John Atkinson

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John Atkinson  |  Oct 14, 2016  |  3 comments
The last room I visited before the Wes Phillips Memorial, which was hosted in the PS Audio room Friday night of the show, was conveniently, PS Audio's. In my photo, the company's cofounder, fitness freak Paul McGowan, whom his daily email newsletter has revealed to be a talented writer, poses beside the humongous collection of PS Audio gear that was used to drive the Scaena La Maitresse Ultime speakers ($125,000/pair).
John Atkinson  |  Oct 14, 2016  |  4 comments
As you can read elsewhere in our RMAF coverage, the incomplete remodeling of the Denver Tech Center Marriott mean that the CanJam exhibits had to be moved to a tent in the hotel parking lot and the seminars and Classic Album Sunday events were held in temporary housing "pods." I wandered into one of the latter to find Channel D's Rob Robinson (above) playing 24/192 rips of LPs on a system featuring a Lynx HiLo digital converter, a Jeff Rowland amplifier, Cardas cables, and Joseph Audio Pearl 3 speakers.
John Atkinson  |  Oct 13, 2016  |  2 comments
My beat at the 13th RMAF was the 7th and 11th floors of the Marriott Tower, so to kick off my reporting, my first room on the 7th floor was Dynaudio USA.
John Atkinson  |  Sep 29, 2016  |  19 comments
I have been an advocate of small speakers since I began using BBC LS3/5a's in the late 1970s, continuing through Celestion SL6es in 1981, Celestion SL600s and SL700s in the late '80s, and B&W Silver Signatures in the mid-'90s. Yes, I do like accurate and extended bass reproduction—but you need a big speaker to be able to provide that, and, as the late Spencer Hughes, founder of Spendor, once remarked, "big speakers have big problems." I don't see the point of extending a speaker's low-frequency performance if the result is compromised soundstaging and midrange reproduction. And there is also the intellectual elegance of a speaker that is no bigger than it need be.
John Atkinson  |  Aug 18, 2016  |  67 comments
Last June, Jim Austin briefly discussed the operation of MQA in his review of the Meridian Explorer2 USB DAC, but you can find a more detailed explanation on Stereophile's website here and here. MQA involves two fundamental concepts, discussed in a paper presented to the Audio Engineering Society in October 2014. The first is responsible for a large reduction in the bandwidth required to store and stream high-resolution files, the second for a potential improvement in sound quality. . .
John Atkinson  |  Jul 21, 2016  |  9 comments
I am a big believer in supporting events promoted by specialty audio retailers. They reinforce the idea that audiophiles and manufacturers—even reviewers—are parts of a vibrant community that believes that listening to music with the highest possible quality is one of the more important things in life. The "Music Matters" evenings arranged by Audio Advice in North Carolina, Definitive Audio in Seattle, and Listen Up in Colorado exemplify that idea, and it was in April 2015, at Listen Up's Denver store, that I used a pair of PSB's new Imagine T3 tower speakers to play the audience some of my own recordings. The T3 superficially resembles PSB's Synchrony One, a speaker I very favorably reviewed in April 2008, and I was equally impressed by the new flagship—impressed enough to request a pair for review.
John Atkinson  |  Jun 21, 2016  |  4 comments
Life is too short to put up with poor-sounding headphones, I mused the other morning, during my 60-minute commute on the NYC subway. All around me, straphangers gripped smartphones and listened to multicolored Beats, noise-canceling Boses, white Apple earbuds, and, only rarely, Sennheisers and Grados.
John Atkinson  |  Jun 16, 2016  |  2 comments
When Pass Labs is mentioned, it's natural to think of its founder, iconic engineer Nelson Pass. But Nelson heads a team of engineers at the California company: Their XP-30 preamplifier, which I enthusiastically reviewed in April 2013, was designed by Wayne Colburn; and the subject of this review, the HPA-1 headphone amplifier, is the first Pass Labs product designed by Jam Somasundram, former director of engineering for Cary Audio. Somasundram joined Pass Labs in July 2013; he spent a year working on the HPA-1, which was shown at the 2015 Consumer Electronics Show, in Las Vegas, but not formally launched until the 2016 CES, at a hefty $3500.
John Atkinson  |  Jun 10, 2016  |  4 comments
My beat at T.H.E. Show 2016 was the ground floor. En route to the audio exhibits, I was stopped dead in my tracks by this beautiful black Bugatti. No information on this particular car was available, but I assumed it was part of the display of tasty automobiles in the Hotel Irvine's lobby and outdoors pavilion, put on by Reus Car Audio Design, Whitledge Design, Wyred 4 Sound, Magnum Automotive Design, and The Source Audio Video Design Group. Pride of place in the car exhibit was Sony's Hi-Res Audio demo vehicle, which had been shown off two days earlier at the Capitol Studios event in Hollywood.
John Atkinson  |  May 19, 2016  |  41 comments
Jim Austin briefly discusses MQA in his review of the Explorer2 in this issue, but a more complete description of MQA can be found in an article posted on Stereophile's website at the end of 2014.

MQA involves two fundamental concepts, discussed in a paper presented to the Audio Engineering Society in October 2014, the first responsible for a potential improvement in sound quality, the second responsible for a large reduction in the bandwidth required for storage and streaming of high-resolution files...

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