Jason Victor Serinus

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Jason Victor Serinus  |  Jan 12, 2011  |  10 comments
Audioquest formally released their current top-of-the-line reference USB cable at CES, the Diamond USB ($650/1.5m). The cable’s conductor is solid-core, perfect-surface silver (100% silver).

A key feature of the Diamond USB, which is held in the photo by Audioquest’s Andrew Kissinger, is the Audioquest DBS (dielectric bias system). Invented and patented by Richard Vandersteen, with the cable version co-patented by Vandersteen and Audioquest’s Bill Low, the DBS creates an electrostatic field that saturates and polarizes the molecules of the insulation to minimize energy storage in the dielectric. The result is claimed to be much greater dynamic range, lower background noise, and reduced phase distortion.

Steve Silberman, VP of Marketing, explained that all insulators have capacitance. Energy from the conductor enters the insulation and needs to discharge. The DBS’ electrostatic field lowers the discharge, which in turn lowers the amount of phase distortion and makes for a cleaner signal.

In a very short demo, Silberman compared music through a stock USB cable that came with his printer to music through the Diamond. Using the new Arcam R asynchronous USB DAC, Arcam AVR 600 receiver, AQ Niagra interconnects ($1600/1m pair), AQ Redwood speaker cables ($2300/3ft pair), and Vandersteen 2Ce 30th anniversary edition speakers, the difference in transparency and color was striking.

Jason Victor Serinus  |  Aug 27, 2014  |  0 comments
What a difference a change of location can make! What was originally a major challenge—AudioVision SF, one of the country's major dealerships, literally had the rug pulled out from under them by their landlord last spring, and needed to raise money and scurry to a new location—has turned into a major opportunity: a spanking new venue, whose main listening room sounds much—that's much, as in much—better than before.
Jason Victor Serinus  |  Mar 15, 2017  |  4 comments
The recently-released Audirvana Plus 3 has become the first desktop music player for MacOS to include an integrated MQA Core decoder. To quote the press release, issued jointly by London-based MQA and Paris-based Audirvana, Audirvana's MQA Core decoder "enables the first origami 'unfold' and also authenticates the file using a blue or green light to confirm that the sound is identical to that of the source material."
Jason Victor Serinus  |  May 13, 2016  |  11 comments
Contrast this view, taken by Peter McGrath as we headed to dinner at show's end, with that of the mobbed staircase at the opening bell…
Jason Victor Serinus  |  Jan 14, 2007  |  1 comments
Needing a shot of the real thing after a particularly disappointing dem from another manufacturer, I headed down the hall to hear Aurum Acoustics' total package. ($48,000 gets you the Integris CDP CD player, Integris Active 300B amplifier and speakers, Integris two-shelf Isolation Rack in matching veneers, 2m power cable, Aluminum Base kit, and Loudspeaker Grille Kit. As I said, the whole package.
Jason Victor Serinus  |  Oct 04, 2009  |  3 comments
Until I encountered the world premiere of the imposing Wharfedale Airedale Neo loudspeaker ($20,000/pair), I hadn't run into speakers from the 70-year old company in many a year. The wait was worth it. This wonderful-sounding speaker, which weighs over 125 lbs and can handle up to 400W power, boasts point-to-point wiring, frequency response of 25Hz–45kHz, and 88dB senstivity.
Jason Victor Serinus  |  Oct 11, 2008  |  4 comments
Over in the Tech Center Hyatt, Mark Schifter's AV123 corralled a huge room in which to showcase their soon-to-be-shipped flagship LS9 Focus Line Source speaker ($5999/pair). Powered by gorgeous Dodd Audio KT-88 monoblocks (approx. $40,000/pair—there was no literature on hand), the brand new Ultra Fi Music Stream USB-connectable DAC ($3499) with a proprietary analogue output stage designed by Larry Moore, a Ridge Street Audio USB cable that he waxes ecstatic about, and a laptop equipped with every kind of classical music (except what I wanted to hear), the system was creating astoundingly large-scale, believable images and enveloping sound. While designer Danny Richie's proprietary woofer array was issuing tremendous bass, a touch of brittleness on the highs gave evidence of the fact that the planar-magnetic tweeters had hardly broken in. You can bet that I'll be back again on Sunday to hear how they sound with some more hours on them. What this speaker does for the price is astounding.
Jason Victor Serinus  |  Jan 12, 2010  |  3 comments
Beckoning like the mythical paradise for which the Coloradon company is named, the Avalon Acoustics Time loudspeakers ($47,995/pair) stood in a large suite on the 34th floor. Surrounded by a large complement of room-tuning devices that only partially controlled their low end, the beauty and clarity of the Time's diamond tweeter transmitted the beauty of Renaud Capuüon's violin as few other speakers I have heard.
Jason Victor Serinus  |  Mar 13, 2012  |  2 comments
You can usually count on former airline pilot Darren Censullo of Fayetteville, GA to put together an exhibit that sounds as good as it looks. Impeccably displayed, although in light that barely revealed their true Tuscan leather exteriors and aluminum front baffles, the beautiful Rosso Fiorentino Sienna loudspeakers from Italy ($24,995/pair) shared the ambience with the Dr. Feickert Analogue Firebird turntable ($12,995) and Analogue DFA 12.0 tonearm ($1495 with table); AMR (Abbingdon Music Research) CD-77.1 CD player ($10,995), PH-77 phono preamp ($11,995) AM-77.1 integrated amp in mono vertical biamp mode ($9995), and DP-777 DAC ($4995); AMI-HIFI HDR Mini Server Version music player ($2995), Monk Audio phono preamp ($3495), a host of Acoustic System International Resonators ($250–$2850 each) and LiveLine cabling ($995–$2100), as well as the company's 3-shelf equipment rack ($3500) and Top Line feet ($750/set); and Avatar Acoustics' own Mach 4 Power Distributor w/captive ASI power cord ($1995) and Afterburner 8 wall outlet ($80).
Jason Victor Serinus  |  Oct 17, 2012  |  1 comments
I never thought that yet another listen to Rebecca Pidgeon's "There is a Rose in Spanish Harlem" would hold my attention, but, on the set-up from Avatar Acoustics' Darren Censullo, the recording sounded irresistible. I was especially seduced by the system's compelling warmth in the midrange and correctly proportioned bass. But really, everything in this room sounded really good.

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