Fred Kaplan

Readers of this space know of my near-boundless admiration for Maria Schneider, the most accomplished and imaginative big-band composer of our time and high up in the pantheon for all time. Her swaying lyricism, muscular rhythms, and kaleidoscopic harmonic voicings—accented with both a Latin tinge and an airiness as spacious as her native Minnesota—rival and, in some ways, exceed the heights of erstwhile mentors, Bob Brookmeyer and Gil Evans.

Now, with Winter Morning Walks, Schneider leaps to still loftier terrain, fusing her jazz sensibility with classical idioms, while staying true to both. . .

Trumpeter-composer Dave Douglas turned 50 last month and remains one of the most exciting and versatile musicians in jazz. Time Travel (on his own Greenleaf Music label) is his 40th album in 20 years as a leader. And, as has often been the case, it's a brash departure from his previous record, even though the bandmates are (with one exception) the same.

Ben Goldberg's Subatomic Particle Homesick Blues (on his self-owned BAG Production label), is an album as seriously playful as its title. There's a deceptive looseness in the music's rhythm, veering toward New Orleans bar stomp, but braced by modern harmonies (Steve Lacy, Monk, and Andrew Hill are heavy influences), and swung from an early Ornette-ish sense of blues (one of Goldberg's 9 originals on the album, "Study of the Blues," is a Cubist riff on the opening bars of "Lonely Woman"), though rooted more in Coleman's deep melody than his Free velocity.

Dave Brubeck died today, just short of 92 years old. He was a plodding pianist and a less inventive composer than many obits are suggesting. (It was his alto saxophonist Paul Desmond who wrote the biggest hit "Take Five" in 5/4 time, and while Brubeck wrote many pieces in more exotic times still, they didn't swing or flow like Desmond's.) Still, Brubeck was a colossal figure of modern jazz in many ways.