Sam Tellig

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Sam Tellig  |  Nov 19, 2014  |  23 comments
Hi-fi firms have begun in garages. The English Spendor company was started in a bathtub. Or was it a kitchen sink?

By days in the late 1960s and early 1970s, Spencer Hughes worked as part of the BBC's loudspeaker research team. Among other accomplishments, he helped develop the 5" midrange/woofer for the fabled LS3/5A loudspeaker.

Sam Tellig, John Atkinson  |  Apr 04, 2017  |  First Published: Jul 01, 2014  |  2 comments
Before he left Stereophile for AudioQuest at the end of March 2014, Stephen Meijas asked Thinksound to send me the On1 closed-back heaphones. He thought I might like them.

Cool beans, Stephen. I do. These are among the nicest 'phones I've come across lately. List price is $299.99, but the street price—sometimes directly from Thinksound—is usually $249.99. You save an imaginary $50. That's $50 of your savings that you can share with me in Bitcoins.

Sam Tellig, John Atkinson  |  Jul 18, 2014  |  First Published: Apr 01, 2014  |  13 comments
They can't sound very good—they're not big enough. As we all know, in hi-fi, big products mean big performance. Musical Fidelity's V90 series can't be any good. They don't cost enough. With your golden ears, you must pay through the nose.

The V90 components turn all this around. They are tiny. Inexpensive. Beautifully built.

Sam Tellig, Herb Reichert  |  Apr 04, 2017  |  First Published: Jan 01, 2014  |  16 comments
John DeVore names his speakers after primates—apes, to be specific. Something to do with a family member being a zoologist.

John once worked at a hi-fi retailer in lower Manhattan. Now, as president and chief designer of DeVore Fidelity, he manufactures loudspeakers across the bridge, in the former Brooklyn Navy Yard. I talked with John the other day about his new speaker, the Orangutan O/93.

John makes two Orangutans, both floorstanders: the O/96, with a sensitivity specified as 96dB, over which Art Dudley went ape, in the December 2012 issue. Artie has made the O/96 his reference loudspeaker. It goes for $12,000/pair, stands included.

Now there's the new, smaller Orangutan O/93, specified at 93dB. It retails for $8400/pair with a front baffle in fiddleback mahogany veneer (other veneers are available).

Sam Tellig, John Atkinson  |  Feb 14, 2014  |  First Published: Dec 01, 2013  |  6 comments
Am I the only one who values content and convenience over sound quality?

There. I've said it. I am not an audiophile; ie, someone who's in love with recorded sound for its own sake. The search for ideal sound can leave a person burned out and broke.

John Marks, Sam Tellig  |  Dec 03, 2013  |  First Published: Jun 01, 2013  |  4 comments
For the high-performance audio market, it makes a lot of sense to process digital audio data via sophisticated software running on a dedicated personal computer. Which brings us to Parasound's Halo CD 1 CD player ($4500). Some might find it questionable to release today, as one's first digital-disc player, a machine that plays only "Red Book" CDs, rather than a universal or near-universal (non–Blu-ray) player.
Sam Tellig  |  Apr 25, 2013  |  First Published: Jan 01, 2013  |  1 comments
With Peachtree Audio's new nova125 integrated amplifier, most decisions are made for you.

Need a DAC with three S/PDIF inputs (two coax, one optical)? An asynchronous USB DAC? A line stage? A tubed output buffer? A power amp that should be able to drive even difficult speaker loads? Remote control? You've got them all for $1499. Just add speakers. (I assume you have a laptop computer and several disc spinners.) You may want a separate phono stage, because there is none onboard.

Sam Tellig  |  Apr 25, 2013  |  First Published: Oct 01, 2012  |  1 comments
In April 1987, Anthony H. Cordesman had mixed feelings about the Mod Squad Passive Line Drive System Control Center. (Read his review here.) Introduced in 1984, the Line Drive offered volume and balance controls, five line-level inputs, and switching and monitoring for two tape decks. You didn't plug it into the wall; it provided no gain. Was it even a proper preamp? (footnote 1)

AHC demurred. "I'm not sure that I'm ready to advise anyone to take the risk of not buying a unit with a top-quality phono stage, no matter how well CD or DAT perform," he concluded, between commenting on Middle East wars.

Sam Tellig  |  Jul 16, 2014  |  First Published: Jan 01, 2012  |  3 comments
These are great times for hi-fi gear, especially loudspeakers.

I latched on pretty fast to Dynaudio's Excite X12, but I wasn't the first at Stereophile to discover that loudspeaker. That was Bob Reina.

Drat!

Sam Tellig  |  Aug 13, 2012  |  First Published: Jan 01, 2012  |  13 comments
There's so much uncertainty and confusion surrounding computer audio and high-resolution downloads. Which hi-rez formats will win out? How do you store the downloads you've bought? (Easy. Don't buy them.) How do you access them? Will digital rights management (DRM) cramp your style, or data-storage fees for cloud computing crumple your wallet?

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