Jason Victor Serinus

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Jason Victor Serinus  |  Mar 27, 2020  |  4 comments
When I was 11, my father brought home the voice of tenor Enrico Caruso (1873–1921) in a three-LP box set whose faux leather cover and sepia-tinted photos I admired over and over. When he put on the Sextet from Lucia di Lammermoor, I exclaimed, "Daddy, I've heard that before!"

"Yeah, you broke it when you were 2," he replied.

Jason Victor Serinus  |  Feb 12, 2019  |  9 comments
The apotheosis—some would say the nadir—of country music suffering was reached in the Western Electric Sound System room put together by Déjà Vu Audio South. There, Vu Hoang (above) took the perilous step beyond Steely Dan's "Black Cow" (as in black sheep?) to Tennessee Ernie Ford's "Please Release Me" and The Carpenter's "This Masquerade." The superb sound got me through a succession of despair-laden tracks from Western Electric Sound's The Perfect Vocals CD that were titled—I kid you not—"These Days I Barely Get By" (Daryle Singletary), the aforementioned "This Masquerade," "The Man That Got Away" (Rosemary Clooney), "The Party's Over" (Nat King Cole), "Cry Me a River" (Jack McDuff), and the final track, "Only the Lonely" (Shirley Horn).
Jason Victor Serinus  |  Jan 15, 2013  |  0 comments
Standing in static display in the Audio Note room sat in full lotus position with eyes half shut the lovely G-70 stereo line preamplifier ($37,000). With a frequency response of 10 Hz—240 kHz, four RCA inputs and two RCA outputs, this baby uses two 6072/12AY7 vacuum tubes and one 6X4.
Jason Victor Serinus  |  Jun 12, 2021  |  1 comments
When Wayne Carter told me that his company, San Diego-based Wayne Carter Audio, designed audio systems for rock stars and also distributed Margules Audio tube products, I knew I had to pair one room with the other. The potential contrast between Carter's "vintage mastering system from 30 years ago"—assembled partly for fun and partly as a tool to help customers understand what was and is possible—and Margules's diminutive gear was too delicious to resist.
Jason Victor Serinus  |  Jan 12, 2008  |  0 comments
Now I know why Robert Deutsch wrote such an enthusiastic review of the Fujitsu Ten Eclipse TD712z loudspeaker in the January 2007 issue of Stereophile. This eye-arresting single-driver loudspeaker ($7000/pair with dedicated stands) delivered an absolutely beautiful rendering of Monica Salmazo's voice. Both top and midrange were exemplary, as was transparency. Though early instrument strings on the delightful Channel Classics SACD, Bolivian Baroque v.2, were either a mite too edgy or conveyed with unforgiving accuracy, the system did a wonderful job with the church venue's naturally reverberant acoustic. Soprano Kate Royal's voice on her marvelous EMI debut recital was drop dead gorgeous. Within their frequency limitations, these speakers are superb. And given that the source was a Denon 955 DVD player rather than a state-of-the-art unit, their triumph is even more noteworthy.
Jason Victor Serinus  |  Oct 19, 2012  |  0 comments
Steve (Sze) Leung, a neighbor of Stereophile’s Wes Phillips and a joy to boot, made my day when he played a 45 rpm audiophile pressing of Elvis’ “Are you Lonesome Tonight.” As the great one began to intone the chapters of this teenage melodrama with tongue-in-cheek sincerity, the sound was so vivid and lifelike that images of the night I tried to ask Ellen Schmidt to go steady flooded through my mind.
Jason Victor Serinus  |  Mar 13, 2012  |  0 comments
I fell in love with Todd Garfinkle's oft-exotic, ambience-rich, superbly recorded gems on M•A Recordings years ago, and have always looked forward to seeing him displaying his latest discs at shows. Now relocated from Japan to Los Angeles, Todd has found an ideal show partner in Chris Sommovigo. Chris, importer of Michael Fremer's reference Continuum Caliburn turntable and designer of the once heralded Illuminati digital cable, currently resides in Atlanta, where he engages in mischief and distributes a host of components, including his own Black Cat Morpheus! cabling, under the umbrella, "The Signal Collection."
Jason Victor Serinus  |  Oct 16, 2013  |  0 comments
There was a lot of talking going on when I entered room 8012 in the Marriott’s Tower, but Rosa Passos and bassist Ron Carter sounded very mellow through Funk Audio powered loudspeakers ($19,875/pair) David Berning ZOTL Pre One preamplifier ($12,360), Silver Circle Audio Juice Box One w/Vesuvius power conditioner, and Luminous Audio cabling. Although I don’t know if the RCA LP of tenor Jussi Björling I heard next was inherently bright, it sure sounded such through a VIP Classic 1 turntable with 3D-printed arm ($4400) outfitted with a Soundsmith Hyperion cartridge ($7500), which I know is not inherently bright, and a Dynamic Sounds Associates Phono II phono preamp ($12,000).
Jason Victor Serinus  |  Dec 13, 2008  |  0 comments
In the early morning hours of December 11, Joseph Cohen of the Lotus Group, the exclusive distributor of Oyaide products in North America, sent out a "Lotus Group News Flash!" The e-mail, dated December 10, declared:
Jason Victor Serinus  |  Jan 13, 2015  |  0 comments
Scot Markwell of Elite AV Distribution proudly displayed Furutech's top-of-the-line Nanoflux power cable ($4395/1.8m, almost 6 feet). The cable's wire is coated with Nanofluid, microscopic gold and silver suspended in squalene oil that fills in tiny gaps between wire crystals to improve performance.

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