John Atkinson

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John Atkinson  |  Jan 13, 2007  |  1 comments
Whenever I have caught up with Ken Kessler (left) at audio shows in the past two years, he has uncharacteristically grumbled about all the work he was doing writing and compiling McIntosh...For the Love of Music. "Every time I interview someone connected with the iconic Binghampton audio company, they tell me about two more people I didn't know existed whom I should interview."
John Atkinson  |  Jan 13, 2007  |  6 comments
I looked into the Cary Audio Design room in the Venetian Towers to catch up with designer Dennis Had to find out what the North Carolina company had been up to since I visited them a year ago. But he was out, so I settled back to enjoy some fine music on Dynaudio Confidence C4 speakers—favorites of mine since I reviewed them in September 2003—driven by the 10th-Anniversary Edition of Cary's CAD805 single-ended triode monoblock, perhaps the finest-sounding of its breed. Source was the CAD-306 SACD player, back in production after some manufacturing problems with its Sony-sourced chipset. Nice. Very nice.
John Atkinson  |  Jan 11, 2007  |  5 comments
Every CES has its impressive, cost-no-object audio systems, but one of the better sounds I heard at the Show, in terms of superb vocal articulation and an excellent overall balance, came fron a relatively affordable system in the Avalon suite in the Aladdin Hotel. Based on the Colorado company's new NP2.0 two-way towers ($1995/pair), which feature two Kevlar-cone woofers and Avalon's proprietary composite-dome tweeter, driven by an Ayre Acoustics AX7 integrated amp and a Cary CD306 player, the system showed that you don't have to drop megabux on a system to get musically satisfying sound.
John Atkinson  |  Jan 11, 2007  |  1 comments
The SignalPath suite at the Mirage featured the company's Era speakers and Musical Fidelity electronics—but wait! What's that sitting on top of the kW250 integrated amplifier? It's a laptop!
John Atkinson  |  Jan 09, 2007  |  First Published: Jan 10, 2007  |  1 comments
A number of Stereophile writers have been having unexpected musical moments with JBL's massive horn-loaded K2 9800 loudspeaker at recent shows, but the 2007 CES saw the US debut of the awesome Everest ($60,000/pair).
John Atkinson  |  Jan 09, 2007  |  First Published: Jan 10, 2007  |  1 comments
Mikey had brought along to the JBL Everest demo CD-Rs burned with dubs of his favorite LPs played on his Continuum Caliburn turntable. We listened to Ella Fitzgerald, Roy Orbison, Joni Mitchell, and John Lennon, but it was when Mikey asked Greg to play track one on the second CD-R that the listeners visibly relaxed and the room filled up with good vibes.
John Atkinson  |  Jan 10, 2007  |  0 comments
English speaker company Monitor Audio has been producing a range of excellent affordable speakers since its managment buyout nine years ago, including the Silver RS6 tower that so impressed Bob Reina last March. Their suite at the Hilton, however, saw the Platinum series, an assault on the state of the speaker art from a design team led by Dean Hartley (above).
John Atkinson  |  Jan 10, 2007  |  0 comments
When Stereophile webmaster Jon Iverson speaks, I listen, so when, in a conversation the night before the Show opened, he mentioned that he felt wireless speakers would be big in 2007, I looked out for examples.
John Atkinson  |  Jan 10, 2007  |  2 comments
When I reviewed KEF's top-line Reference 207 loudspeaker in February 2004, it featured a supertweeter perched atop the module housing the coaxial Uni-Q tweeter/midrange driver to achieve true ultrasonic performance. A redesign of the Uni-Q driver, the tweeter in particular, has meant that the supertweeter could be dispensed with for the Mk.2 version, launched at the 2007 CES.
John Atkinson  |  Jan 09, 2007  |  0 comments
Because of the restrictions placed on merchandise sales at CES, the usual Acoustic Sounds booth, stocking much-in-demand LPs, SACDs, and CDs, was nowhere to be found. But the Kansas company still had a display room showing the hardware lines it distributes, including Thorens, Sutherland, and Stirling. But founder Chad Kassem was most proud of the new Analogue Productions LP: the Ultimate Analogue Test LP. Produced by Clark Williams and Barry Wolfson, with input from George Marino and others, cut at Sterling Sound, and pressed on 180gm vinyl by RTI, the Test LP has a selection of tracks to enable the LP lover to optimally set up his system.

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