As Stereophile managing editor Mark Henninger and I scurried up and down the Hilton halls, fulfilling our tasks as intrepid reporters, we had little time to compare notes. But we agreed on one room, Axiss Audio. In a room filled with exceptional gear, Axiss's Cliff Duffey and TJ Goldsby had set up a fantastic rig, well beyond the norm, which overachieved and set my ears afire. (Not literally.)
In the third floor Eisenhower room, Valerio Cora brought his Acora Acoustics SRC-2 Loudspeakers ($37,000/pair) joined to the Transrotor Massimo turntable ($16,800) equipped with the Transrotor SME tonearm ($4300), the Dynavector DRT XV-1t cartridge ($9450). The Massimo was also equipped with a secondary arm, the Charisma Musiko ($2500) armed (as it were) with the Charisma Signature One cartridge ($3800).
Presented in the Nirvana A Ballroom with Val Acora's Acora Acoustics granite SRC-2 loudspeakers ($37,000/pair), Valve Amplification Company (VAC) electronics sounded crisp, lively, and human.
Val Acora returned to CAF with his new quartz QRC-1 and QRC-2 two-way Scanspeak driver-equipped loudspeakers, the quartz cabinet material a variation on his former granite-enclosure models. Why quartz? Acora said quartz is more forgiving, easier to work with, provides a more rigid material that holds drivers more securely, and has better sound.
Following in the lineage of such iconic dub music masters as Osbourne "King Tubby" Ruddock and Lee "Scratch" Perry, producer Adrian Sherwood is the UK's contemporary pioneer of dub: the reverb-filled, beats-rattling, bass-thick music that erupted from "sound system" parties in Kingston, Jamaica in the 1960s.
As an enterprising Stereophile reporter, I do my homework. When I saw that Alex Sound Technology, of Windermere, Florida, was bringing the gorgeous Japanese Takatsuki 300B TA-S01 SET amplifier ($32,000, 8Wpc, new to the USA), along with new Japanese brand Sforzato (below), including their DST-050EX network transport ($4600), DSC-030EX Zero Link DAC ($9900), DSP-030EX Network Player ($9900), and PMC-015EX Master Clock ($4990), plus the Blumenhofer Acoustics Genuin FS 2 Mk2 horn-loaded loudspeakers ($22,850/pair), a bee flew into my Southern man's bonnet and I requested room coverage to major domo Jim Austin.
Alma Music's Fabio Storelli and On A Higher Note's Philip O'Hanlon tempted me with promises of serious sound, female entertainment, and triple-distilled whiskey. I fell into their room and almost spent the night.
O'Hanlon had the brand spanking new Graham Audio LS8/1 Limited Edition standmount loudspeakers ($9700/pair, with stands).
Upstate New York manufacturer Alta Audio debuted its new The Adam floorstanding speaker ($17,000/pair in piano black, $18,000/pair in rosewood or beech) at Axpona, in two separate rooms.
The Adam features a 5.75" neodymium magnet ribbon tweeter, 6" midrange driver, and an 8.75" woofer "whose tuning parameters are coupled to the unique cabinet design for its infrasonic (floor-moving) bass and for refined cohesion between The Adam's XTL (Extended Line Transmission) and its pure aluminum ribbon tweeter," stated the company's website. That's potentially copious bass created from a transmission-line approach.
I scrambled into the room shared by Infigo Audio and Alta Audio where Alta Audio's Michael Levy was introducing his new Titanium Hestia II floorstanders ($37,500/pair). I always dig Hans Looman's Infigo amplifiers; Hans always plays cool and unusual music, and his amps are small beasts of potent power, snap-crackling dynamics, and surprisingly large, super-scaled soundstages.