Stephen Mejias

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John Atkinson, Stephen Mejias  |  Dec 15, 2003  |  First Published: Dec 01, 2003  |  0 comments
Since 1992, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year." These are the components that can be recommended without any ifs or buts, that will grace any system in which they used.
John Atkinson, Stephen Mejias  |  Dec 08, 2002  |  0 comments
For more than a decade now, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year."
Stephen Mejias  |  Jul 17, 2008  |  First Published: Sep 26, 1999  |  7 comments
In a sense, DJ Shadow and Cut Chemist are music historians and preservationists. In "The Hard Sell," they take us on a scratching, mixing, looping journey through musical genres and fads, from the wildly obscure to the completely commercial, while employing not one, not two, but eight turntables and a collection of original 45rpm seven-inch singles that would make Mikey Fremer's hair go straight.
Stephen Mejias  |  Oct 10, 2012  |  First Published: Dec 31, 1969  |  6 comments
It’s been an unusually stressful couple of months here at Stereophile, thanks in large part to a succession of unusually demanding endeavors. Preparing our October issue was difficult for the usual reason (“Recommended Components”) and our November issue was particularly exciting for me, as it includes my first full-length review (VPI Traveler turntable), but nothing could prepare us for the intensity that came with producing, in a single month, both our December issue and our annual special issue.

Really, one issue per month is enough fun; two is cruel and unusual. In previous years, we created a Buyer’s Guide, but this year, we opted for something a bit more extravagant: 10 Years of “Recommended Components.”

Stephen Mejias  |  Oct 14, 2012  |  First Published: Dec 31, 1969  |  1 comments
First of all, I’d like to point out that, though I probably should have, I did not take this picture. This picture was taken by VPI’s young Mathew Weisfeld, who is way cooler than me.

Now, the turntable is VPI’s Traveler, which I review in our November issue. What turntable, you ask? That turntable there—the one behind the girl in the red glasses. (The red glasses, she told me, weren’t hers, but instead belonged to Music Hall’s Leland Leard. But that’s another story.)

Stephen Mejias  |  Oct 17, 2012  |  First Published: Dec 31, 1969  |  7 comments
I walked into a highly compressed modern rock recording. Worse than that, the song itself was horrible, dreadful, unimaginative, bad. I mean, it really, really sucked.

I was tempted to blame it on the system:

Stephen Mejias  |  Oct 17, 2012  |  First Published: Dec 31, 1969  |  12 comments
I wanted to better understand what I was hearing in the PranaFidelity/Musical Concepts room, so I asked PranaFidelity’s Steven Norber to tell me about his design philosophy.

Norber said something very interesting:

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