Jason Victor Serinus

Next weekend's Rocky Mountain Audio Fest (RMAF) is bigger than ever. Scheduled to be held October 15–17 in the Denver Marriott Tech Center, the seventh annual show has expanded from last year's 145 display rooms to a record 174. Add in silent displays in hallways, and there were products in every price range from a good 400 companies (up from 350 in 2009). Now occupying six floors in the Marriott Tower (including the mezzanine) and two in the Atrium, the Rocky Mountain Audio Fest has well earned its reputation as the largest consumer-audio and home-entertainment show in the US since the demise of the Stereophile Shows.

Rogers High Fidelity's New York-manufactured, aerospace engineering-based system, which included the just-launched PA-1A six-tube phono preamplifier ($7100) (pictured on the right) and EHF-200MK2 KT150-based, 112Wpc integrated amplifier ($15,000), delivered extremely quiet, beautifully warm and lovely sound with Shunyata power conditioning, Kimber Kable, and Davone Grande loudspeakers. The two Rogers pieces also looked fabulous.

Artist Jay Paul Apodaca and his lovely wife, Houda Alaoua Apodaca, were rocking out with Roksan UK’s Oxygene touch-sensitive, Bluetooth-equipped integrated amp ($7000) at the world premiere of its limited edition Jay Paul Apodaca incarnation. As the story goes, Roksan’s owner, Tufan Hashemi, visited Jay Paul’s store in Detroit and began collecting his art. Eventually he decided to commission Jay Paul to make 12 original paintings that he could reproduce on the front of the Oxygene. Mated with Roksan’s Darius S1 loudspeaker, the artwork and system livened up the Marriott’s Tower like few other systems I heard.

I first encountered consistently handsome Rosso Fiorentino speakers at a show years ago, and immediately encouraged a now-retired distributor to pick up the Italian brand. I'm so happy to discover that AudioThesis is now bringing them into the US.