Jason Victor Serinus

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Jason Victor Serinus  |  Mar 13, 2013  |  1 comments
Given the number of loudspeakers in the relatively small room, I was amazed that two corner traps, combined with intelligent speaker placement that began at 8am, could result in such well-controlled bass. But on the Channel Classics native DSD/hybrid SACD of the Budapest Festival Orchestra performing Mahler's Symphony 2, the opening movement exhibited ideal control on the low end as well as natural warmth. I kept waiting for the booming, but it never came. What a great end to my first long day at AXPONA Chicago, 2013.
Jason Victor Serinus  |  Mar 13, 2013  |  0 comments
Sandwiched between rooms, apart from the other tables on the mezzanine, Miko Krolo of Canada displayed his new line of attractive equipment racks and supports. By heart an audiophile, and by trade a designer of residential interiors, Krolo began his company just one year ago. On view were the Krolo Design Tomo Audio Rack ($3300–4300, depending upon number of shelves) and Krolo Enhancers equipment supports ($260/set of three). The racks include solid aluminum rods and stainless steel supports—I hope I have that right—and shelves float on cones.
Jason Victor Serinus  |  Mar 13, 2013  |  4 comments
That is not a feeble attempt at a joke; it really is how Mr. Freud forced this Contributing Editor to slip on the word “editors.” Perhaps I was thinking of The Absolute Sound Executive Editor Jonathan Valin, who not only pulled a no-show for the Friday and Saturday afternoon 90-minute Editors panels—pre-show promotion and the show guide had advertised his participation, with Robert Harley—but also attempted to erase from history, in his online AXPONA report, the rather significant fact that the last major audio show in Chicago was not the 1994 Consumer Electronics Show, as he claims, but rather in 1999, when the Stereophile show came to the Windy City. Is such competitiveness really necessary, given how different the two magazines are?

The moderator for both panels was the extremely articulate and informed Bes Nievera of Music Direct and also a host on Chicago area public radio station WDCB, who just happens to be a long-time audiophile. Panelists included (left–right), from TAS, Editor-in-Chief Robert Harley; from DaGoGo.com, Senior Editor Ed Momkus; from Stereophile and an embarrassingly long list of other publications, Contributing Ediot Jason Victor Serinus, and Stereophile’s Editor-in-Chief John Atkinson.

Jason Victor Serinus  |  Mar 13, 2013  |  2 comments
For many of us, the luscious equipment combo from Rochester, NY-based Your Final System would make our lives complete. I certainly wouldn't kick it out of bed, metaphorically speaking, though I don't know how the spouse and two dogs might react to all of this in the living room, let alone the bedroom. Pause for breath as you take a look at the line-up below, then grab a calculator and add it all together. I would, but my hands are too shaky from typing everything up.

Here we go: Your Final System HD Ref 3 Limited Edition Music Server System ($14,500), EMM Labs DAC 2X ($15,000), Purity Audio Ultra GT preamplifier ($53,000), bi-amplification of upper frequencies by KR Amplifiers SXi Mk.II integrated ($21,000) and lower frequencies by Channel Island Audio D200 Mk.II monoblocks ($3500/pair), Von Schweikert Audio VR-100XS "Universe" System with towers and two EX V15 subwoofers ($140,000), four additional EX V15 subwoofers ($10,000 each), MasterBuilt Signature Series speaker cables ($7500/pair), MasterBuilt Signature Series interconnects ($3600/pair) and power cables ($6200 each) and dual-headed powered USB cables ($4000), GIK Diffusers ($350 each), ASC Tube Traps ($450 each), ATS Acoustic Bass Traps ($150 each), ATS Acoustic Studio Stackers ($200 each), and a mere $37,000 worth of Critical Mass Systems equipment racks and stands.

Jason Victor Serinus  |  Mar 13, 2013  |  0 comments
Gary Kumpf did a whole lot of talking between selections, but nonetheless I managed to be blown away by the sound of the no-pun-intended McAire ($3000). This one-piece unit, complete with built-in speakers and a downward firing woofer, offered superb stereo imaging as it projected an amazing amount of impressive sound well into the room. Compatible with all existing digital technologies, it seems like a fantastic buy for the price.
Jason Victor Serinus  |  Mar 13, 2013  |  1 comments
What else might you expect to hear on Classic Audio Hartsfield field-coil driver loudspeakers ($59,950/pair) than Classic Records' 45 rpm pressing of Louis Armstrong and Duke Ellington? Despite bass problems stemming from the 10' black hole above the room, the music sounded quite wonderful...until we got to the first track on Patricia Barber's new CD, Smash. There, her voice sounded great but the bass was impossible. Doing their best were Atma-Sphere's MP-1Mk.3.2 preamp with phono ($12,100) and MA-1.5 Novacron power amplifier ($12,000/pair), mated with the Tri-Planar Ultimate 12 turntable with what I think was a Technics SP10 Mk.II arm and either a van den Hul III Gold or Koetsu Jade cartridge.
Jason Victor Serinus  |  Mar 13, 2013  |  0 comments
Look out Audiogon. Your latest competition in the online marketplace department, AudioMart, launched this week. The company's Mark Mawhinney, who owns a retail store and is also responsible for the Spin-Clean Record Washer, says AudioMart lists both used and new equipment. "It's quicker, faster, more socially integrated, and much more mobile friendly," he proclaims. "Images are posted for free, and we're offering free dealer storefronts through September 1."
Jason Victor Serinus  |  Mar 13, 2013  |  1 comments
My drop-dead favorite sound of the show—I hesitate to call it "Best of Show," since I heard nothing on the ground and 9th floors, and only half the rooms on the 8th—filled the large corner room on the 7th floor co-sponsored by Balanced Audio Technology (BAT) and Music Direct. There, on the physical level, I encountered, as sources, an Esoteric K-05 SACD/CD player & Reference DAC ($8299) and Avid Acutus Reference SP turntable ($25,000) with Avid Pulsare II phono stage ($7000). Both fed a top-of-the-line BAT REX II preamplifier ($25,000) and BAT REX II monoblock amplifiers ($40,000/pair), which sang through Focal Scala Utopia loudspeakers ($30,000/pair). The component list, handwritten in my notepad by BAT's Geoff Poor, also includes Shunyata Triton and Typhon power ($10,000), but I don't see them listed on their website.
Jason Victor Serinus  |  Mar 13, 2013  |  0 comments
For every reason under the sun, the big system from HiFi Imports of Colorado Springs should have sounded spectacular. Alas, given the 10' air space above the ceilings of most of the big conference rooms on the Doubletree's mezzanine, the law of the day was, the bigger they are, the farther they fall.
Jason Victor Serinus  |  Mar 13, 2013  |  0 comments
Although Soundsmith brought to Chicago the very same system it exhibited at RMAF in Denver last October, there was nothing has-been about the sound. In fact, sonics that I often find enticingly romantic, as on the slightly warm side, this time sounded far more neutral, yet infused with the glow that makes Peter Ledermann's cartridges and electronics so special.

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