Jon Iverson

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Jon Iverson  |  Jul 15, 2001  |  0 comments
Music fans who use their computers to organize their CD or MP3 music libraries have found the CDDB music database, now owned and operated by Gracenote (see previous story), to be an essential part of their audio world. If you use CDDB-enabled hardware or software, the artist, album title, genre, and track titles will automatically display when you put a CD or load an MP3 file into your computer or compliant player.
Jon Iverson  |  Dec 06, 1998  |  0 comments
For any good battle, it helps to have several key ingredients. First, there has to be an underlying conflict that cannot be settled with diplomatic ease---it is especially important that both combatants covet the same property. Second, each side has to set a propaganda machine in motion to create the appearance of a noble struggle for the good of "the people" that transcends the simple fight for turf control. Third, the outcome of such a battle should have implications stretching far into the future. And finally, these days it helps if the press notices.
Jon Iverson  |  Feb 16, 2003  |  0 comments
The quest to secretly track music fans continues: Royal Philips Electronics and Digimarc announced last week that they have signed a new agreement that extends the licensing of Digimarc's digital watermarking patents to include audio applications as well as a broader range of video applications.
Jon Iverson  |  Feb 21, 2005  |  0 comments
One of the hot items audiophiles were able to score at last month's 2005 CES was a hybrid SACD that Ray Kimber was handing out. Labelled IsoMike Tests 2005A, the disc is beautifully packaged and sports dozens of recorded snippets of vocal music, string quartet, piano, marching band, orchestra, blank pistol, and a local janitor.
Jon Iverson  |  Mar 14, 1999  |  0 comments
Stereophile readers tend to exhibit above-average interest in the art and science of reproducing music in the home. Those whose interest extends back up the recording chain and into the recording studio may want to take a look at the Prestige Studios of the World website, developed by an Internet company looking to show off its digital wares.
Jon Iverson  |  Feb 07, 2005  |  0 comments
Within the confines of the cozy analog audiophile kingdom, things couldn't be better: Turntables, cartridges and phono preamps can be found in abundance, while mounds of new and used vinyl can be scored by the truckload.
Jon Iverson  |  Sep 28, 1998  |  0 comments
Cats vs. dogs, Wile E. Coyote vs. Roadrunner, Spy vs. Spy, Analog vs. Digital. It seems that some battles will never end, and so it is with flux vs. bits in the professional recording industry. The Audio Engineering Society (AES) conventions dazzle showgoers with the latest audio recording and processing gear, mostly digital, and this year's show is no exception. The big buzz heard 'round the hall were higher sampling and quantization rates for future music formats such as DVD-Audio. But off-site, at the nearby ANA hotel (great choice of venue---just add LOG) in downtown San Francisco, key industry heavyweights were holding a meeting to discuss the future of analog recording technologies.
Jon Iverson  |  Nov 11, 2001  |  0 comments
Neither Verance nor Digimarc have made friends in the consumer world, as they continue to develop and implement watermarking technologies used to restrict the use of digital media, such as DVD-Audio and CD discs. Audiophiles, in particular, are resisting any form of restriction technology, such as watermarking, that alters the digital data on a disc at the expense of audio fidelity.
Jon Iverson  |  Sep 02, 2001  |  0 comments
For many audiophiles, the reasonably priced "universal" DVD-Audio/SACD/CD player is the magic combination that will trigger a jump into the new high-resolution audio formats. As an answer to those universal player prayers, Wolfson Microelectronics, UK–based developer of audio ICs for multimedia and communications applications, announced the introduction of two new six-channel audio DAC chips last week—one of which brings the contentious formats together in one box.
Jon Iverson  |  Dec 03, 2000  |  0 comments
One of the constraints of the DVD format that is much hated by consumers around the world is the notorious "region code," whereby a DVD disc will only play in a machine that was bought in the country or region that the disc is licensed for. Hollywood claims that this is the only way to protect a work's licenses, which may vary from country to country. But region codes have made it tough on citizens in countries with few DVD releases and world travelers who try to bring home and play discs that they find abroad, leading to the widespread use of "hacks" to circumvent the restrictions.