Art Dudley

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Art Dudley  |  Mar 31, 2014  |  First Published: Dec 31, 1969  |  1 comments
In one of the rooms sponsored by Audio Pathways, the always-impressive yet consistently difficult-to-photograph-in-the-dark Raidho Acoustics C1.1 loudspeakers ($CAD18,000/pair) sounded excellent with a slightly-less-photo-phobic Jeff Rowland Continuum S2 integrated amp ($10,500), set up with Transparent cabling.
Art Dudley  |  May 02, 2014  |  2 comments
No one can say precisely how or when the ancient 300B triode tube made its cross-kingdom leap to the modern world of consumer audio, but we've got the where pretty much nailed down: It all began in Asia, where the best of the West is sometimes held in reverence rather than left to drown in consumerism's wake. Asia is the final resting place for the great Western Electric cinema systems of the 1940s—and that's where the 300B earned its un-American second act. By the mid-1990s, the tube had captured the hearts of hobbyists who, consciously or not, sensed that the audio refineries of the day had lost the plot, not to mention the body.
Art Dudley  |  Mar 22, 2013  |  0 comments
Granted, I know little to nothing about the home theater market, but I thought this was kind of cool: a paint called Screen Goo, available through all Sherwin-Williams dealers, that can be used to transform any flat, paintable surface into a projection screen. This two-stage treatment—a reflective undercoat, topped with a semi-translucent diffusive top coat—is 100% acrylic, with a very low VOC content. Screen Goo is available with different degrees of pigmentation; the photo above compares unity-gain white, on the far right, with two other shades. This company’s biggest market? According to Kevin Nute of Goo Systems, it’s theme-park installations (eg, the Haunted Mansion at Disney World).
Art Dudley  |  Nov 18, 2015  |  First Published: Dec 01, 2015  |  3 comments
Joanna Newsom: Divers
Drag City DC561 (LP/CD). 2015. Joanna Newsom, prod.; Noah Georgeson, prod., eng.; Steve Albini, eng.; John Golden, mastering. ADA/ADD. TT: 51:56
Performance *****
Sonics ****

It's hard to imagine a more auspicious debut than Joanna Newsom's The Milk-Eyed Mender (Drag City DC263): Her songs on that 2004 release were imaginative, memorable, and almost uniquely literate, and her performances of them—she sang as distinctively as she wrote, and on most of them, her full-size Lyon & Healy concert harp was the sole accompanying instrument—were effective and thoroughly charming. At the age of 22, Newsom had created one of the most original pop records in memory.

Art Dudley  |  Nov 13, 2019  |  22 comments
The Beatles: Abbey Road (3-LP Anniversary Edition)
Apple Corps/Universal Music Group 0602508007466 (3 LPs). 1969/2019. George Martin, orig. prod., Geoff Emerick, Phil McDonald, orig. engs.; Giles Martin, reissue prod., Sam Okell, reissue eng.
Performance ****½
Sonics *****

Here are seven things you need to know about the three-LP, newly remixed—by Giles Martin and Sam Okell—and remastered version of Abbey Road, all of said re-ing done in honor of the album's 50th anniversary...

Art Dudley  |  Mar 26, 2013  |  1 comments
Seen on static display in the Canadian Pavilion at SSI: the 2A3-S single-ended amplifier from Triode Lab ($3288: an exceptionally good buy, assuming this nicely built amp sounds as good as it looks).
Art Dudley  |  Apr 18, 2013  |  0 comments
Red Wine Audio of Holden, MA, was the remaining link in the Sound by Singer chain: The aforementioned Bricasti D/A converter was, by means of its own volume control, used to directly drive a pair of Red Wine Liliana monoblock amplifiers ($5995/pair), wherein class-A tubed input stages are mated with class-A/B FET output stages to produce 115Wpc of very sweet-sounding watts. In this pic, Red Wine CEO Vinnie Rossi shows off the innards of his Isabella preamplifier ($3995 without phono-stage option), which uses 6H30 "super tubes," yet also supports all triodes in the 6922 family.
Art Dudley  |  Dec 28, 2003  |  First Published: Dec 01, 2003  |  0 comments
As names go, "Reference 3A" is awful. It sounds less like a company than it does a model number, as in the Dudco Reference 3A (on sale now wherever Fourier speakers used to be sold); I find it hard not to expect a Reference 3B with each new year. Add to that a cumbersome and somewhat meaningless model designation, "MM de Capo i"—what do the Ms stand for? what does the i stand for? haven't there been other de Capos in audio recently?—and my poor brain becomes utterly confused. And the older I get, the less I can tolerate being confused. Forgive me if, during the course of this review, I get lazy and fall back on the lazy and admittedly somewhat Clintonesque this speaker.
Art Dudley  |  Dec 24, 2006  |  0 comments
I see a pattern taking shape: Roy Gandy's Rega Research offered their first CD player in 1996, which was 13 years after the medium was introduced to the public. Now, in 2006, some 50 years after Joe Grado designed and sold the first moving-coil phono cartridges, Rega has released one of those. The year 2016 may see the first Rega fluoroscope, or perhaps wire recorder. And it'll be a good one, I'm sure.
Art Dudley  |  Jun 26, 2006  |  0 comments
You've heard it said that the early bird catches the worm, which is all well and good if you like worms. If you're more interested in music, you might want to follow the lead of Roy Gandy instead: He's the managing director of Rega Research, a 331/3-year-old audio company that was the very last of its kind to enter the CD market. Rega's first CD player, the Planet of 1996, was a success in virtually every way.

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