Jason Victor Serinus

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Jason Victor Serinus  |  Mar 12, 2013  |  0 comments
The night before AXPONA's official opening, people mobbed the reception for press and exhibitors. As audiophiles chattered, drank, and ate away—the food was a major notch above the oft-mediocre, and the bartenders quite busy—Chicago's Deep Blue Organ Trio turned up the heat. With Bobby Broom on guitar, Chris Foreman on organ and Greg Rockingham on drums, the heat was certainly welcome, given the freezing temperatures outside.
Jason Victor Serinus  |  Mar 12, 2013  |  0 comments
Just as I was about to chat with the good folks from Music Direct and Musical Surroundings, what did I happen upon on the mezzanine level but an animated conversation between Stereophile's editor in chief John Atkinson and two of AudioQuest's finest, Joe Harley (left) and Shane Buettner (right). (They were discussing Art Dudley's recent review of the Beatles LP box.) In Buettner's happy hands, at my request, is a sign about Stereophile's Budget Product of 2012, the AudioQuest DragonFly.
Jason Victor Serinus  |  Mar 12, 2013  |  0 comments
Gingko Audio, known for its isolation platforms and turntable covers, has recently begun marketing DanaCable. Gingko's Doug Williamson was happy to show me samples. Manufactured In Colorado Springs, the cables range in price from the Deluxe Line Onyx ($395/1m pair unbalanced interconnects) to the Reference Line Diamond ($1100/1m pair unbalanced interconnects, add $300 for balanced). The company also manufactures speaker cables and digital cables. "They sound better in room 926," Williamson quipped.
Jason Victor Serinus  |  Mar 12, 2013  |  0 comments
A rep from Chinese-based HiFiMan arrived at AXPONA with a host of new products. At the top of their list were the new RE-400 earbuds ($99). Also on display, the HM-901 digital audio player ($999), which handles multiple file formats, HE-300 dynamic driver headphones ($299), and HE-6 planar magnetic headphones ($1299).
Jason Victor Serinus  |  Mar 03, 2013  |  6 comments
It's not just the first audio show in Chicago in 14 years, since Stereophile's Hi-Fi ’99 at the Palmer House. It's also the first in a millennium where computer audio is changing every aspect of the music and audio industries.

Nor is it a minor effort. AXPONA Chicago, which runs March 8–10 on five floors of the Doubletree by Hilton O'Hare Airport, promises 90 separate exhibit rooms, 74 table displays in approximately 30 different booths presenting 100 or so brands, and equipment from over 400 manufacturers. Dealers exhibiting number 26, with 15 from Chicago, and others from New York, California, Florida, and other states. That's a lot of show.

Jason Victor Serinus  |  Feb 11, 2013  |  4 comments
Sonos's Geoff Marks talks to attendees about networked music

If ever one needed an object lesson on how to put on a successful demo, the team at AudioVision San Francisco provided. At an evening entitled "A Sonos Wireless Event," held on the evening of February 7, at least three demonstrations were held simultaneously: the first in the store's main "High-End System" room, which in itself involved two different systems; a second in the store's smaller demo room, again including a switch of Triangle loudspeakers, Bel Canto Design electronics, and Nordost cabling; and at least one more in the hallway. Representatives from Sonos Wireless Audio, Bel Canto Design and Nordost conducted the demos with an able assist from AudioVision staff.
Jason Victor Serinus  |  Jan 30, 2013  |  First Published: Feb 01, 2013  |  199 comments
The demo seemed simple enough. A distributor proposed a session for the Bay Area Audiophile Society (BAAS) that would pit his relatively low-cost speaker cable against an ultra-expensive competing model named for a Norse god. We would listen to the music first with the high-priced spread, then with his cable, then discuss the differences. As far as the distributor was concerned, everyone would hear that the Nordic Emperor had no clothes.
Jason Victor Serinus  |  Jan 17, 2013  |  0 comments
With so much new equipment to cover, and so little time, I only listened to a handful of systems at CES. One of the few that really wowed me to the core was in the “Made in the USA” Absolare room at T.H.E. Show. The system mated the parallel single-ended 52W Absolare Passion 845 monoblock amplifiers ($37,500) and single-ended Absolare Passion preamplifier ($25,000)—both manufactured in New Hampshire—with a full MSB digital system—MSB Signature DATA CD IV transport ($7995), MSB Diamond DAC Plus with Femto Second Galaxy Clock ($38,950), MSB Signature Transport Powerbase ($3495), and MSB Diamond Power Base ($5995)—Rockport Technologies Altair II loudspeakers ($100,000/pair), Absolare Bybee Purifier ($7250), Absolare Speaker Bullets ($3750/set of four), and Echole cables.
Jason Victor Serinus  |  Jan 17, 2013  |  7 comments
Photograph: John Atkinson

Las Vegas? Why bother to fly across the country or around the world when you can visit New York City, Venice’s Grand Canal, and Egypt’s Great Pyramid in one easy, smoke-filled, retail therapy-rich, constantly stimulating stop? Why search out music on the net when, in Las Vegas, it constantly bombards you in elevators, from outdoor loudspeakers, and at your free lunch at T.H.E. Show?

Ah, Las Vegas. In his wrap to CES 2012, Stephen Mejias did a beautiful job of asking the simple but profound question, “Why?” Why, of all the god-forsaken places on Planet Earth, has the Consumer Electronics Association chosen this compulsion-driven, ecologically devastating, one-stop tourist and gambling destination as the site for the largest industry trade show in the US?

Jason Victor Serinus  |  Jan 16, 2013  |  0 comments
The new Octave V110 push-pull pentode integrated amplifier ($8300) from Germany, distributed by Dynaudio, is a KT120-based product whose protection circuit is described as “bullet proof.” To demonstrate what that means, speaker wire terminations on one of the channels were intentionally crossed; not only did nothing blow, but the left channel, which was properly connected to a loudspeaker, continued to play. The Octave V110 is thus the perfect amp for folks who use battery cables to jump-start their cars, and then celebrate by clapping both clamps together.

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