Jon Iverson

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Jon Iverson  |  Mar 23, 2003  |  0 comments
Record labels have found that CDs with built-in restriction technologies have not worked in all CD players, have been incompatible with some computers, and have engendered considerable backlash from irate consumers. But why should that stop them?
Jon Iverson  |  Jul 27, 2003  |  0 comments
As digitally recorded music moves through the recording and production chain, it can be handed off to a variety of studios, musicians, producers, record label executives, and mastering engineers. Sometimes this is done with a recordable CD or DVD, sometimes with a portable hard disk, and sometimes via a high-bandwidth Internet connection. Somewhere along the way, a good percentage of those files (some estimate up to 80%) get copied in an unauthorized manner and quickly end up on the Internet or on the street as pirated CDs before any official discs are released.
Jon Iverson  |  Apr 29, 2001  |  0 comments
Amid news that its watermark technology for DVD-Audio may have been compromised, Verance nonetheless announced last week the launch of its "ConfirMedia" watermarking service. The company says that ConfirMedia will monitor and report the airplay of encoded commercials, music, and programs broadcast by television, cable and radio stations in the 100 top US markets and on the national feeds of major broadcast and cable television networks in the US.
Jon Iverson  |  Jan 10, 2017  |  14 comments
It's bad enough that CES makes us advertise for Sony everywhere we go with those bright yellow lanyards. Now they've added a new "feature" to our badges: how long you've been going to CES.
Jon Iverson  |  Oct 10, 1999  |  0 comments
This may come as no surprise to Stereophile's website audience, but a report released last week finds that the heaviest users of the World Wide Web are also avid consumers of traditional media, listening to CDs and radio and watching television as they point their browsers to e-commerce, informational, and recreational sites.
Jon Iverson  |  Apr 18, 2005  |  0 comments
When I submitted my Records 2 Die 4 selections this past winter, it seemed inevitable that I include a web radio station. Not only had I enjoyed listening to www.techwebsound.com more than anything else last year, but it had exposed me to more new music and led to more music purchases than any other source—by a wide margin.
Jon Iverson  |  Nov 08, 1998  |  0 comments
The WebNoize three-day conference took place last week in Los Angeles, mixing record-company executives with Internet geeks, all trying to find profitable ways to distribute music online. Tom Roli, publisher of the Webnoize website, set the tone for the event, stating that "the industry is facing great change and uncertainty due to emerging technologies, shifting global markets, and media revolutions."
Jon Iverson  |  Jan 07, 2011  |  4 comments
I have no idea what it has to do with an audio show either, not that Stephen Mejias seems to care.
Jon Iverson  |  Jan 13, 2014  |  1 comments
Erick Lichte loved the DAC202 when he reviewed it two years ago, and the company has now made a good thing even better. Daniel Weiss is one of the more soft-spoken men in audio, so I listened carefully as he explained that current owners can update their DACs to include a USB input for DSD for $1,800, while newbies can get one for $9,100 ready to DSD.
Jon Iverson  |  Jan 12, 2011  |  0 comments
We're still in that transition period where most folks who move to music servers and care about quality are going to source their tunes primarily from discs. As a result, most of the current server crop has a disc slot and the new Weiss MAN 202 is no exception.

The MAN 202 also includes AES/EBU, SPDIF, Ethernet and USB inputs on the back along with AES/EBU, SPDIF and Firewire outputs. Since there is a DAC inside, there are also a pair of balanced and a pair of unbalanced analog outputs. And there's more: Wordclock in and output via BNC connectors and a WiFi antenna is included for communicating with an Apple iPad through a free app which serves as the interface to run all of the music.

Weiss says that the MAN 202 will handle all digital formats up to 24bit/192kHz (with comparable quality to the Weiss DAC 202) and should be shipping in 4 or 5 months for a retail price of between $10,000 and $15,000. I love this kind of product, which is optimized for the modern audio enthusiast who doesn't have time to play around with computers.

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