Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Apr 26, 2004 0 comments
Paul Bolin revisits planet Halcro to review the company's dm10 preamplifier. As PB notes, "After designing an amplifier that turned much of the audio world on its head, Halcro's head honcho, Bruce Candy, turned his attention to developing a preamplifier to match what he'd already wrought."
Filed under
Stereophile Staff Posted: Mar 11, 2001 0 comments
With the April issue of Stereophile, the "Recommended Components" list is again on its way to subscribers' audiophile homes around the world. But there has always been controversy surrounding the popular feature. George Reisch explores the problem in "Recommended Components"—the St. Hubbins' Syndrome!
Filed under
Stereophile Staff Posted: May 20, 2001 0 comments
Mark Levinson has traveled from Woodstock to the Whitney, and Michael Fremer lends an ear to his Red Rose Music R3 loudspeaker to determine if the journey was a fruitful one. As Fremer characterizes it, "If Levinson's Cello foray was haute monde, Red Rose is Dockers: loose-fitting and relaxed."
Filed under
Stereophile Staff Posted: Apr 01, 2001 0 comments
As Robert J. Reina writes, "I have a passion for great speaker designs at affordable prices, and with modern driver, crossover, and cabinet technologies making innovative strides, many serious high-end speaker designers are turning their attention to coming up with the next great budget speaker." At $649/pair, is the PSB Image 4T loudspeaker it? Reina divulges the results of his aural examination.
Filed under
Stereophile Staff Posted: Sep 06, 2004 0 comments
From the September 1992 issue, Corey Greenberg checks in with a review of the Dynaco Stereo 70 II power amplifier. According to CG, "Panor's Stereo 70 II reissue looks similar to a vintage Dyna, but contains several circuit additions claimed to improve the original design's performance."
Filed under
Stereophile Staff Posted: Apr 28, 2002 0 comments
Jonathan Scull says he likes "stories with happy endings." Will his time spent with the Conrad-Johnson Premier 16LS preamplifier leave a smile on his face or a frown? J-10 comments, "As always, after a period of time, I began tweaking until I got the sound just so, then whipped out the laptop and . . . " filed this report.
Filed under
Stereophile Staff Posted: Jan 06, 2002 0 comments
Martin Colloms reviewed the Sonus Faber Guarneri Homage loudspeaker back in 1994, finding that "Sonus Faber provides a fascinating and challenging insight into the art of high-quality sound reproduction." But does the diminutive Guarneri breathe real music? Colloms reports.
Filed under
Stereophile Staff Posted: Feb 16, 2004 0 comments
This week we have two John Atkinson speaker reviews from the February 2004 issue. First, JA gets his hands on the B&W 705 loudspeaker, commenting, "When I heard about the company's new 700 series of speakers, based on the technology featured in their cost-no-object Nautilus series but priced to sell in the real world, I asked to review the $1500/pair 705."
Filed under
Stereophile Staff Posted: Jul 26, 2004 0 comments
John Atkinson wires up a pair of Gershman Acoustics Opera Sauvage loudspeakers, noting, "'Mellow' was the word I used to describe my first impression of the Opera Sauvage's balance, and nothing I experienced throughout my auditioning persuaded me that that impression was mistaken."
Filed under
Stereophile Staff Posted: Dec 29, 2003 0 comments
J. Gordon Holt and various other Stereophile writers are brought together to create the definitive review archive of the Audio Research SP9 preamplifier. The SP9 review was controversial in its day, and the complete review archives include manufacturer and reader comments.

Pages