John Atkinson

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John Atkinson  |  Jan 04, 2008  |  First Published: Dec 04, 1986  |  1 comments
The accuracy of a hi-fi system's "soundstage" reproduction seems to be of paramount importance these days, just as a component must now have "transparency" to possess hi-fi righteousness. If the system in which that component is used doesn't give good soundstage, then the system's owner has definitely fallen by the wayside. But what defines a good soundstage? Stereo imaging must have something to do with it, I hear you all cry. (I would have said stereo imagery until Larry Archibald pointed out that imagery has far less to do with hi-fi than with good writing, something I'm sure we agree has no place in a hi-fi magazine.) OK, what defines good stereo imaging?
John Atkinson  |  Nov 03, 2009  |  0 comments
The people at Manhattan high-end audio retailer Stereo Exchange know how to throw a party. They proved it back in April with their Spring Fever event, and they look to surpass the success of that outstanding evening with their 25th Anniversary Celebration, this Thursday, November 5, from 3–9pm.
John Atkinson  |  Mar 19, 2006  |  0 comments
Stereophile's senior contributing editor, Michael Fremer, and the magazine's editor at large, Art Dudley, are both giving presentations this spring at Cornell University in Ithaca, NY. Michael appears on Tuesday, March 28, followed two weeks later, on April 11, by Art Dudley.
John Atkinson  |  Jan 21, 2016  |  First Published: Dec 01, 1992  |  2 comments
"You're only as good as your most recent gig," was literally drummed into me in my pro musician days; I've found it to be just as true in magazine publishing. No matter how much hard work went into, say, an equipment review, a couple of months down the line that review will be as fresh as yesterday's undunked donut. And no matter how good-sounding the product, or how much it excited the writer, it will always tend to be overshadowed by the latest and greatest products written about in the new issue—the "moving finger, having writ..." syndrome.
John Atkinson  |  Feb 09, 2017  |  First Published: Dec 01, 1993  |  14 comments
There is a tendency in magazine publishing to concentrate on the present. Writers generally downplay what happened in the irretrievable past as being of lesser importance compared with the new and exciting, their enthusiasm pretty much tied to the ever-in-motion time-line. I instituted Stereophile's annual "Products of the Year" feature, therefore, to give recognition to those components that had proved capable of giving pleasure beyond the formal review period. To confound confusion, there are just five individual categories: "Loudspeakers" (including subwoofers); "Amplification Components" (preamplifiers, power amplifiers, etc.); "Digital Sources" (CD players, transports, D/A processors); "Analog Sources" (phono cartridges, turntables, tonearms, FM tuners, etc.); and "Accessories" (everything else).
John Atkinson  |  Dec 03, 2000  |  0 comments
Since 1992, Stereophile has named a select few audio components its "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
John Atkinson  |  Dec 09, 2001  |  0 comments
For the tenth consecutive year, Stereophile recognizes components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year."
John Atkinson  |  Jan 12, 2014  |  0 comments
The CES is traditionally where we give awardees their well-deserved Products of the Year awards. Here is the complete line-up for 2013, waiting in the Stereophile room at the Venetian, just before the show started on Tuesday January 7.
John Atkinson  |  Oct 16, 2007  |  0 comments
After several years of collaboration with Lew Johnson and Bill Conrad with McCormack Audio, Steve McCormack went it alone a year or so back with SMc Audio. He was demming SMc's first product at RMAF, the $6800 VRE-1 line preamplifier ("VRE" stands for "Virtual Reality Engine"). The solid-state design uses Lundahl and Jensen coupling transformers and uses J-FETs in a zero-feedback circuit. Unusually, it dispenses with the otherwise ubiquitous solid-state voltage regulators in its power supply. Instead, it uses a choke-smoothed voltage rails, which Steve feels eliminates any trace of "transistor" sound. Next to come will be a matching phono stage.
John Atkinson  |  Apr 16, 2006  |  0 comments
Getting a name check from the mainstream press can be a good thing. But as Wes Phillips wrote in his blog on February 5, "to paraphrase Mason Williams on winning an Emmy Award, 'It's like being kissed by a girl with bad breath—you appreciate the honor, but...'"

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