Stephen Mejias

Sort By: Post Date | Title | Publish Date
Stephen Mejias  |  Oct 15, 2011  |  0 comments
We didn’t listen to the Thoress F2A11 integrated amplifier, but just look at it: It’s awesome.

Entirely hand-built by Reinhard Thoress, the amplifier uses NOS Siemens F2A11 power tetrodes, which High Water Sound's Jeffrey Catalano explained, were popular in the Klangfilm cinema amplifiers of post-war Germany. Three line-level inputs are selectable by a rear-panel rotary switch, while separate volume controls for each channel can be adjusted using carefully matched high-grade rotary potentiometers. Why? I don’t know why, but it’s cool.

According to Catalano, the sound of the F2A11 is crystal clear. It “just cuts through all the BS.” There you go. The Thoress F2A11 looks like some kind of a tank, delivers about 6Wpc, and costs $8000.

Stephen Mejias  |  Sep 29, 2005  |  3 comments
In the conference room, where I have lunch each day with two of my favorite people in the world (I am very lucky), I found myself tapping my fingers in constant rhythm against the long, veneered table. Why was I doing this?
Stephen Mejias  |  Mar 09, 2009  |  22 comments
That first morning, I woke and immediately began to worry. How would I know what to wear? What if there were train delays? What if there had been some horrible catastrophe requiring that I stay away from Manhattan?
Stephen Mejias  |  Nov 29, 2006  |  3 comments
If you were to do a Google image search on my work at Stereophile, you'd see that, basically, my days are simply filled with reading, writing, coordinating, and planning. No two consecutive days, however, are the same.
Stephen Mejias  |  Apr 03, 2009  |  2 comments
The trend toward smaller, less imposing systems is continued at SSI by Verity Audio, showing their gorgeous Parsifal Ovation Monitor ($9000/pair). While Simaudio and Dynaudio were showing what can be achieved at the lower end of the price scale, Verity, Nagra, and dCS put together a room-friendly system made to slay giants.
Stephen Mejias  |  Oct 17, 2010  |  0 comments
The Rosso Fiorentino Volterra, represented in the US by Avatar Acoustics, uses a crossover circuit placed in an isolated and damped box within the center of the speaker's cabinet. Here's a look inside.
Stephen Mejias  |  Jul 08, 2011  |  1 comments
Lately, when I’ve been hungry for some good, uncomplicated, headshaking, soul-lifting songwriting, the kind that drops from the summer sky like a sudden shower and leaves a rainbow in its wake, I’ve turned to Slave Ambient, the sophomore release from The War On Drugs.

Recorded over the last four years in front man Adam Granduciel’s home studio in Philadelphia, Jeff Ziegler’s Uniform Recording, and Echo Mountain in Asheville, NC, the album is a drive to the ocean, windows down, head back, shades on. Acoustic and electric guitars, synthesizers, drums, and Granduciel’s voice, rambling and drifting and howling, together recalling heat waves, long days, Bruce Springsteen, Bryan Adams, Bob Dylan, Tom Petty and the Heartbreakers.

Stephen Mejias  |  Jun 12, 2009  |  7 comments
The July issue of Stereophile (which you should totally get a hold of; steal it, if you have to) includes Robert Baird's interview with Sonic Youth. Robert visited the band at their studio, Echo Canyon West, in Hoboken, NJ. I wish I could have been there. I would've laid right down on that floor and soaked it all up.
Stephen Mejias  |  Dec 03, 2009  |  6 comments
Okay, read this: The Decade in Music: The Way We Listen Now, from NPR’s “All Things Considered.”