John Atkinson

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John Atkinson  |  Apr 17, 2019  |  6 comments
MartinLogan co-founder Gayle Sanders emerged from retirement at the 2018 AXPONA with a new loudspeaker brand, Eikon. But Eikon is not just a loudspeaker but a complete system ($25,000 in standard finish or $30,000 in the carbon-fiber finish shown in my photo), with DAC, preamplifier, and digital signal processor incorporated into the Eikontrol unit, which has both analog inputs and digital (USB and S/PDIF but PCM only) inputs, and each of the speaker's drive-units has its own amplifier.
John Atkinson  |  Apr 17, 2019  |  0 comments
Florida-based Bending Wave USA were showing the ginormous Divin Noblesse loudspeakers ($220,000/pair) making their US debut—I wrote "ginormous" but these are actually just the second largest speakers in the German company Goebel's line—driven by the Swiss CH Precision phono preamp, preamplifier, and power amplifiers.
John Atkinson  |  Apr 17, 2019  |  4 comments
The last room I visited at the 2019 AXPONA was the best-sounding: the big room shared by Kyomi Audio and MBL on the Renaissance Hotel's 15th floor. The system comprised MBL's Noble Line N31 CD player/DAC ($15,400) that I reviewed in February 2018, the N11 preamplifier ($14,600), four N15 monoblock amplifiers ($35,600/pair) and the omnidirectional 101E Mk.2 loudspeakers ($70,500/pair), all hooked up with WireWorld Eclipse Series 8 cables.
John Atkinson  |  Apr 16, 2019  |  25 comments
Ken Micallef was impressed by this British company's CDA2 Mk.2 CD player/DAC ($4249) when he reviewed it in the January issue, and ATC were using it as the souce in their room at AXPONA. But pride of place went to their SCM50 tower speakers ($22,000/pair, far right in my photo) and the similar-looking SCM50SE powered towers ($60,000/pair, near right).
John Atkinson  |  Apr 16, 2019  |  0 comments
The final MoFi Distribution room I visited at the show featured the version of the classic BBC LS3/5A minimonitor made by Falcon Acoustics that I reported on in our report from the 2018 RMAF. This is said to be the only version currently manufactured that is truly identical to the original and was very favorably reviewed by Herb Reichert in October 2017.
John Atkinson  |  Apr 16, 2019  |  1 comments
The impressive-sounding room from dealer Audio Video Interiors featured the Anthem STR integrated amplifier ($4499) that Tom Norton reviewed for Stereophile in July 2018. Speakers were the Paradigm Persona 3Fs ($10,000/pair), a smaller sibling to the similar-looking Persona 5F ($17,000/pair) that Kal Rubinson reviewed in October 2018.
John Atkinson  |  Apr 16, 2019  |  1 comments
I was impressed by the new Monitor Audio Gold 300 speakers when I auditioned them at the recent Montreal Audio fest. At AXPONA, Chicago retailer Saturday Audio Exchange was showing off the smaller Gold 200 tower ($5000/pair) and Gold 100 bookshelf ($2100/pair) driven by a Roksan Blak integrated amplifier ($4499) and Black CD player ($3999) and hooked up with AudioQuest cables. Like the 300, the smaller speakers feature midrange units and woofers that use Monitor Audio's RDT II (Rigid Diaphragm Technology) sandwich diaphragms, with a "Micro Pleated Diaphragm" tweeter.
John Atkinson  |  Apr 16, 2019  |  2 comments
Manley Labs' firebrand CEO EveAnna Manley always seems to enjoy audio shows and AXPONA was no exception, where she was showing off the Absolute Tube headphone amplifier ($4500) in the Ear Gear Expo.
John Atkinson  |  Apr 16, 2019  |  3 comments
"Good grief! They are using Quads!" I used to use Quad ESL-57s in the mid 1980s before I moved to the US and in some ways, no other speaker has come close to the sonic transparency offered by these idiosyncratic-looking electrostatic speakers. But to see and hear an original pair dating from 1958 in the room shared by Michigan dealer/manufacturer Nokturne Audio and Lejonklou HiFi from Sweden was a highlight of the 2019 AXPONA.
John Atkinson  |  Apr 15, 2019  |  1 comments
I was greeted by a familiar sound from shows past when I went into the first MoFi Distribution room on the Renaissance's third floor: a track from the All Star Percussion Ensemble LP that showed off the superb imaging and terrific transient reproduction of the Manger P2 speakers ($18,995/pair; $21,995/pair in the Rio Palisander veneer being demmed). Using a bending-wave transducer to cover everything from the lower midrange upward, supported below 340Hz by an 8" woofer with a carbon-fiber cone, the P2s sounded perhaps a bit too sweet in the top octaves when the percussion cut was followed by Vivaldi's Four Seasons.

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