Art Dudley

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Art Dudley  |  Aug 15, 2017  |  12 comments
I'm a thirty-year-old puppy doing what I'm told And I'm told there's no more coal for the older engines,"—Andy Partridge, "Train Running Low on Soul Coal"

"[We] know the truth of this: We would likely live happily ever after with a system from nearly 60 years ago. An idler-drive turntable, some Marantz electronics, and Quad ESL-57s can be very satisfying. The main improvements to be made are not necessarily in the area of musical enjoyment, but rather boring old reliability."

Art Dudley  |  Sep 27, 2014  |  8 comments
The Marriott Brooklyn Bridge—site of this year's edition of Chester Group's New York Audio Show—turned out to be a short, pleasant walk from the Jay Street station. Show registration was just around the corner from the Marriott's main desk, and the show continues through tomorrow (Sunday).
Art Dudley  |  Sep 29, 2014  |  11 comments
Halfway through the show I called home, and my wife informed me that the plumbing in the downstairs bathroom was clogged, and the dog had gone outside and rolled around in something dead. And she wondered: Was I having a nice time? It was time for me to pick up the pace.
Art Dudley  |  Sep 28, 2014  |  5 comments
Saturday dawned hot and bright—unnaturally so for the end of September—and showgoers showed up well before the 10:00am starting time: So much for my hopes of getting a jump on the crowds. Still I went for an early listen at the room shared by Volti Audio, Raven Audio, and Triode Wire Labs. The price of the three-way, fully-horn-loaded Volti Vittora loudspeaker ($21,500/pair without optional ELF subwoofer) has risen slightly since I wrote about it a year or so ago—yet it still endures as perhaps the best bargain in US-made hi-fi.
Art Dudley  |  Sep 30, 2014  |  0 comments
Reliable readers of show reports will remember Robert Lighton as a successful designer and manufacturer of furniture who, a few years ago, turned his enthusiasm for domestic audio in general and Audio Note gear in particular into a side career by putting his own imprint on the basic Audio Note loudspeaker formula. Robert Lighton Audio of New York City has now progressed to designing and manufacturing its own high-efficiency loudspeakers, including the two-way RL5 ($10,000/pair)—the solid sapele mahogany enclosure of which is seen here in Robert's hands. . .
Art Dudley  |  May 01, 2012  |  2 comments
Stop me if you've heard this: On January 10, at Avery Fisher Hall in New York's Lincoln Center, a performance of Mahler's Symphony 9, led by conductor Alan Gilbert, was stopped in its tracks by the ringing of an iPhone.

It wasn't just any part of the Mahler Ninth: It happened during the exceedingly quiet closing measures of the final movement.

It wasn't just any symphony orchestra: It was the New York Philharmonic, which Gustav Mahler directed during the last two years of his life.

Art Dudley  |  Mar 26, 2010  |  9 comments
Next door to Cabasse, Samuel and Jean-Pierre of L'Atelier-Audio had somewhat less English—and my command of French is virtually non-existent. But I had no trouble understanding the music played through their Ocellia Calliope 30 Twin Signature loudspeakers (exhibited in pre-production form, price TBD), driven by their Quaero 300B push-pull amps ($15,000/pair) and Quaero Signature preamp ($9000). As with all Ocellia loudspeakers, the very efficient Calliope 30 Twins use high-sensitivity drivers from the French company Phy, and the exquisitely beautiful cabinets are built with intentionally very thin walls, braced in a manner not unlike a guitar or violin, and equipped with an adjustable port/open baffle system for matching the loudspeaker to the volume of air in the listening room. The performance was lovely, insofar as I could tell in such an unavoidably setting, and I've requested a pair for review.
Art Dudley  |  Jul 25, 2014  |  4 comments
They spoiled all my fun.

When I receive a product sample for review, I look forward to taking photos while I unpack the thing, as a guide to repacking for later on. This company provided an illustrated packing list—it was the first thing I saw on slitting open the carton. I look forward to crafting amusing remarks about poorly written or whimsically translated owner's manuals; this company provided the clearest, most comprehensive manual I've ever seen. I look forward to having some sort of anomalous event—smoke, noise, or smoke and noise—to write about. This product offered nothing of the sort.

Art Dudley  |  Apr 06, 2011  |  0 comments
In a room sponsored by the California-based distribution company On a Higher Note, Vivid’s entry-level loudspeaker, the V1.5 ($7700/pair and photographed here by Robert Deutsch) sounded immediate, lushly textured, and vivid indeed: Voices, violins, drums, and—especially—saxophones leaped from their respective mixes with presence, power, and beauty. Associated gear included the SQ-38u integrated amp ($6000) and D-05 CD player ($5000) from Luxman, full-monty Bardot III record player from Brinkmann (including enhanced Origin Live Encounter arm and Brinkmann Pi cartridge: $12,300 for the package), and a full array of premium cables from Kubala-Sosna—whose proprietor, Joe Kubala, also played some of his own superb recordings through the demonstration system.
Art Dudley  |  Apr 06, 2011  |  0 comments
Dear Mikey: I know you spend a lot more time outside of the US than I do—heck, you probably get out of the house more often than I—so it’s with non-snotty glee that I must inform you: For once in my life I beat you to the draw on the coolest new analog toy in the known universe. At the Teo Audio room, Dr. Chris Feickert gave me a copy of his 7” Adjust+ Test Record ($20), which comes in a red jacket. Its use requires only that you download a special app from Apple App Store (search on “platterspeed”), fit your iPod/iPad/iPhone/whatever with an accessory microphone (I already have one for use with my über-cool Peterson strobe tuner app), cue up the Feickert disc, and measure away. Tests include wow and flutter, crosstalk, skating force, and channel balance. You’ll probably get one soon. Luv ya—Artie.

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