Art Dudley

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Art Dudley  |  Mar 05, 2015  |  2 comments
I've seen how most manufacturers work. They start out by making products they believe in—products consumers are likely to love. But after a while they begin listening to their dealers and distributors and marketing consultants, most of whom are inclined to say things like: "You need to make a six-figure turntable, to compete with all the other six-figure turntables." "You need to make a $1500 amplifier, to fill that price gap in your product line." "You need to make a small, stand-mounted loudspeaker."
Art Dudley  |  Mar 26, 2010  |  2 comments
Because I have a review pair at home, I was eager to hear how the new Wilson Sasha loudspeakers ($26,995/pair) would sound under show conditions, in the largest Coup de Foudre room. Driven by a Brinkmann Oasis turntable ($13,700), Brinkmann 10.5 tonearm ($6300), Brinkmann EMT cartridge ($4300), VTL TL5.5 preamp ($8000 with phono), Berkeley Alpha D/A converter (45700), Pathos Adrenaline amplifiers (price unknown!), and all Transparent Audio cabling, the Sashas were just as colorful, dramatic, and involving today as they've been for the past several weeks in my own listening room. Of course today's performance owed a great deal to the quality of the recordings made by master recordist Peter McGrath of Wilson Audio (left), whose sessions with Cuban-born pianist Jorge Luis Prats were nothing short of sensational. On the right, making sure I didn't miss the VTL preamp, is VTL's Luke Manley.
Art Dudley  |  Jun 26, 2011  |  1 comments
The show started before the show started: Julia and I were having morning tea in our room on the 7th floor when we heard a familiar and compelling voice: not Amanda McBroom or Jacintha but Lhasa de Sela —a real recording artist! The music turned out to be coming from one of two exhibit rooms sponsored by New Jersey retailer Woodbridge Audio, whose proprietor also had the audacity to play such non-audiophile fare as the Andrews Sisters and Michael Hedges. Think of it! The system in Woodbridge's tonier room had an estimated total value of $125k and included a VPI TNT HRX record player with Koetsu Urushi Black cartridge, Mark Levinson electronics (including the majestic No.53 amplifiers), and a pair of Revel Ultima Salon2 loudspeakers, with MIT cabling, Richard Gray power accessories, and ASC Tube Traps.
Art Dudley  |  Mar 17, 2006  |  0 comments
My stepfather wore only second-hand clothes as a child and never understood why anyone would deliberately wash the color out of his new dungarees. By the same token, the senior members of our hobby, many of whom recall with fondness the transistor's advent, don't understand why anyone would now wish to throw away their newfound power. Some people deserve to be blessed for their point of view, even as the world moves away from it.
Art Dudley  |  Apr 18, 2013  |  0 comments
Ariel Bitran is better than I when it comes to photographing shiny, black loudspeakers in rooms with less than generous lighting. Consequently, although I enjoyed the music I heard at the second of two GTT Audio rooms from YG Acoustic Kipod II loudspeakers ($38,800/pair), I succeeded in photographing only the Veloce Saetta monoblock amplifiers ($18,000/pair) that were used to drive them. No loss there: The always interesting Veloce electronics—which, for this demonstration, included their LS-1 line-level preamplifier ($18,000)—represent some very cool technology. Both the tubed (6H30) preamp and the hybrid (tubed input, solid-state output, 400Wpc) amps are battery powered, offering 40-hour listening sessions on a single charge and an estimated battery life of 10 years. A digital file of Hugh Masekela, played from a Luxman DA06 D/A converter ($6000), sounded both open and colorful, and a recording of the Saint-Saens Danse Macabre (orchestra and conductor unknown) had me thinking more about music than gear by the time I had to leave the room.
Art Dudley  |  Apr 18, 2013  |  0 comments
In one of two rooms sponsored by New Jersey dealer GTT Audio, YG Acoustics' entry-level loudspeaker, the slim-and-sturdy Carmel ($18,000/pair), was demonstrated with a 125Wpc Model 530 integrated amplifier ($49,000) and Model 540 CD/SACD player ($32,500) from the Swiss firm Soulution Audio, with cabling by New Jersey's own Kubala-Sosna. Here we see YG's Kerry St. James playing Deejay for a room that, throughout Saturday afternoon, appeared never to have an empty seat.
Art Dudley  |  Mar 24, 2012  |  0 comments
Designer, manufacturer, and vintage audio maven Michael Tang brought so many cool things to SSI, I scarcely knew where to begin. The most compelling of all may have been his new Michael Tang Audio APS tonearm ($900), seen here with a vintage Thorens TD 124 turntable and Decca pickup head from his collection, along with his own custom-manufactured hardwood tonearm board. (Yes, I bought one of the latter while I was there.) The reach of the MTA arm may be limited, however: Its distinctive pickup connector is compatible only with obsolete Decca heads. Still...!
Art Dudley  |  Apr 16, 2012  |  2 comments
At the Audio Arts suite I was enchanted by the sound of my favorite 1960s-era folk trio (although I confess that that wasn't the Corries, whose debut album is seen here in the hands of Audio Arts proprietor Gideon Schwartz). "Tiny Sparrow" and other selections from the cannily titled Peter, Paul & Mary album Moving sounded colorful and clear on a system comprising the Holborne Analog 2 turntable ($5275), Holborne Analog 2 tonearm ($3475), Holborne MC1 cartridge ($1975), David Berning ZOTL preamp with phono stage ($12,300), David Berning ZH230 mono amplifiers ($18,400/pair), and the very interesting Zellaton Concert loudspeakers ($59,750/pair), the drive-units of which—even the tweeter—are all descended from the Pawel laminated metal-foil cone woofer.
Art Dudley  |  Dec 23, 2007  |  0 comments
In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical The Fantasticks was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.
Art Dudley  |  Oct 19, 2009  |  1 comments
For 15 years, lovers of low-power amplifiers have clamored for more and better high-efficiency loudspeakers (footnote 1). For 15 years, their choices have remained limited to products with varying combinations of colored sound, poor spatial performance, basslessness, high cost, and cosmetics that range from the weak to the repulsive.

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