Since 1995, Michael Griffin's Essential Sound Products (ESP) has focused on manufacturing quality power cables for audiophiles. Then, starting with its Music Cord, Michael began manufacturing cords for musicians and recording studios. Jim Anderson and Ulrike Schwarz, for example, use ESP power cables in their recording projects.
When I entered the room shared by Ken Stevens' CAT (Convergent Audio Technology) and Michael D. Griffin's ESP (Essential Sound Products), recording engineers/life partners Jim Anderson (above) and Ulrike Schwarz were finishing up a talk/demonstration about recording Patricia Barber's album Clique. They are not the only world-class engineers I've encountered who, standing well to the side and above speakers' tweeters, played tracks so loud that voice and instruments spread and distorted. But in soft passages, and once they'd turned the volume down, the beautiful liquidity of the CAT sound, the superb engineering, and the excellent dynamics of system and recording alike came through for all to relish.
With the support of Seattle's 76-year-old Hawthorne Stereo, Focal Naim America presented a system described by the company's Tom Graham as "The best of the best of what Focal and Naim have to offer." The sound in the large room was extremely open and spacious on a 16/44.1 wireless stream of a very naïve sounding soprano singing the "Pie Jesu" from John Rutter's Requiem.
As if to dispel concerns spurred by former Krell VP Walter Schofield's surprise departure from the company, Krell's very own Director of Product Development, David (Dave) Goodman (above), journeyed to WA state to present another pre-listen to Krell's not-yet-released KSA i400 stereo amplifier ($35,000). Given that Dave designed this amp, this was quite the opportunity for savvy showgoers.
Uh oh. It had to happen someone. But did trashed-in-shipment karma really need to strike New Hampshire's Gunny Surya, whose excellent Sonner Audio Legato Duo loudspeaker ($9500/pair) had to make do, not with the intended SW1X Audio Design DAC III SPX ($7500), but rather with an iFi DAC2 ($400)?
A speaker brand new to me, Kroma Atelier from Spain, caught many an eye and ear with the US premiere of their small black Mimi Xtreme standmount loudspeaker ($12,600/pair in white, $13,860 in black, left in photo) with Mimi stands ($3600/pair). Introduced by Tim Lukas's Matterhorn Audio Group of Boston, whose other brands include FinkTeam and Creek, the speaker is claimed to work with amps that output as little as 15Wpc. With a 6.5" midrange with proprietary cone, and a special AMT neodymium-ribbon tweeter designed by Mundorf to Kroma Atelier's specifications, the speaker boasts a 4 ohm nominal impedance, an 88dB sensitivity, and a frequency response of 30Hz25kHz. The design of its woofer's surround (below) is intentionalit is possibly one the new Purifi drive-units.
A direct-sales company new to me, MK Audio of Charlotte, North Carolina, journeyed cross-country to present their Arion Audio Apollo 9 loudspeaker system ($35,900/pair) with full DSP and advanced room correction. The Apollo 9 is also available in Dual-Pack Woofer Package ($5900) that includes two additional woofers with two amps. With AMT drivers built in-house, the speaker is an open-baffle design with a claimed whopping 105dB sensitivity.
I first encountered consistently handsome Rosso Fiorentino speakers at a show years ago, and immediately encouraged a now-retired distributor to pick up the Italian brand. I'm so happy to discover that AudioThesis is now bringing them into the US.
Another speaker surprise from Matterhorn Audio Group of Boston. The midrange exceled through FinkTeam Borg floorstanding loudspeakers (starting at $36,490/pair), shown next to the Kim standmount (starting at $12,990/pair). The sound of Dominique Fils-Aimé singing "Birds" was as fetching as Chris Botti's "What a Wonderful World" was lovely.
Show co-creator Lou Hinkley proudly stood alongside his new Daedalus Audio Apollo11 v.3 loudspeaker (starting at $27,500/pair). Variously depicted as "a whole new version" (in the room sheet) and "pretty complete makeover" (by Hinkley at the show) of the Apollo, the 52"-tall speaker boasts a larger midrange and an entirely new array design. "The lower three woofers function more like a point source, and the additional tweeter delivers more stage height and width," Hinkley said.