Art Dudley

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Art Dudley  |  Mar 30, 2014  |  0 comments
Manley tube electronics—the same 300B preamplifier plus a pair of Snapper amps—were used in another Acoustique Technologies room, where they drove a pair of Nola Metro Grand Reference III loudspeakers ($30,900), with the Meitner MA-1 D/A converter ($7000) as a source. I'm sorry to say the Nolas proved impossible to photograph in the back-lit but otherwise dark and very crowded room. And the excessive volume level—and consequently harsh trebles—discouraged me from lingering.
Art Dudley  |  Jun 27, 2011  |  0 comments
Speaking of the devil: Here's JM himself (right), posing with Arkiv Music's Robert Garcia, who is also associated with that company's classical music quarterly Listen.
Art Dudley  |  Apr 18, 2013  |  0 comments
I was intrigued by the new MartinLogan Dynamo 1500X subwoofer ($1595), but even more so in a relatively humble accessory that M-L offers to buyers of their current subwoofers: the Perfect Bass Kit or PBK ($100), comprising a stand plus a USB microphone, the latter to connect between your woofer and your PC in order to optimize positioning and setup.
Art Dudley  |  Apr 01, 2014  |  0 comments
Evolution Home Entertainment's Saxe Brickenden—who was honored with a Lifetime Achievement Award during the SSI party—displays the Massfidelity Relay ($249), a combination Bluetooth receiver and 24-bit D/A converter intended for wireless streaming from your iPhone to your hi-fi.
Art Dudley  |  Feb 22, 2008  |  0 comments
Although she'll deny it, my wife thinks ill of me because I've failed to buy her a new Mini Cooper. I can point to a number of things in my defense—especially the Mini's lack of all-wheel drive, which we need for climbing our quarter-mile driveway in bad weather, and its insufficient cargo and passenger space—all of which would constrain a Dudley-owned Mini Cooper to recreational use only. And a new round of car payments would be difficult to justify for those reasons: not because I'm cheap, and not because I'm too old to appreciate a car that's fun to drive.
Art Dudley  |  Jun 27, 2011  |  0 comments
May Audio Marketing's Nabil Akhrass (seated) was even busier than usual at this show, given the absence of his sister, Julia: She recently gave birth to her and her husband's first child (congratulations!), and decided to sit this one out. When I visited the May Audio exhibit on Saturday morning, they were already enjoying brisk sales of CDs and vinyl.
Art Dudley  |  Apr 01, 2014  |  1 comments
Experience says that one must wait in line to hear the MBL system at any hi-fi show, and SSI 2014 was no exception. Similarly unsurprising was the realistically vivid sound on tap, with levels of color and texture that, in a strange way, stood in contrast to the resolutely smooth, monochromatic appearance of their gear. (Maybe that's intentional?) This year I was entertained by a variety of musical excerpts, including a snippet of Beethoven's Piano Concerto 2, through MBL's C31 D/A converter/CD player ($9200), C11 stereo preamp ($8800), C21 stereo amp (9200), and 116 F loudspeakers ($29,000/pair), with Siltech cables and a generous sprinkling of Shun Mook Mpingo discs.
Art Dudley  |  Mar 26, 2013  |  1 comments
SSI 2013 also marked the Canadian premiere of MBL's Corona monoblock amplifier ($25,000/pair), seen here in white, on black satin.
Art Dudley  |  Mar 31, 2014  |  0 comments
Retailer AudioShop and distributor Audio Associé demonstrated a pleasantly impactful system built around a pair of Cabasse Riga loudspeakers ($18,000 /pair, including the Cabasse subwoofer), with a brace of electronics from my upstate New York neighbors McIntosh: the MCD1000 SACD/CD player ($10,000), C2500 tube preamp ($6500), and the beautiful McIntosh 275 power amp ($6500), all plugged into the company's MPC1500 AC power conditioner ($5000).
Art Dudley  |  Jan 25, 2004  |  First Published: Jan 01, 2004  |  0 comments
Like most people, I'm not interested in long, windy essays about audio reviewing, having barely enough time and interest for audio itself. But I do perk up when the debate turns to the audio reviewer's purpose in life: Should I write about everything that crosses my path, or should I limit my attention to those products that interest me, and that stand a chance of being good?

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