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Stereophile Staff Posted: Dec 08, 2002 0 comments
John Atkinson and Stephen Mejias tally the writer and editor votes to present "The 2002 Products of the Year." As JA comments, "For more than a decade now, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period."
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Stereophile Staff Posted: Dec 27, 1998 0 comments
J. Gordon Holt, founder not only of Stereophile but also of high-end audio journalism as we know it, reveals all in a comprehensive interview with writer Steven Stone: 35 Years and Just Getting Started.
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Stereophile Staff Posted: Jan 16, 2000 0 comments
In "Working in the Front Line," Martin Colloms writes: "A committed audio equipment reviewer operates at the front line of audio subjectivity. How is it possible to do this successfully, when a similar task undertaken by an industrial laboratory or test house would take five times as long, cost ten times as much, and deliver a verdict of arguably poorer relevance?" How indeed . . . Colloms explains himself.
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Stereophile Staff Posted: Jul 08, 2001 0 comments
Brian Damkroger finds that, while struggling unsuccessfully to fit the Conrad-Johnson Premier 17LS line-stage preamplifier into his preconceived notions of the company and its products, a paradigm shift in his thinking occurred. Damkroger explains that "it was only during a marathon session of listening and comparing the C-J to a couple of other preamps that the truth dawned on me . . . I went back and forth between the C-J and the other units several times over the course of the next week, and one evening it hit me." The truth awaits.
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Stereophile Staff Posted: Jan 30, 2000 0 comments
Getting a good connection to ground can make or break a fussy audio (and video) system. Jonathan Scull reveals several tips and tricks in "Fines Tunes" #9. As J-10 states: "Of course, the 'Fine Tunes' brief is low- or no-cost techniques for improving your system's sound. So let's consider that unruly beast called Ground. Aside from walking on, what's it good for?" The answer awaits.
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Stereophile Staff Posted: Feb 11, 2001 0 comments
Controversy may sell magazines, but it can also cause all sorts of editorial and letter-writing ruckus. In "Where's the Real Magazine," John Atkinson follows the heated trail that began when he decided to put a PC soundcard on the cover of Stereophile back in September, followed by a Denon surround receiver (horrors!) that graced the December issue. Included as a bonus is the hot-off-the-presses March 2001 "As We See It" in response.
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Stereophile Staff Posted: Apr 20, 2003 0 comments
While doing background on the InnerSound Eros Mk.III electrostatic loudspeaker, Larry Greenhill discovers that "the presidents of all three American ESL companies share common names." But do they share a common sound? Greenhill investigates.
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Stereophile Staff Posted: Jul 04, 1999 0 comments
Want to start an argument on one of the audio newsgroups? Just mention ABX. Doesn't matter if you're for it, against it, or just curious about what it is---you'll start a fire that might take weeks to burn out. But before audio newsgroups even existed, J. Gordon Holt was probing the usefulness of the ABX Comparator in an "As We See It" column from 1982, "The Truth Should Out." His thoughts might surprise you.
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Stereophile Staff Posted: Jul 28, 2002 0 comments
We start our survey of small speakers with Robert J. Reina's review of the Paradigm Reference Studio/20 loudspeaker. "Impressive right out of the box" is how Reina charaterizes the two-way design, which gets an in-depth review and also a May 2002 followup from Robert Deutsch.
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Stereophile Staff Posted: Oct 20, 2002 0 comments
Robert Deutsch says, "There is something special about SETs: a kind of midrange magic, a harmonic rightness that tends to elude other amplifier designs." But how to get more power from a single-ended triode design? In his review of the Air Tight ATM-211 monoblock power amplifier RD discovers one answer.

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