Jason Victor Serinus

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Jason Victor Serinus  |  Jun 09, 2012  |  2 comments
"Whoa!" said self to self upon entering the KT Audio Imports room. This display is so dazzling, how can I begin to take it all in?

Arrayed before me were the Triangle Art Referent turntable ($13,990); GamuT CD3 ($6500); NAT Audio Magma 160W amplifiers ($45,000/pair), Symmetrical dual balanced preamplifier ($8700), Signature battery phono stage ($7800); Eventus Audio Nebula loudspeakers ($65,000/pair), and Wireworld cabling. Not playing were the Triangle Art Signature turntable ($9990), NAT Single Integrated ($7800), and NAT Magnastotat battery preamplifier ($17,490). Some of this, as well as two other Eventus loudspeakers, was off to the side.

Jason Victor Serinus  |  Jan 11, 2017  |  4 comments
Shown in prototype form, without logos, Realization is Kubala-Sosna's new flagship cable line. With introductory pricing in effect until July, interconnects and speaker cable are $10,000/1m pair, and cost $1800 for each additional meter. Prices will rise to $11,000/$2000.
Jason Victor Serinus  |  Jan 12, 2011  |  0 comments
Cable manufacturer Kubala_Sosna has been in business eight years, with business expanding each year. This year, the company’s products were in use in 12 rooms at CES.

Just introduced are two new digital cables, the Emotion S/PDIF ($1500/first meter, $300/each additional meter) and Elation S/PDIF ($2700/first meter, $400/each additional meter). Both cables are a step up from Kubala-Sosna’s previous Expression level.

“We’re raising the bar, no doubt,” said keen recordist Joe Kubala (pictured on the right). In perfect agreement was partner Howard Sosna (left), who designs the cables in collaboration with Joe.

With the new cables used to connect the PS Audio Perfect Wave Transport to the Perfect Wave DAC, I heard impressive bass and captivating warmth coming through the not-too-shabby Tenor Audio Reference 350M monoblocks ($100,000/pair) and Estelon Model XA loudspeakers ($43,900/pair) from Alfred & Partners in Estonia. Of course it helped that Estelon’s entire line is internally wired with Kubala-Sosna.

Jason Victor Serinus  |  Jan 14, 2013  |  0 comments
In one of the 14 rooms at CES using Kubala-Sosna cabling, Joe Kubala showed me one of his three forthcoming Distribution Instrument boxes ($TBD). Variously named Quartet, Sextet, or Octet for the number of outlets, this high-end power distribution system is, in Joe's words, "the most neutral way we know to distribute power to our cables." The case is Corian, and each outlet boasts a direct path back to the 20 amp IEC connector. Expect an official unveiling at AXPONA Chicago in early March, which Stereophile will cover room-to-room.
Jason Victor Serinus  |  Mar 08, 2010  |  0 comments
I heard enough "60 is the new 50" at the show to make me wonder if overweight is the new slim. But some things were clear. Small speakers are capable of throwing an astoundingly large soundstage.
Jason Victor Serinus  |  Jan 13, 2014  |  First Published: Dec 31, 1969  |  0 comments
LA Audio Electric Company's tube electronics produced warm, euphonic, and very smooth sound from ridiculously soppy pop music via Acoustic Zen loudspeakers. All products are hand-wired, and include proprietary output transformers. As best as I could make out, new at the show, although not in the photo, were the M-5W push-pull integrated amplifier ($1450) and A-50W integrated amplifier ($1700).
Jason Victor Serinus  |  Jan 16, 2013  |  0 comments
LA Audio was but one of many companies who journeyed to Las Vegas in hopes of securing U.S. distribution. New to their line is the P-845 II monoblock ($12,000), a push-pull design that outputs 60Wpc and has a frequency response of 20Hz–100kHz. This is the most expensive product from a company with a 20-year history in Taiwan.
Jason Victor Serinus  |  Jun 11, 2017  |  21 comments
Michael Fremer interviews Acoustic Sounds' Chad Kassem at LAAS. (Photo: John Atkinson)

The first Los Angeles Audio Show, the audio show that may very well supplant the transplanted-to-Anaheim, September-scheduled T.H.E. Show as the Southern California audio show of choice, has just come and gone. Even as exhibitors unpack their wares and begin the multi-month process of assessing the show's impact on sales and brand recognition, some observations on the show's success and otherwise are in order.

Jason Victor Serinus  |  Jun 03, 2017  |  3 comments
As the second wave of registrants stood in multiple lines in the lobby of the Sheraton Gateway Los Angeles on the morning of Friday, June 2, the Los Angeles Audio Show was already off to a promising start. And what a promise it was. The night before show's open, when I encountered the force behind LAAS, Bob Levi of the Los Angeles & Orange County Audio Society, in a hotel elevator, he told me that pre-registration had already topped 7500 people. That number, it seems, has set new records for attendance at an audio show in Southern California. It also undoubtedly sets a pre-registration record for any first-time high-end audio show in the US that welcomes the general public.
Jason Victor Serinus  |  Jan 12, 2016  |  0 comments
Far more sonically successful was the larger Lamm room. There, $266,950 worth of Lamm components, including the new LL 1.1 Signature line level preamplifier ($45,390/pair) and ML3 Signature SET mono power amplifiers ($139,490/pair), joined the big Kharma Exquisite Midi Grand speakers with F-drivers ($225,000/pair), a mostly not-in-production EMT/SME/ZYX turntable set-up, inexpensive Sanus racks ($840 total), and Kubala-Sosna Elation series cabling ($130,600 total) to draw sweeter, warmer, and more accurate sound from the same LP tracks.

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