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Stereophile Staff Posted: Jun 09, 2002 0 comments
Brian Damkroger finds that the Magnepan Magneplanar MG1.6/QR loudspeaker and a 1973 Porsche 911 have much in common: "Each has grown out of the vision of a single, brilliant designer. Each reflects the long, steady evolution of a basic design, and the consistent focus on a core set of engineering criteria." BD then listens for the fruits of this approach to speaker design and writes up the results.
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Stereophile Staff Posted: Jun 15, 2003 0 comments
"Does the modern audiophile want a sleek, compact, powerful, remote-controlled, microprocessor-driven, two-channel integrated amplifier?" Michael Fremer seeks the answer as he reviews the Perreaux R200i integrated amplifier. It may be small, but as MF finds, it also packs a punch.
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Stereophile Staff Posted: May 05, 2002 0 comments
At the start of his review of the Balanced Audio Technology VK-D5 CD player, Jonathan Scull observes, "Man, has Balanced Audio Technology come a long way in a short time." Scull goes in-depth with the VK-D5 to explain just what he's found.
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Stereophile Staff Posted: Oct 25, 2004 0 comments
From the October 2004 issue, Michael Fremer reviews the mbl 101E Radialstrahler loudspeaker, enthusing, "In one night's listening orgy, I tore through albums by the Weavers, Harry Belafonte, Sweet Honey in the Rock, Tony Bennett, etc—all recorded live in Carnegie Hall. The results were nothing short of astonishing."
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Stereophile Staff Posted: Mar 18, 2001 0 comments
Tweaks can rear their pointy little heads in the most unexpected of places, as Stereophile's inimitable Jonathan Scull discovered recently when he stubbed his toe. In Fine Tunes #33, J-10 reveals the floor screw tweak and many more.
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Stereophile Staff Posted: Jun 28, 2004 0 comments
Brian Damkroger listens long and hard to the Primare D30.2 CD player noting, "Primare is reluctant to provide much technical detail about their designs, preferring to let their products do the talking." So after a little chatting, BD files his report.
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Stereophile Staff Posted: Jul 18, 1999 0 comments
Winter had just touched down in Santa Fe two days before the recording sessions were to begin, leading Wes Phillips to wonder if the damp air would wreak havoc with tuning. But he needn't have worried, writing that violinist Ida Levin "played with such intense concentration that sometimes she seemed about to levitate off the floor as she chased a melodic line into the ether." In Duet: And Two to Carry Your Soul Away, Ida Levin and John Atkinson join Wes Phillips in chronicling the recording from both musical and technical perspectives.
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Stereophile Staff Posted: Jan 26, 2004 0 comments
To kick off his three-loudspeaker survey from the January 2004 issue, Art Dudley sets up the Meadowlark Audio Swift loudspeaker in his room and notes, "You look at something like the Meadowlark Swift and you think, How can they sell this for only $1195/pair?"
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Stereophile Staff Posted: Aug 08, 1999 0 comments
Tonal accuracy vs. soundstage? "Achieving an optimum balance between the two philosophical extremes of recording is where much of the art lies. It also begs the question, of course, of why it's impossible to have both: a recording with a virtual-reality sense of imaging that also captures all the sound without any coloration." While recording the Sonata CD for Stereophile, John Atkinson wrestles with every recording engineer's dilemma. Read about the struggle to capture Robert Silverman performing Liszt's monumental B-Minor Piano Sonata and the ultimate solution in "Fate, I Defy You," added this week to the archives.
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Stereophile Staff Posted: Feb 10, 2002 0 comments
Chip Stern writes in his review of the Blue Circle BC3 Galatea line-level preamplifier, "From the moment I hooked these units up, the captivating turquoise glow of their matching front-panel lights (a glowing orb within a blue circle) held out the promise of something inviting and serene." Promise fulfilled? Stern spills the Blue Circle beans.

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