Herb Reichert

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Herb Reichert  |  May 18, 2019  |  10 comments
At AXPONA 2019 and now at High End 2019, Cube Audio demonstrated their beautifully finished complete speakers, like the €16,000 Nenuphar that I would die to hear in my own system.
Herb Reichert  |  Apr 12, 2019  |  3 comments
I am not a bot. I measure my own DIY audio gear. But as an audio-show reporter, I'm only interested in those biologically significant sounds that connect my mind as directly as possible to the music being played. I want to see and feel some inkling of a real orchestra floating between the speakers. I found that connection right away in the room sponsored by retailer-distributor Refined Audio.
Herb Reichert  |  Oct 04, 2015  |  31 comments
Jason Victor Serinus, Sasha Matson, and myself spent crazy time before the show started talking, scheming and dividing up RMAF rooms. But, in the end, after hours of planning, I finally declared, "You two cover the audio rock stars, I'll go find the rooms of the lesser known, still unknown, or up-and-coming, exhibitors that may have not made show-report headlines in the past. One such newcomer was Dennis Fraker, of Serious Stereo ("We Build What It Takes"). . .
Herb Reichert  |  Oct 10, 2017  |  5 comments
Dear reader, please stop for a second to imagine how I could go from the above-mentioned MSB room to the $500 setup without feeling pain.
Herb Reichert  |  Apr 17, 2018  |  0 comments
Who doesn't like and admire Elac's chief loudspeaker designer (formally of KEF, TAD, and Pioneer) Andrew Jones? I surely do: but not only for his abilities to create high-value, low-cost, audiophile-quality speakers: I admire him for how he makes me feel when he stands in front of a packed audio-show room and tells stories plays songs…and smiles that wicked British smile he uses to suck us all in.
Herb Reichert  |  Jan 12, 2017  |  2 comments
Today, in Vegas, DeVore's super-sensitive Orangutan O/96 loudspeakers ($12,000/pair) were powered by Sugden's Masterclass LA-4 line preamplifier ($3750) and Sapphire FBA800 40Wpc class-A amplifier ($7500). The system was playing Sharon Jones and the Dap-Kings (on Daptone Records) with super cool but hot-running LP joy.
Sam Tellig, Herb Reichert  |  Mar 29, 2017  |  First Published: Jun 01, 2010  |  7 comments
Forty years ago, when I first had money enough to buy serious [ahem] consumer audio, there were a few good turntables available, from Thorens, Garrard, Ariston, some others. Today is the golden age of turntables: ask Mikey, if not antiquarian Artie. And loudspeakers! In 1970, models were few, and most were mediocre. Today, you can have a great loudspeaker for a song.
Sam Tellig, Herb Reichert, Art Dudley  |  Apr 04, 2017  |  First Published: Jan 01, 2014  |  19 comments
John DeVore names his speakers after primates—apes, to be specific. Something to do with a family member being a zoologist.

John once worked at a hi-fi retailer in lower Manhattan. Now, as president and chief designer of DeVore Fidelity, he manufactures loudspeakers across the bridge, in the former Brooklyn Navy Yard. I talked with John the other day about his new speaker, the Orangutan O/93.

John makes two Orangutans, both floorstanders: the O/96, with a sensitivity specified as 96dB, over which Art Dudley went ape, in the December 2012 issue. Artie has made the O/96 his reference loudspeaker. It goes for $12,000/pair, stands included.

Now there's the new, smaller Orangutan O/93, specified at 93dB. It retails for $8400/pair with a front baffle in fiddleback mahogany veneer (other veneers are available).

Herb Reichert  |  Apr 13, 2019  |  0 comments
Loudspeakers by Danish manufacturer Dynaudio were featured in two rooms; both demonstrated exactly how clearly, and authoritatively precise, their speakers could sound when driven by amplifiers from the German manufacturer Octave. In Dynaudio's big demonstration room I heard the $5000/pair Evoke 50 loudspeakers (the floorstanders in the photo above) being driven by an Octave V80SE integrated amplifier ($10,500), itself fed by a dCS Bartok DAC ($13,500), with all Nordost cables. Every musical selection made me think, very consciously, that this is the kind of sound 90% of the audiophiles on the planet would be proud to show off in their homes: well-voiced, properly punctuated, tight as a drum head, and clean as fresh snow.

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