Art Dudley

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Art Dudley  |  Apr 23, 2015  |  8 comments
If you look at it from a distance and squint a little, Luxman's Classic CL-38u preamplifier ($4200) could almost be mistaken for that most classic of all classic hi-fi products, the Marantz Model 7C control center. The aluminum front panels of both models have, at their centers, a row of four distinctive toggle switches, flanked on each side by four control knobs. Even more noticeable are the stylish wood enclosures—standard on the Luxman, optional on the Marantz—which make both preamps appear ready for duty at the Playboy Mansion, ca 1963, or perhaps an appearance in a Life photo essay titled "At Home with Steve McQueen."
Art Dudley  |  Dec 27, 2016  |  6 comments
In 1999, when I first heard a Super Audio Compact Disc, I felt certain that the new format was destined for commercial dominance. Ten years later, when I first played PCM music files through a USB DAC, I felt certain that the SACD was deader than Julius Caesar's dog.

In 2016, it's apparent that I'm not qualified to predict how anything will perform in the marketplace. In my defense, I'm not the only industry bigwig who's made those mistakes; on the other hand, one happily notes that technology and commerce, those inseparable sweethearts, carried on anyway, heedless of our thudding wrongness. The results are hundreds of new SACD releases, scads of new downloadable Direct Stream Digital music files—DSD being the technology on which the SACD is based—and at least one new machine that can play them both: Luxman's D-06u SACD/CD player and USB DAC.

Art Dudley  |  Jul 03, 2014  |  3 comments
In the summer of 1999, Sony held a press event in New York City to mark the introduction of the Super Audio Compact Disc, then the sole domestic embodiment of the Direct Stream Digital (DSD) technology, jointly developed by Sony and Philips. The new format was hailed, in prepared remarks, by an impressive list of audio and music dignitaries: Nobuyuki Idei, then president of Sony Corporation; Steven Epstein, senior executive producer for Sony Classical; Yo-Yo Ma, appearing in a video created for the event; and Wynton Marsalis, appearing in person. All of the speeches—every single one of them—flattered SACD by likening its sound to that of the analog LP.
Art Dudley  |  Apr 27, 2016  |  2 comments
I still remember how difficult it was for me to transition from mass-market to high-end audio. The former, for all its flaws, gave me things to do: switches to flip, buttons to push, knobs to turn, meters to watch. I was in control—and if my attention happened to stray from the music or the liner notes, I still had something to keep me busy. By contrast, the first perfectionist-quality amplifier I bought—an Amber Series 70—was an oblong box with an on/off switch. Where's the fun in that?
Art Dudley  |  Mar 22, 2017  |  9 comments
On March 16, audio manufacturer Luxman Corporation, now in their 92nd year, announced the establishment of a new US subsidiary, Luxman America: the first time in 30 years that the Japanese tube-amp specialist has had a corporate-owned presence here.
Art Dudley  |  Oct 31, 2013  |  First Published: Nov 01, 2013  |  5 comments
Much ink has been spilled, and rightly so, on the topic of the LP's recent and apparently durable resurrection as a playback medium. The corpse may not be quite as lively after death as before, but it is nonetheless arguably more Lazarus than Lavoisier (the latter having managed nothing more than to wink at the crowd following his time on the guillotine—as he boasted, in life, that he would do).
Art Dudley  |  Nov 17, 2011  |  5 comments
Let's not beat around the bush: this is what an amplifier is supposed to look like. The silver front panel contains over a dozen knobs and switches, yet somehow avoids seeming cluttered. The solid wood cabinet wouldn't look out of place next to Hugh Hefner's cognac decanter. And the controls! The SQ-38u is as full-function as they come ("as they used to come" would be closer to the truth), with a Balance knob, separate Bass and Treble Tone Controls, a low-frequency cutoff (aka "rumble") switch labeled Low Cut, a Mono/Stereo switch, and a mute button; plus switching and connectors for two pairs of loudspeakers. Everything but curb feelers.
Art Dudley  |  Apr 14, 2012  |  0 comments
Waiting for an opportunity to photograph recordist Todd Garfinkle, of M•A Recordings, was no small task: Just one hour into the New York show on Friday, his exhibit was jammed with eager music buyers, and I had to wait several (enjoyable) minutes before the crowd thinned enough that he could take a break.
Art Dudley  |  Mar 25, 2013  |  0 comments
AudioShop, the Canadian distributor for Cabasse loudspeakers, demonstrated the interesting combination of Cabasse loudspeakers with McIntosh electronics, focusing in particular on the latter company’s model 601 monoblock power amplifiers ($11,500/pair), driven directly by the MCD 1100 CD player ($10,000). The loudspeakers seen here (which, I’m told, sold for $16,000 per pair in passive form) sounded impressively punchy, but, with all due respect, this system was being played at a volume level I considered both uncomfortable and unrealistically loud, so I didn’t linger long.
Art Dudley  |  Mar 29, 2014  |  0 comments
It only looks as though Steve Silberman of Audioquest is trying to ignore a corpse behind the loudspeakers; in actual fact he's explaining the finer points of JRiver playback software—a topic in which he is remarkably conversant—while a colleague works on their system's cabling.

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