Sam Tellig

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Steven W. Watkinson, J. Gordon Holt, Sam Tellig  |  Aug 10, 2009  |  First Published: Apr 10, 1985  |  0 comments
When I first heard the Eagle 2 at the 1985 Winter CES I knew this amplifier was a winner. I was eager for a chance to get my hands on it, but I also knew that J. Gordon Holt was champing at the bit to do the same. So it came as both a surprise and a delight when ye Gracious Editor gave me first crack at the Eagle 2. I wasn't disappointed; the little Eagle more than lived up to expectations. It's not the best power amplifier I've ever heard, but it's damn good. It is, in fact, better than its big brother, the Eagle 7A, in significant ways; in view of the 2's reasonable price, that's saying a lot.
Sam Tellig, Anthony H. Cordesman  |  Sep 08, 2016  |  First Published: Mar 01, 1985  |  4 comments
Superphon's Revelation Basic preamplifier is made by Stan Warren, formerly the "S" of PS Audio, so it should come as no surprise that the Revelation Basic and the PS Audio Source sound much alike. The Revelation Basic sells for $399, assembled (no kit available). Like the Source, the Revelation has an outboard AC power transformer to minimize hum problems. But unlike the Source, the Revelation has dual volume controls (a pain) and lacks moving-coil capability.
Sam Tellig, Alvin Gold  |  May 14, 2013  |  First Published: Jan 01, 1985  |  3 comments
The Boston Acoustics A40 loudspeaker ($150/pair) has become "legendary" (ie, it's stayed around for a while), probably because a pair of them images as well as Rogers LS3/5As. Unfortunately, it is no match for the LS3/5A in terms of smooth midrange response. Of course, at $150/pair, it shouldn't be.

I was originally going to do a review comparing the Spectrum 108A ($200/pair) and the Boston Acoustics A40. On first listen, I was mightily impressed by the A40. But after Stereophile's Larry Archibald schlepped me out a pair of the 108As, I didn't much want to listen to the A40s.

Sam Tellig, Anthony H. Cordesman, Michael Fremer  |  May 05, 2020  |  First Published: Sep 01, 1984  |  13 comments
I was all set to give up on moving magnets until the new Shure VI5-VMR (MR stands for Micro-Ridge stylus) arrived. In a word, it's terrific. I was slightly disappointed with the original V15-V: I just didn't think it was a significant improvement over the Type IV. What I missed was fine detail—especially in the high frequencies and during heavily modulated passages. The original V was not quite up to the sound of certain moving coils. Which is not to say the original V was a bad buy: moving coils cost twice the price and you need a stepup. I could recommend the original V without hesitation.
Sam Tellig, Various  |  Sep 04, 2008  |  First Published: Jan 04, 1984  |  0 comments
Among British turntables, there is the Rega Planar 3, which sells here for $550 (approximately double the UK price). I've owned a Rega for three years and know it well.
J. Gordon Holt, Sam Tellig  |  Aug 01, 1995  |  First Published: Aug 01, 1976  |  0 comments
This is something we don't see too often: an entirely new approach to power amplifier design. As Quad points out in its literature for the 405, class-A operation of transistors provides the lowest distortion, but drastically limits the amount of power an output transistor can deliver without overheating. (Most transistor amps use class-AB output operation, in which each of a pair of power transistors handles part of each signal cycle and shuts down during the other part. Imperfect synchronism between the two halves causes the familiar "crossover distortion," which accounts for most solid-state sound. In class-A operation, each output transistor draws current though the entirety of each signal cycle, eliminating the crossover transition but doubling the amount of time current is drawn, and thus tending to cause the transistor to heat up more.)

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