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Jason Victor Serinus Posted: Oct 06, 2009 5 comments
At least two people I know came up to me in the hallways of the Marriott to urge me to check out Intuitive Audio's new Gamma Summit speakers ($10,000/pair). As soon as I walked into the room, the fabulous bass on Patricia Barber's rendition of "Keep on Using Me Until You Use Me Up"—I'm guessing at the title—told me why. The system's riveting presentation also featured the kind of musical highlights for days that audiophiles love. Next I heard the same Mahler Symphony 2 recording I've been playing a lot at RMAF 2009. The speakers did an extremely fine job of controlling and highlighting the bass line, and also sounded very vibrant on top. Congratulations to designer Dale Pitcher for a job well done.
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Jason Victor Serinus Posted: Jan 08, 2016 0 comments
The company's smiling Irv Gross was happy to show me the new, shipping within 60 days Constellation Inspiration integrated 1.0 ($13,500). "This one has it all, and it's also our most affordable product," he said. "It's an Inspiration preamp combined with one half of an Inspiration amp, and it includes a headphone jack and theater throughput for easy integration in HT set-ups. It also outputs a legitimate 100 watts."
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Jason Victor Serinus Posted: Oct 11, 2008 0 comments
How I wish I could have seen Stephen Mejias' reaction to the Montegiro Lusso Komplet turntable ($33,000), distributed in the US by Koetsu USA. This thing looks like a cross between a tray of black and white ice cream parfaits and something from a Fellini movie. But it sure sounded good. Equipped with two arms, from SME and DaVinci, and two Koetsu cartridges, the Coral Stone Platinum ($15,000) and Onyx Platinum ($8000), the KMLK (for short) was making magic through Chario Serendipity Sovereign loudspeakers ($17,000/pair).
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Jason Victor Serinus Posted: Apr 27, 2014 0 comments
I'll be the first to admit that I have champagne tastes and a house wine budget. As proof, no sooner do I walk into the Brown Art Museum exhibit that has been an ongoing feature of AXPONA shows than I fall in love with this statue. Although the person who could have told me all about her was on break, the man taking his place could only share that she was the most expensive work of art in the exhibit. No wonder. Isn't she gorgeous?
Jason Victor Serinus Posted: Jun 06, 2013 1 comments
Ray Kimber has blown minds at previous shows with his IsoMike surround-sound exhibits. I recall, in fact, one at RMAF with huge Sound Labs electrostats that had everyone shaking their heads in disbelief at how amazing it sounded. But in this case, despite the excellence of four Sony SSAR-1 loudspeakers, Pass Labs X350.5 amplification, an extremely expensive array of EMM Labs equipment connected to a Sonoma—32 super audio center, and excellent Kimber Kabling, something was not right.
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Jason Victor Serinus Posted: Jan 14, 2015 0 comments
Two components in one, Isotek's Mosaic Genesis ($11,995) is, first of all, a power regenerator. Converting power to DC, and claimed to produce a perfectly clean, time-correct sinewave without sending noise back into the wall, it sends power to outlets isolated via a bus bar.
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Jason Victor Serinus Posted: Feb 02, 2008 0 comments
You thought the only new articles about CDs you'd be reading would be about further declines in sales? Well, it turns out that ArkivMusic, the country's leading website for new and formerly out-of-print classical recordings, posted, um, record sales last year.
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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Stereophile editor John Atkinson in a pensive mood as he listens to Jonathan Reichbach of Sonic Studio/Amarra speak at the start of the Advances in Computer Audio seminar JA chaired on Sunday morning.
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Jason Victor Serinus Posted: Oct 19, 2012 16 comments
Without, of course, wishing in any way, shape, or form for the title of his four seminars, “Just How ‘Absolute’ Is Recorded Sound?,” to be misconstrued as referring to a certain publication based on what I personally consider a dubious concept, Stereophile editor John Atkinson used everything from a drumstick to a cowbell, both sounded “live” and played back on the seminar room’s stereo system, to convey the message: “Nothing is real. How the recording art affects what you think you hear!” As John proceeded to point out that the brain combines information from separate left and right loudspeakers into a single stereo image, my own brain began to repeat the refrain, “30 or so more rooms in the hall, 30 or so more rooms, If one of those rooms should end up uncovered, your ass will be plastered far into the wall.” Hence I vamoosed, and now leave it to John to say more about the content of his seminar.
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Jason Victor Serinus Posted: Apr 30, 2014 2 comments
I've reported on this pairing before in show reports, but this was, by far, the best and most transparent sound I've heard from JansZen and exaSound. The top was nice and alive, the height and openness quite lovely, and the sound very natural and musical. Doing the honors were the brand new JansZen zA1.1 single-panel loudspeakers ($4495/pair), JansZen zA2.1 loudspeakers ($9400), exaSound flagship e22 native quad-rate DSD DAC ($3499) with "the world's first and exclusive support for DSD256 on Mac" and third-generation headphone amplifier, Emotiva electronics, and a stock USB cable.

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