Many, though certainly not all, musicians of most genres dream of composing, crafting, birthing a hit recordone they will forever be known for, and that will make them enough money that they'll never have to sleep on another hard floor or friend's stained couch as long as they live. Very few fulfill this dream, and those who do often don't know why or just how it happened.
For all those who hold dear the notion that jazz has seen its best daysthat, like classical music, it now lacks star power (no more Birds, Mileses, or Coltranes on the marquees), has already said much of what it had to say, and what's left is merely esoteric noodling or soulless bop-by-rote mopping upthere is Terence Blanchard. Once the archetypal sideman, this New Orleanian contemporary of Donald Harrison and Wynton Marsalis has become a successful leader. His poise, generous spirit, and workaholic lifestyle not to mention his instantly recognizable trumpet tonehave quietly made him one of the leading figures in today's jazz mainstream.
The Black Keys: Turn Blue
Nonesuch 7559795555 (LP/CD/HDtracks download). 2014. Black Keys, Danger Mouse, prods.; Kennie Takahashi, eng.; Collin Dupuis, Geoff Neal, Bill Skibbe, asst. engs.; Tchad Blake, mix. TT: 45:09
Performance ****
Sonics ****
There was a time when calling the Black Keys "sexy" would have been thought perversely stunted, given that they were a two-man, raw-as-hell, blow-me-down, frat-rock grinder that jammed and pounded and convinced everyone that their version of Tony Joe White's groove was something new and revolutionary.
Sly and the Family Stone: Live at the Fillmore East, October 4th & 5th, 1968
Epic 88843023712 (4 CDs). 2015. Sly Stone, orig. prod.; Bob Irwin, reissue prod.; Vic Anesini, mastering. AAD? TT: 3:27:31
Performance *****
Sonics ****
The first thing you hear is not Sly Stone's keyboards or harmonica. Not Freddie Stone's guitar. Not Greg Errico's amazing drumming. Not Larry Graham's slapping bass. Not the voices of Rose Stone (also keys) and Cynthia Robinson (also trumpet). Not Jerry Martini's saxophone.
No. The first thing you hear is pure energy: the nuclear reaction of musical power that Sly and his Family Stone generated onstage on two October nights in 1968 at the Fillmore East. James Brown and his band(s) had nothing on these seven. This is prime Sly, when the band was still hungry, before the hits, before his life spun out of control, the music suffered, and the family split.
COLDPLAY: A Rush of Blood to the Head Capitol 5 40504 2 (CD). 2002. Coldplay, Ken Nelson, prods.; Mark Phythian, Ken Phythian, engs.; Rik Simpson, Jon Withnal, Ben Thackeray, Jon Bailey, Andrea Wright, asst. engs. AAD? TT: 54:14 Performance ****½ Sonics ****
RANDY NEWMAN: The Randy Newman Songbook Vol.1
Nonesuch 79689-2 (CD). 2003. Mitchell Froom, prod.; David C. Boucher, eng.; Steven Rhodes, asst. eng. AAD.? TT: 47:22 Performance *****
Sonics ****½