Ariel Bitran

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Ariel Bitran  |  Mar 21, 2013  |  First Published: Dec 31, 1969  |  9 comments
Photo by Lalupa, Wikimedia Commons

There sat the hi-fi. Untouched. Unplayed. Unlistenable. Bass resonances continued to torment my sound. Geddy Lee, Paul McCartney, and Sting all produced loose and exaggerated bass energies in unnatural ways. I was constantly perplexed with the unevenness in my bass response. Despite hours of tinkering with speaker placement hindered by random obstructions, namely a queen-size bed, a poorly positioned radiator, and stacks of guitar amps, the bass resonances remained.

Ariel Bitran  |  Mar 28, 2013  |  6 comments
At the end of April, it will be time to renew the lease on my quaint Kensington duplex. Over the past three years, a cast of typical New Yorkers rotated residency within these plaster walls: stand-up comedians, chefs, and real-estate agents; art handlers and opera singers; venue managers and musicians. Claiming residential seniority over this home of interchanging misfits, it was time to stake claim on the room my system most deserved.
Ariel Bitran  |  Apr 04, 2013  |  1 comments
The promise of happiness is elusive. Is it found in the 10-hour workday? Maybe it’s spotted sunbathing on the Portuguese shoreline. Or is it found in a wider soundstage? Sartre teaches, "In life, a man commits himself and draws his own portrait, outside of which there is nothing." So if your actions define who you are, and if you love what you do, then will you find content?
Ariel Bitran  |  Apr 09, 2013  |  3 comments
I scuttled furiously from bedroom to living room. DVDs without cases, puzzles with missing pieces, and random pairs long Ragnell scissors (why do we even have these???) strewed across a cascade of coffee tinted MDF shelves. This hand-me-down Brobdingnagian entertainment center would be the new home for my hi-fi, chipped away but yearning for gear. Like any man on a mission, I needed my soundtrack, my “Eye of the Tiger”, my “Don’t Stop Believing”, my “Bootylicious”, but what would be my source?
Ariel Bitran  |  May 05, 2013  |  3 comments
My hi-fi basked in morning sunshine. The sparkling white finish of the Usher 520s reflected angular glints of yellow light across plaster walls. Birds chirped as I hoped for the best. Would my bass bloat be gone? Would I have an evenly dispersed image?
Ariel Bitran  |  May 15, 2013  |  6 comments
JA guffawed, “It sounds like you need a tweeter-ectomy.”

“I hope that’s all I need.” After buying a replacement tweeter for my Usher S-520s, I asked Stan Tracht, US representative for Usher, a pair of questions.

“Will I need to solder anything?”

“No soldering needed,” Stan advised.

“Do I need to buy a second tweeter to ensure the speakers match?”

Ariel Bitran  |  Nov 20, 2012  |  7 comments
“A change is gonna come, oh yes it is,” said once the wise prophet Samuel. What the prophet failed to foretell was that change never just comes, change is made. Well audiophiles, this is your opportunity to make a change. Valiant Stereophile forum poster sometimesuk2012 started a petition on Change.org to “Stop the Loudness Wars and Release High Definition Music Downloads”. You can find out more about the petition and sign your name here. Here’s your chance to stop whining about that over-compressed pap—see Jason Victor Serinus' report from the 133rd AES Convention—and start enjoying some well-recorded pop. It all starts with your signature.
Ariel Bitran  |  Apr 17, 2013  |  1 comments
Peter Ledermann of Soundsmith is a nice guy, I promise.

The Reception Hall was teaming with audiophiles and exhibitors expressing hellos and chatting about gear and music. Here’s a look:

Ariel Bitran  |  Sep 29, 2011  |  0 comments
The outer walls of the Cooper Square Hotel reflect blue sky and angle gently as they rise to the penthouse suite. When construction on the hotel began, New Yorkers cried “Abomination!” at the idea of a glass-sheathed high-rise towering over the short brick buildings of the East Village. Now that the Cooper Square Hotel has integrated itself into the Bowery’s landscape, it is the ambitions of the building’s architects that are remembered, not New Yorkers’ gripes.
Ariel Bitran  |  Feb 03, 2012  |  2 comments

Here at the Stereophile office, we listen to lots of different tunes ranging from Bach to Fucked Up to Sylvester, but in the Bitran/Mejias cubicle, there has been a recent resurgence in our passion for POPULAR music.

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