Brian Damkroger

I wasn't sure what to expect when I headed for the Angel City Audio room at PAF 2024—were they a dealer? A distributor? A manufacturer? After chatting with ACA's owner Hugh Nguyen (above), I can say that the answer fell somewhere between "all three" and "it depends."

Even though I knew what to expect, I was still a bit overwhelmed when I walked into the Triangle Art room at PAF 2023. Their products aren't bashful. They practically scream engineering and display a build quality and attention that Ferrari would envy. If MOMA wants an exemplar of industrial art, they need look no further. I wanted to go over each and every one with a fine-toothed comb but—I was on a mission. My plan was to focus on the three turntable models that were being played, sort out their similarities and differences, and determine the extent to which the differences were reflected in the tables' performance.

Visiting Chuck Miller's Millercarbon room at PAF gave me the opportunity to check in on Townshend Audio, a quirky British manufacturer of audio gear best known for its well-engineered and very effective isolation products. I've always respected the engineering that went into the development, and liked their "luxurious execution meets form follows function" aesthetic. I've always smiled too, at their straightforward, almost simplistic approach to marketing, one that assumes customers will use logic and common sense to make purchase decisions. The Townshend products in use included $2650/pair Seismic Podiums under the speakers, a $795 Seismic Platform under the amps, and several Seismic Pods at $150/each.

There's an established standard protocol one observes when entering a room at an audio show. First, you stand in the doorway and listen for a couple of minutes, then check in with the exhibitor and if necessary, introduce yourself. Next, you exchange pleasantries and catch up while idly thumbing through whatever literature is displayed. Finally, and only at the exhibitor's insistence, you make your way to the best seat in the house while apologizing to everyone you step over, around, and displace. That's not what happened when I visited the NOLA room where Carl (left in photo), Marilyn, and Kristen Marchisotto (right) were overseeing the west coast debut of the $150,000/pair Baby Grand Reference Gold 3 loudspeakers, the midpoint of NOLA's reference series. Stepping into the doorway was as far as I got before bee-lining to the front and center, shoving aside anyone not fast enough to get out of my way.