John Atkinson

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John Atkinson  |  Nov 01, 2016  |  5 comments
I wrote several issues back that my first high-end headphones were Koss Pro4AAs, which I bought in 1972 following a positive review in the British magazine Hi-Fi News. Although that review didn't mention that the Pro4AAs were relatively fragile (footnote 1), I nonetheless loved their sound. They were the best headphones I'd heard—until, a couple years later, I was playing bass on some sessions for record producer Tony Cox. Tony had a pair of signal-energized electrostatic headphones, Koss ESP-6es, which were heavy and clunky—but they opened my ears to the sound quality that could be obtained from "cans." I didn't hear better until after I'd moved to Santa Fe, in 1986, and J. Gordon Holt loaned me his review samples of the Stax SR-Lambda Pros.
John Atkinson  |  Sep 21, 2009  |  0 comments
I got early into personal stereos. I lost my driving license for a while in the mid-1970s—something about a stop sign and "failure to observe"—so I used to take the train to a regular bass-playing gig I had in Brighton, on England's south coast. Not only did I conclude that any audio magazine worth its cover price had to have enough meat in it to last the two-hour journey and back again, I also built myself an op-amp–based, battery-powered amplifier to drive a pair of RadioShack headphones. Desperate times called for desperate measures, and my only source was a mono cassette recorder. Inside-the-head mono is as mono desperately does, so once I got my license back, it was back to the car and stereo FM radio. It wasn't until a) I moved to New York City to become a strap-hanging commuter and b) bought a 2003-vintage 30GB iPod (which I still use) that music on the move again began to play a major role in my listening.
John Atkinson  |  Mar 15, 2013  |  0 comments
I first heard the dipole Orion 4 speakers ($14,750/pair with Analog Signal Processor), designed by Siegfried Linkwitz and manufactured by Wood Artistry of Healdsburg, California, at the 2011 AXPONA in Atlanta, where they were one of the best-sounding rooms at the Show. They were in too large a room in Chicago, but still managed to sound clean and natural, with a full range of frequencies, driven by Pass Labs amplification with DH Labs cabling. I refer you to me 2011 report for details on the speaker's design but new at Chicago was a refined version of the Analog Signal Processor, with closer-tolerance crossover components, and an amplifier/processor that obviates the need to drive the Orions with 6 or 8 amplifier channels and the resulting confusion of cables.
John Atkinson  |  Apr 16, 2012  |  First Published: Apr 18, 2012  |  0 comments
Audio Shows give industry professionals the chance to check out products they have read about in magazines. Here, Wilson's Peter McGrath (right) talks to Bricasti's Brian Zolner (The "Bri" in Bricasti) about the latter's M1 D/A processor that so impressed me in the February issue. Feeding data to the M1 was Rega's super- sexy Apollo CD player, which Sam Tellig will be reviewing in the July issue of Stereophile.
John Atkinson  |  Jan 12, 2009  |  22 comments
RBH Sound is best-known for its home-theater speakers, but CES saw the Utah-based company launch a "Signature" series of speakers that were demo'd in two-channel systems. I listened to a Telarc Aaron Copland recording on the three-way, sealed-box 8300-SE/R towers ($8449/pair), with a Boulder 1021 CD player and Boulder 860 power amplifier, and was impressed by the natural balance, extended low frequencies, and good dynamics.
John Atkinson  |  Oct 28, 2007  |  0 comments
The invitation looked intriguing: "We are happy to welcome you to The Netherlands in September for the offical introduction of the Siltech Pantheon Loudspeaker." Siltech introducing a loudspeaker? I was well familiar with the Dutch company, celebrating its 25th anniversary next year, as a cable manufacturer. Indeed, some of the first high-end cables I had found to sound better than what I had been used to were Siltechs, back in the mid-1980s. Paul Bolin had been impressed by his auditioning of more recent G5 models in 2004. And Siltech's founder, Edwin van der Kley, is married to the irrepressible Gabi van der Kley, principal of Crystal Cable with whom I had had a rather intense breakfast meeting with during last May's Home Entertainment 2007. (All conversations with Gabi are intense.) But loudspeakers?
John Atkinson  |  Oct 01, 2006  |  0 comments
After a series of unforeseen delays, for which we apologize, the CD of Robert Silverman's performance of Beethoven's monumental work for solo piano, the Diabelli Variations (Variations, STPH017-2), is available for purchase from our e-commerce page today, Monday, October 2.
John Atkinson  |  Oct 21, 2010  |  0 comments
Featured in Listen-Up's third room was a bevy of new gear from Canadian manufacturer Simaudio: the Moon 310D phono stage ($1799, which Michael Fremer falls in love with in our January 2011 issue), the Moon 300D D/A processor ($1600)—this handles digital data with up to 24-bits word length and 192kHz sample rate via both S/PDIF and USB and uses 32-bit Sabre DACs—Moon 350P preamp, Moon 400M monoblocks, and Moon CD3.3X CD player. (Apologies for not noting the prices of these components.) Analog was being played on a Sumiko RM10-1 turntable, and the speakers were Sonus Faber's Elipsas ($18,000/pair).
John Atkinson  |  Jan 12, 2008  |  1 comments
"What's new?" I asked the Canadian company's affable Lionel Goodfield on the last day of CES.
John Atkinson  |  Sep 09, 2004  |  First Published: Sep 01, 2004  |  0 comments
Simaudio has been doing well in the middle of the high-end market, providing products such as their Moon i-5 integrated amplifier (reviewed by Chip Stern in July 2002), which offers a glimpse of high-quality sound at an affordable price. That's not to say that the Canadian manufacturer neglects the cost-no-object market: the two-box, $5700, Simaudio Moon Eclipse CD player impressed the heck out of Brian Damkroger when he reviewed it for Stereophile in April 2001 (with a Follow-Up in April 2003). So when Simaudio's Lionel Goodfield offered me their Moon Equinox player ($2000) for inclusion in my irregular series of CD-player reviews (footnote 1), I didn't need to be asked twice.

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