Jon Iverson

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Jon Iverson  |  Feb 14, 2005  |  0 comments
On the face of it, 99¢ per track low-rez music downloads don't seem like a good deal. For the same price, or maybe even less, you can get an entire CD of the same music, along with a booklet, and without the Digital Rights Management crippleware that hobbles paid downloads.
Jon Iverson  |  Aug 13, 1998  |  0 comments
The Paradigm Group announced today that they have entered into an agreement to purchase the assets of Sonic Frontiers Inc., of Oakville, Ontario, as the first step in a comprehensive restructuring plan that will lead to an expansion of Sonic Frontiers.
Jon Iverson  |  Jan 16, 2013  |  3 comments
Parasound still thinks we can get more out of our CDs and worked with Holm Acoustics of Denmark to implement a CD ROM drive based player that is shipping now for $4,500.

Inside the CD 1 is a Linux-based computer that analyzes the data coming off of the 4x speed drive. Parasound says that the computer keeps checking the data until it is satisfied it has a bit prefect stream. Balanced and unbalanced outputs are included as well as SPDIF for those looking to employ their own DAC.

Jon Iverson  |  Jan 16, 2005  |  0 comments
Having just spent the last four days at the 2004 Audio Engineering Society conference in San Francisco, I was struck by the sunny enthusiasm shared by many industry professionals for 5.1-channel surround-sound music.
Jon Iverson  |  Jan 16, 2012  |  0 comments
Pathos was also showing a prototype DAC with striking looks and tubes that should be out in a couple months. Inputs include USB, SPDIF and AES and pricing will be announced later.
Jon Iverson  |  Jan 08, 2014  |  0 comments
Having had a Meridian Sooloos in my system for the last few years, I'm a sucker for a nice big touch screen for controlling a music collection. Done right, there's nothing like it. So I made a beeline to the $9,995 Pathos Musiteca, which I first observed in prototype form at a previous CES.

Very similar in features to Meridian's Control 15, with built in 1TB drive, CD slot for ripping discs and network connection for gathering metadata, the Musiteca also has a built in tube DAC based on the design for the company's Endorphin CD player.

The Musiteca has beautiful styling, however when I started tapping the screen and calling up music, I found it a bit pokey in the speed department. Also, there is currently no method for adding more hard drive space in case you exceed the roughly 2,000 CD storage capacity.

Still, it looks gorgeous sitting there and should be available in April.

Jon Iverson  |  Jan 16, 2012  |  0 comments
There's nothing like a nice big touchscreen to browse a large music collection, and Pathos was showing a prototype of the largest touchscreen dedicated to a music server that I've seen to date. Called the Musiteca, the new product was up and running but clearly had some features to work out. As shown, the product has a built-in DAC, transport for loading discs, and 1TB drive for storage.

In addition to the above features, Pathos' Paolo Andriolo says there will be variable XLR outputs to feed the audio directly to your amp and a free iPad app. Price is predicted to be around $7k and should show up by April.

Jon Iverson  |  Oct 11, 1998  |  0 comments
Hilary Rosen, president and CEO of the Recording Industry Association of America (RIAA), must feel like Sisyphus playing an endless game of "Whack-A-Mole." Her job recently has been to patrol the digital world for music copyright violators, especially those pesky pirate MP3 websites on the Internet. It seems that each time they find and eradicate a horde of copyright violators, hundreds more pop up faster than you can say "information wants to be free."
Jon Iverson  |  May 21, 2000  |  0 comments
In an effort to smooth the way for websites that wish to legally reproduce copyrighted music, BMI announced last week that it has now become the world's largest online digital rights management company with the launch of its Digital Licensing Center (DLC) and "Klick-Thru" online copyright licensing system. The company says that the DLC is intended to help Internet companies digitally obtain a music-performance license through, allowing them to publicly "perform" any of BMI's 4.5 million copyrighted works from its 250,000 songwriters, composers, and music publishers.
Jon Iverson  |  Feb 24, 2002  |  0 comments
Music publishing organizations such as ASCAP and BMI have long worked out licensing deals with radio broadcasters, who pay royalties in exchange for playing music over the air. A US Copyright Office panel is now suggesting that online broadcasters also pay royalties, this time directly to the record labels, in a recommendation that has so far left all parties unhappy, particularly broadcasters.