Jason Victor Serinus

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Jason Victor Serinus  |  Oct 12, 2010  |  0 comments
La Stupenda is no more. The brilliant coloratura soprano Joan Sutherland, who died a thousand deaths onstage after emitting flawless high E-flats, died at her home near Montreux, Switzerland, on Sunday, October 10. Her death was confirmed by her frequent stage partner and friend, mezzo-soprano Marilyn Horne.
Jason Victor Serinus  |  Jun 13, 2017  |  4 comments
Stick with me through this introduction, girls and boys, because the wild and wacky music I'm about to discuss is worth it! Scan any "A" list of living American composers, and the names of two Pulitzer Prize in Music recipients with the last name of Adams inevitably appears: John Adams (b. 1947, Worcester, MA), and John Luther Adams (b. 1953, Meridian, MS). Although a third Adams, John Adams' son Samuel Adams (b. 1985, San Francisco, CA) is fast emerging as a major composer, we'll spend the next two weeks exploring new recordings of music by the two elder Johns.
Jason Victor Serinus  |  Jun 04, 2013  |  8 comments
Despite being the kick-off seminar presenter on Friday, and starting just one hour after the doors opened, John Atkinson herded almost a full house to "Garbage In, Garbage Out." An expanded version of a seminar he originally delivered at RMAF 2012, the description reads:
Making value judgments on audio components using commercial recordings has pitfalls that many writers gloss over. The way recordings are made drastically affects what you hear from your system, explains John Atkinson using his own recordings as examples.
Jason Victor Serinus  |  Jan 14, 2010  |  0 comments
Stereophile editor John Atkinson served as the opening act for the Grand Giveaway on the final day of THE Show 2010. In his short talk, John reflected on the losses of the past year. He first honored two of his departed mentors, John Crabbe and J. Gordon Holt, both of whom were central to the development of high-end audio. He also honored the memory of Al Stiefel, who co-founded the Rocky Mountain Audio Fest with his wife, Marjorie Baumert.
Jason Victor Serinus  |  Oct 22, 2010  |  1 comments
Big does not mean five figures in Jolida's book. The most expensive equipment in their main exhibit on the second floor of the Marriott Tower were the Phase 6 Tape Deck from United Home Audio ($15,000) that was playing master tapes from The Tape Project, the Von Schweikert factory-direct VR33 loudspeakers ($3750/pair), and the Fosgate tube phono preamp ($2500).
Jason Victor Serinus  |  Oct 22, 2010  |  1 comments
Jolida of Maryland sure knows how to produce good sound for people with limited budgets. Playing Leonard Cohen's classic "Back on Boogie Street" through iTunes, with all the sonic compromises that Apple's music server imposes on a system, Jolida's Glass FX tube DAC ($350) and Glass FX 25 Integrated hybrid amplifier ($350) still sounded great. This was not toy hi-fi; it was an indisputable portal into the real thing, with a musicality that put to shame some much more expensive systems I encountered at RMAF.
Jason Victor Serinus  |  Apr 26, 2014  |  4 comments
The big joy of visiting the United Home Audio room, manufacturer of the Phase 11S tape deck with outboard power supply ($23,000 as configured), was reuniting with Michael Allen of Jolida. The good news is that Michael, who was diagnosed with pancreatic cancer, has made a full recovery.
Jason Victor Serinus  |  Oct 20, 2012  |  1 comments
What a difference the recording makes. When I first entered the room sponsored by Von Schweikert Audio, Jolida Inc. and United Home Audio, I was surprised to hear really bright sound from what I expected was a master tape played on a UHA Phase 11 open-reel deck ($22,000). But when we switched to another recording, Pat Metheny and Charlie Haden performing “Missouri Sky,” I truly enjoyed the beautiful midrange, edge-free highs, and big presentation of the system. “Very, very nice” was my ultimate assessment.
Jason Victor Serinus  |  Jun 03, 2006  |  1 comments
After lunch, I wandered into the Joseph Audio room. I had initially encountered Jeff Joseph on Wednesday afternoon as he was attempting to cart four huge boxes of equipment into the hotel by stacking them one atop the other on a flimsy two-wheel luggage cart. Needless to say, upon encountering a small hump at the hotel threshold, the poor thing began to bend under the weight, unceremoniously depositing Jeff's boxes on the floor. Like someone kicking a mule whose hind legs have collapsed under it, Jeff attempted to wrestle with the beast, trying to convince it to perform its intended duty. The man may have the wherewithal to produce uncommon speakers that have received three "Best Sound at the Show" honors, but he seems to share a common human failing with yours truly—an occasional refusal to acknowledge the obvious.
Jason Victor Serinus  |  Oct 16, 2010  |  0 comments
Since my earliest visits to the Stereophile Show, well before I began writing for the magazine, I have always left Jeff Joseph's speaker displays with a smile on my face. This show was no different. Displaying the lovely Joseph Audio Pulsar ($7,000/pair) with not-yet-released-or-priced Pulsar stands, the combo with Ayre electronics (including the QB-9 USB DAC—$2750) and Cardas Clear cabling was a joy.

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