John Atkinson

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John Atkinson  |  Jan 15, 2011  |  0 comments
Wisdom president Mark Glazier holds one of the two-way, push-pull, planar-magnetic modules, four of which are used in each LS4.
John Atkinson  |  Jan 17, 2017  |  28 comments
Last July and September I made two loudspeaker-related road trips: first to Rockport Technologies, in Maine, to audition their new Lyra; and then to high-end dealer-distributor GTT Audio, in deepest, darkest New Jersey, to audition YG Acoustics' new Sonja XV. Both speakers offer innovative, proprietary drive-units and heroic audio engineering, especially regarding their enclosures, which are constructed from aluminum. Both experiences took place in superbly well-designed and optimized listening rooms with front-end and amplification components that were beyond reproach. The sound quality offered by the Rockport and YGA speakers was simply superb, both stepping entirely out of the way to offer maximum communion with the music.
John Atkinson  |  Nov 03, 2007  |  First Published: Sep 03, 1996  |  0 comments
In recent months, Stereophile's "Letters" column has been filled with complaints about the equipment we choose to review. "Too rich for my pocketbook" is the universal sentiment. This puzzles me, considering that Stereophile does review many "affordable" components. In part, I think this reaction is due to the high profile invariably associated with very expensive gear. Although we did put both speakers on our cover, one review of a Wilson Grand SLAMM or a JMlab Grand Utopia seems to outweigh 10 reviews of more realistically priced products. Our writers love to cover the cutting edge of audio—witness Martin Colloms's report from HI-FI '96 in this issue—because progress is more easily made when a designer is freed from budget constraints. But without the Grand SLAMM or Utopia, would Wilson have been able to produce the $9000/pair WITT, or JMlab the $900/pair Micron Carat, to name two high-value, high-performance designs recently reviewed in the magazine?
John Atkinson  |  Feb 07, 1998  |  First Published: Feb 07, 1992  |  1 comments
"Nothing is real, and nothing to get hung about."---John Lennon
John Atkinson, J. Gordon Holt  |  Nov 25, 1986  |  0 comments
The Question of Bass: J. Gordon Holt
A few issues back, in Vol.9 No.3, I used "As We See It" to clarify what Stereophile writers have in mind when they use the term "transparency" in equipment reports. This time, I'll do the same thing for the performance parameters of bass reproduction.
John Atkinson  |  Jan 19, 2012  |  1 comments
Quintessence was a brand new to me, but it turns out that the company's Shadow V loudspeaker ($35,000/pair) was designed by PBN's Peter Noerbaek. Driven by PBN amplifiers and playing a Nat King Cole track from open-reel tape, this large, elegant 225 lb speaker sounded a little lacking in air at the top, but this may well have been due to the room being larger than optimal for the tweeter's dispersion. The sound was otherwise high quality, with an uncolored midrange and extended lows.
John Atkinson  |  Apr 06, 2009  |  0 comments
An Audio Show wouldn't be an Audio Show without live music, to allow Showgoers to recalibrate their ears. The 2009 SSI featured two concerts, one by jazz pianist and singer Anne Bisson, the other by the Michel Donato Trio, seen here, with Donato on double bass, Jon Gearey on guitar, and Marin Nasturica on accordion. Both acts have audiophile sound-quality CDs available from Montreal's Fidelio Audio, and other news from SSI was that these recordings are now available as 24-bit, 96kHz files.
John Atkinson  |  Mar 13, 2013  |  0 comments
Allowing Showgoers to calibrate their ears as he has done at prior AXPONA shows, pianist John Yurick did a great job in the DoubleTree's lobby. Sunday afternoon, as I was leaving for the airport, John was joined by someone playing standards from the American songbook on a chromatic harmonic—luvverly music!
John Atkinson  |  Mar 28, 2010  |  First Published: Mar 01, 2010  |  2 comments
Simaudio's products were featured in several rooms at SSI and on Saturday afternoon, the Montreal-based manufacturer celebrated its 30th anniversary by sponsoring a concert by Anne Bisson, a local and apparently very popular singer/pianist, to judge by the packed house.
John Atkinson  |  Mar 10, 2010  |  0 comments
Stereophile Shows in the past always had full programs of live music, to allow Showgoers to recalibrate their ears. While Axpona had a live concert Friday night featuring Steve Davies on guitar and vocals and John Yurick on keyboards, with me guesting on bass, this was for exhibitors and press only. Fortunately, John Yurick performed live on piano in the hotel's lobby during Show hours, offering up some excellent jazz standards.

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