Robert Deutsch

"Lightning strikes twice," says the blurb on Ayre Acoustics' new KX-R preamp, referring to the 1996 introduction of the Colorado company's original K-1 preamp, considered to be among the best preamps. The KX-R ($18,500 in aluminum finish) retains the zero-feedback, fully-balanced configuration of the K-1, but has a Variable Gain Transimpedance (VGT) circuit, with something called "equilock circuitry" for the gain devices. This was explained to me as a circuit design that does not attenuate the inputs at the front end, and thus improves the S/N ratio. The KX-R is a slim but heavy unit (41 lbs), and as you can see, it looks stunning.

The day before CES opens is designated Press Day, with press conferences scheduled every hour, including presentations by major consumer electronics manufacturers such as Pioneer, Toshiba, Philips, Samsung, Panasonic, and Sony. These are extremely well-attended, to the point that last year some of the press conferences were so full that members of the audio/video specialty press ended up being turned away. As Wes Phillips noted in a recent news story, for the 2008 Show CES announced that, to deal with this problem, it would be more stringent in determining who gets a Press badge. While they may indeed have done so, there were still huge crowds at all the press conferences I attended, although I think this time at least all my fellow audio/video writer colleagues managed to get in. (That's www.ultimateavmag.com's Tom Norton in the foreground.)

Britain's Cambridge Audio is known for its modestly-priced integrated amps and such, but now they've decided to move upmarket by introducing separate preamps and power amps. The Azur 840E ($1499) preamp and Azur 840 power amp (200Wpc, $2199) are based on top-of-the-line Cambridge Azur 840A integrated amp, with upgraded power supplies and other improvements. Here they are, pictured with Ian McArthur of Audio Plus, the North American importer.

VTL's room is always an oasis at shows, playing music at levels that actually match rather than trying to impress the listener with mere volume, the system meticulously set up. The same was true at CES 2008, a pair of Wilson WATT/Puppy 8s being driven by the new MB450 Series II tubed monoblocks ($9500/pair), the "budget-priced" (a mere $50k) Continuum Criterion turntable, and VTL's new TP6.5 phono section ($8500) as the source. The MB450 and other VTL components are pictured here with the company's co-owner, the ever-gracious Bea Lam.