Stereophile Staff

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Stereophile Staff  |  Aug 13, 2000  |  0 comments
When a manufacturer makes extraordinary claims about a product, the result is sometimes an extraordinary review. That's what happened when Jonathan Scull examined the Richard Gray's Power Company 400S AC line conditioner last June. His report raised a chorus of reader and industry reactions, all of them included here along with some additional unpublished observations.
Stereophile Staff  |  May 24, 2004  |  0 comments
"Size does matter," John Atkinson discovers, as he fits the Shure E3c in-ear headphones into his ears. Once fitted, JA hooks the mini "cans" up to his iPod and PowerBook to discover how much audiophile sound a little set of ear buds can produce.
Stereophile Staff  |  Jun 23, 2002  |  0 comments
Michael Fremer heard that the Alesis MasterLink ML-9600 Hard Disk/CD-R Recorder "can sound better than all but the absolute top-drawer analog," and, of course, had to investigate. Mikey 'splains why audiophiles should take note of a machine generally used as a mastering tool by the recording industry.
Stereophile Staff  |  Sep 19, 1999  |  0 comments
Want to know how Michael Fremer is able to tie a story about his baffled plumber into an equipment review? Find out in his report on the Audio Physic Virgo loudspeaker. About the speakers, Mikey writes: "Clearly, the Virgos disappeared, leaving one of the most credible three-dimensional soundstages I've ever experienced in any of my listening rooms over the years."
Stereophile Staff  |  Aug 30, 2004  |  0 comments
In a landmark special feature, Chris Dunn & Malcolm Omar Hawksford thoroughly dissect the vicissitudes of the digital interface and jitter in Bits is Bits? The authors note, "The theoretical performance obtainable from the 16-bit linear PCM format sampled at 44.1kHz is superior to any analog sources available to the consumer."
Stereophile Staff  |  Feb 14, 1999  |  0 comments
Last week we posted reviews of the Linn Sondek CD12 CD player and the Linn AV 51 system. This week we add a review of the Linn Linto phono preamplifier, as well as John Atkinson's report on the Revel Ultima Gem loudspeaker & Ultima Sub-15 subwoofer, and Tom Norton's review of the complete Revel Home Theater speaker system.
Stereophile Staff  |  Dec 08, 2003  |  0 comments
Paul Bolin says that the Balanced Audio Technology VK-51SE line preamplifier "made a profound impression on me at the 2003 Consumer Electronics Show." Once in his very own listening lair, did the BAT continue to impress? PB tells all.
Stereophile Staff  |  Oct 28, 2001  |  0 comments
Kalman Rubinson says he "anticipated the installation of the TacT Audio RCS 2.0 digital equalizer/preamplifier with mixed emotions." Would his hard work at setting up the perfect listening environment be rendered irrelevant in the face of digital signal processing? Or would the future of audio unfold at his feet?
Stereophile Staff  |  Jul 05, 2004  |  0 comments
We begin with a January 1993 article from Robert Harley called The Jitter Game. RH explains, "Clock jitter is a serious and underestimated source of sonic degradation in digital audio. Only recently has jitter begun to get the attention it deserves, both by high-end designers and audio academics."
Stereophile Staff  |  Sep 02, 2001  |  0 comments
In his review of the Conrad-Johnson Premier Eleven power amplifier, Wes Phillips comes clean and admits that he loves to be seduced by sound. Phillips writes, "Now, I'm not proposing that we embrace coloration . . . but the removal of all pleasure-producing tonalities doesn't necessarily make for increased realism."

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