14, 2012  |  4 comments
Apart from a 2004 column in which I made cruel fun of the angriest (footnote 1) complaints I'd received to that point—an entertaining if lazy template I hope to re-use before long—I've done little to acknowledge the mail I receive every week, most of it thoughtful and positive. I'm especially grateful for the nice letters I get every time I write about vintage audio, as I did in Stereophile's August issue ("Five vintage loudspeakers you should hear before you die"): The art of music is best served by an open-minded approach to playback gear, and I'm encouraged to think that some Stereophile readers actually understand that.
Art Dudley  |  Nov 09, 2012  |  2 comments
I can imagine the gaiety and mirth that filled the halls of the electronics industry in the 1950s, as engineer after bespectacled engineer realized that the transistor would soon consign to the outposts of oblivion those ancient technologies that had preceded it. Before long—surely no more than a decade—the hated vacuum tube would vanish from the Earth, along with the tube socket, the tube tester, the tag board, the high-voltage rail, and that lowest rascal of them all, the output transformer. What a jubilant time!

I can't imagine what went wrong.

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