Dick Olsher

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Dick Olsher  |  Apr 10, 2014  |  First Published: Feb 01, 1986  |  0 comments
Very few products exude opulence as do the Rowland amplifiers: the massive chassis, the gold finish, those sculpted handles on the front plate. For some strange reason the amp reminds me of Brutus Beefcake, the golden boy of professional wrestling, upon whom I stumbled one night while flipping through the myriad channels of our cable TV. The visual impact is the same: beefy. And then there's the price: also beefy.
Dick Olsher  |  Sep 26, 1995  |  First Published: Sep 26, 1991  |  0 comments
Let me take you back some 40 years to the mono days of the early 1950s. It's unlikely that the minimonitor genus of loudspeakers, of which this French JMlab is a prime example, would have survived back then. There was the practical problem of available amplifier power. The average amp could squeeze out no more than 10 to 15W into an 8 ohm load—far less power than the typically insensitive minimonitor demands for adequate dynamic headroom. But that in itself would not have sufficed to displace the minimonitor from the marketplace. After all, "high-power" amps (50-watters) could be had at a price.
Dick Olsher, Various  |  Sep 07, 1998  |  First Published: Nov 07, 1986  |  0 comments
The Model R107 represents the flagship of KEF's Reference Series, and is second only to the Professional Series KM-1 in KEF's product line. Anatomically, the 107 resembles a person. Beneath a decorative "hat," there's a special head assembly akin to the head on the old Model R105. This head assembly contains the brains of the 107, namely a T33 ferrofluid-cooled tweeter and an improved version of the classic B110 midrange driver, featuring a better voice-coil and a new polypropylene cone. The nerve center is also here, in the form of two passive dividing networks and load-impedance equalizing network. Level equalization of the drivers is performed actively within the KUBE, the second brain of the 107—about which you'll hear more shortly.
Dick Olsher  |  Feb 13, 2014  |  First Published: Mar 01, 1992  |  1 comments
666kiseki.jpgKoetsu. Kiseki. Keebler. Products from all of these firms are shrouded in at least a bit of mystery. Do I believe that Koetsu cartridges are hand-built by an octogenarian samurai swordsmith, or that Kisekis are imported from the planet Vulcan, or that Keebler's cookies are baked by elves? Not really. But it does help to liven up the domestic audio scene.

"Look, son—see what Scottie just beamed down."

"Gee, Dad, it's big and blue with a gold spot on the front, and it kind of looks like a cartridge."

"Nice guess, son. No ordinary cartridge, this one. Let me tell you about the Vulcan analog freak in Hong Kong..."

Dick Olsher  |  May 06, 2015  |  First Published: May 01, 1989  |  0 comments
The Lazarus, a slim, quite elegant unit finished in black with red and gray legends, lived up to its advance billing: it literally rose from the dead! Out of its coffin (ie, shipping box) and plugged into the wall, it showed no signs of life. Troubleshooting revealed a blown AC mains fuse. That in itself was not a major problem, but what worried me was the root cause of the trouble. Preamplifiers as a rule are not power-hungry, so a current surge at turn-on sufficient to destroy the 250mA slow-blow mains fuse appeared symptomatic of a major circuitry failure.
Dick Olsher  |  Mar 08, 2018  |  First Published: Feb 01, 1991  |  27 comments
Why cable again?

Well, the obvious reason is that it has been a while since my last foray into Cableland (July 1988). Many new products have been introduced in the interim, so it appeared appropriate to once again open Pandora's Box. Those of you who still remember my speaker cable article of 2½ years ago will recollect the considerable controversy that evolved from that project.

Some of the response was quite predictable, though the venom with which it was laced was not. The manufacturers of those outrageously priced "garden-hose"–type cables that I failed to rave about were more than just perturbed.

Dick Olsher  |  Apr 04, 2004  |  First Published: Jan 01, 1994  |  0 comments
MACH 1 Acoustics? Cute name. Mach 1 is, of course, the speed of sound—the speed at which a loudspeaker's acoustic output is forever constrained to travel. Quite a fitting choice for Marc McCalmont, Marine and jet pilot turned speaker designer. Marc retired to Wilton, NH together with Melissa. (Oops, that should be MLSSA, the well-known acoustic analysis system—not Marc's girlfriend.)
Dick Olsher  |  Aug 06, 2019  |  First Published: Feb 01, 1995  |  22 comments
Magnepan founder Jim Winey could be considered the patriarch of planar loudspeakers. His innovative leadership of and commitment to the technology over the past 20 years have propelled Magnepan to a position of preeminence in the speaker business. You won't find any hybrids rolling off the production line at Magnepan's corporate headquarters in White Bear Lake, Minnesota. The entire Magnepan line is devoted strictly to planars that use ribbon tweeters and quasi-ribbon midranges and woofers—not a stray dynamic woofer in the lot!
Dick Olsher  |  Jun 30, 2009  |  First Published: Jan 30, 1995  |  0 comments
Neither its rather pedestrian name nor Manley Labs' own literature gives much of a clue as to the 175 monoblock's special pedigree. Where are the bands, the fanfare?! After all, the rolling-out of a 6L6–based high-power audiophile-grade tube amplifier definitely qualifies in my book as a momentous occasion. Deplorably, such happenings are rare indeed; the 6L6 has been unjustly neglected in high-end circles.
Dick Olsher  |  Apr 10, 2005  |  First Published: Oct 10, 1993  |  0 comments
MartinLogan's Gayle Sanders has almost single-handedly raised the electrostatic/dynamic hybrid loudspeaker to a position of prominence in the High End. First, there was the MartinLogan Monolith (reviewed in Vol.8 No.3 and Vol.9 No.3), followed by the much more affordable Sequel (reviewed in Vol.11 No.12, Vol.12 Nos.8, 9, and 12, and Vol.14 No.2). Then came the subject of this review, the Quest, and most recently the diminutive Aerius, reviewed by JA elsewhere in this issue.

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