Jason Victor Serinus

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Jason Victor Serinus  |  Sep 03, 2006  |  0 comments
On August 29, Nonesuch Records gave its first donation of $1 million to Habitat for Humanity International. The funds, raised in only eight months through sales of 150,000 copies of Nonesuch's superb benefit album Our New Orleans 2005, will be used to build homes for displaced musicians and others in the New Orleans Habitat Musicians' Village, whose centerpiece will be the Ellis Marsalis Center for Music.
Jason Victor Serinus  |  Aug 12, 2006  |  0 comments
It seemed a bit like the game of Telephone: Someone at the head of a long line of people whispers a sentence or two into the ear of the next in line, who in turn passes it along. By the time the last person in line repeats aloud what they think they've heard, the message is often barely recognizable to the first person.
Jason Victor Serinus  |  Aug 06, 2006  |  0 comments
Just as the mythical Phoenix arose from its own ashes, the birds of the Talon Audio line have again taken flight, this time as Talon Loudspeakers. As of August 7, Rives Audio (www.rivesaudio.com) has acquired Talon Audio and plans to reintroduce many of the company's most successful models.
Jason Victor Serinus  |  Aug 06, 2006  |  0 comments
One of the great sopranos of the 20th century, Elisabeth Schwarzkopf, died in her sleep at her home in Schruns, Austria, on August 3, at the age of 90. The myriad ways in which she employed her remarkably expressive, silvery soprano gave rise to as much admiration and respect as her penchant for incessant nuance, along with her Nazi past, generated controversy.
Jason Victor Serinus  |  Jul 09, 2006  |  0 comments
We have lost a great artist. Mezzo-soprano Lorraine Hunt Lieberson, 52, who had previously triumphed over breast cancer, died at her home in Santa Fe on July 3. While The New York Times obituary did not specify the cause of death, other reports suggest she died from cancer, leading to speculation that the claims of back trouble and gall bladder inflammation that led to a string of cancellations in the past few years were related to a recurrence of the disease.
Jason Victor Serinus  |  Jun 19, 2006  |  0 comments
Classical music in general, and audiophile label Telarc in particular, scored big in this year's annual Outmusic Awards. Pulitzer Prize-winning composer David Del Tredici, whose music has recently found an ardent champion in conductor Robert Spano, won Outstanding New Recording: Instrumental for the Atlanta Symphony Orchestra's Telarc recording of Paul Revere's Ride. Telarc veteran and Grammy Award-winning producer Thomas C. Moore, who assisted in the recording, received the Outstanding Producer award. In addition, soprano Melissa Fogarty received Outstanding New Recording: Debut Female for Handel: Scorned & Betrayed (Albany Records).
Jason Victor Serinus  |  Jun 16, 2006  |  0 comments
I couldn't believe it. Something was off.
Jason Victor Serinus  |  Jun 06, 2006  |  0 comments
My first visit on the Show's final day was to the Usher room. After listening to their large BE10 floorstander ($14,400/pair), paired with the 2500 amp, 2200 preamp, and CD player (combined cost $5600) and cables from Shunyata and Stereovox, I was treated to Usher’s new entry-level $400 bookshelf baby. Seen here at the left of their lineup, other Stereophile writers had been impressed. While Usher’s little babies understandably offered less low bass extension than the big floorstander, they delivered far higher sound quality than anyone in their right mind could either expect or hope for at this price point.
Jason Victor Serinus  |  Jun 06, 2006  |  5 comments
The South African Vivid Audio K1 loudspeakers ($20,000/pair) in the Musical Surroundings room—seen here behind Musical Surroundings’ Garth Leerer (right) and Stereophile’s Michael Fremer at the Sunday afternoon raffle—produced an impressively large, sit-up-and-listen soundstage. A similar case of a soundstage that dwarfed the speakers that produced it awaited in the Gamut room. The L-7 flagship speakers ($14,900/pair), paired with the Di150 180Wpc integrated amp ($9800) and brand new CD3 ($6000), produced an amazing sense of space and depth, as well as some mighty low bass extension. Learning that the system lacked a power conditioner and was powered by stock power cords and $300 Siltech silver cables only increased my admiration. As the audiophile press has affirmed for several years now, Gamut is on to something very, very good.
Jason Victor Serinus  |  Jun 06, 2006  |  2 comments
Southern California's Brooks Berdan, Ltd. continued to affirm the store’s reputation for high-quality sound in its Ayre/Vandersteen room, which had also impressed Wes Phillips in an earlier blog entry. Listening to the Ayre MXR 300W monoblocks ($16,500/pair), K-1x preamp ($7000), C-X5e universal player ($5950), and about-to-be-released power conditioner, connected to each other and the wood-finish Vandersteen Quatro speakers ($10,700/pair) by Ayre's own cabling, I encountered a soundstage whose height and depth had no right to exist in such a small space. But beyond issues of size and depth, listening to a Channel Classics SACD of the Ebony Band Amsterdam performing the music of Silvestre Revueltas enabled me to enter that composer's phantasmagoric universe in a deeper, more all-consuming way that I had ever before experienced. It was as if I was inside Revueltas' head, haunted by the very demons that drove him to write his extraordinary music. To discover myself so immersed in music in the middle of a bustling show was a rare gift.

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